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@scottEweinberg Not to mention the fact that the journalists/writers who do all of the actual investigative work and writing can barely pay their bills. But the folks reading their stuff to an audience sell out theaters.
@HorrorDaddysRUs There’s a certain other murder podcast where the hosts were literally just reading articles—sometimes without attribution—verbatim (and selling out auditoriums). I’ve stopped listening so not sure if that’s still happening. But even with attribution it’s pretty shady.
@Superdoc67@AC360 I tuned in right at the last 15 seconds. She looked to be on the verge of tears as @AC360 was closing the interview and he apologized for her feeling disrespected. So what happened, exactly?
@NAMELEISONFIRE There was a time, not that long ago, that Iron Man was considered a b-level hero and non-comic readers had no idea who the Guardians of the Galaxy were.
I think Marvel will be okay.
@CinemagicInside I beg you... PLEASE enforce your seating policy for “Endgame” tomorrow. I’ve had way too many issues lately (mostly at Clark’s Pond location) of arriving to a sold out show, only to find my seats taken by others who didn’t want to sit in their assigned seats.
@JessicaChobot I am finally trying out #ShadowoftheColossus. But man, the controller sensitivy and camera don’t make for a particularly enjoyable experience thus far. Have already monkeyed quite a bit with settings, to little avail.
@HorrorMovieCast maybe check out #Mine on Netflix. It’s not horror, though it features 1-2 scenes that are arguably horror-adjacent. Tone is all over the place (not surprised to see 2 directors) & there’s an unfortunate trope but I feel like there’s more here to like than not.
There’s actually a decent amount to like about #Mine (chiefly, the theme of regret, anger and anxiety serving as our own personal landmines that tether us, preventing us from moving forward). But the films embrace of the “magical negro” trope, in 2019 no less, is unfortunate.