Konan

Landscape architect & visual designer. AI-assisted UI, motion & interactive 3D experiments. Sharing work, process and design decisions.

[Ann Nguyen @ann_nnng]

made this tool that turns your brand into that ink-bleed look with claude opus 5.5, using three.js and webgl

[Konan @Neural333]

@ann_nnng Love the little pools of ink around the letter edges. A bleed intensity control would be fun to explore — especially for keeping smaller type readable. Could see this working really well for an editorial title sequence.

[Konan @Neural333]

@Nal_uh I'd love to see Topkapi Palace next — the courtyards and gardens would be a lovely fit for this. Adding the landscape around the buildings could make the spatial story even richer. Really interesting direction!

[sarpstar @sarpstar]

Gerçekten anlatacak hikâyeleriniz varsa, Opus 5.5 ile YouTube kanalı açmak bence şu an denemeniz gereken bir fırsat.

Hiçbir video modeline para vermeden bu filmi yapabiliyor olmak gerçekten baya keyifli bir his. Claude hayalimdeki görüntüleri kodla üretebildiği için onlarca dolar cebimde kaldı.

Ama şu an beni en çok etkileyen, yapmak istediğim filmin hissiyle onu yapma biçimimin birbirine karışması.

İnsanın içine işleyen, tekinsizliği derinlerde hissettiren bir film yapmak istiyordum. Ve içimdeki o hissi bir yapay zekânın sadece kodla görüntüye çevirebiliyor olması, filmin varoluş sancısını benim gözümde daha da katlıyor.

İyi seyirler.

[Konan @Neural333]

@sarpstar Filmin hissiyle üretim biçiminin birbirine karışması kısmı çok ilgimi çekti. Kodla görsel üretirken o tekinsizliği korumak için Claude'u en çok nerede yönlendirdin: hareket, doku, yoksa kurgu ritminde mi?

[Konan @Neural333]

@tjoeaon The contrast between that organic green backdrop and the precise wireframe boxes gives the portfolio a distinctive mood. Curious about the generative audio: does it react to navigation, or evolve independently as you explore?

[Konan @Neural333]

@alimdesigner_ Snap to pixelate, snap again to return is such a clear, playful interaction. A button or keyboard alternative alongside the snap could make the same magic easier to access for people who can’t snap their fingers. Really fun concept.

[Konan @Neural333]

@AlexAperios That rounded wordmark has real character, and it holds its own over both the portrait and the wider scene. Lovely to see the client carrying the visual language forward. Which part of the identity did their team adapt most after the handoff?

[Marcel @marcelkargul]

this is how we design brand systems at https://t.co/aY8FnJvfnZ 😏

[Konan @Neural333]

@marcelkargul I like how the rationale sits alongside the usable details, like the logotype scale. It makes the identity easier to carry forward beyond the initial presentation. A small “common mistakes” section could be a helpful addition for the teams applying it day to day.

[Konan @Neural333]

@studiobakers @creativeintelco The oversized type and warm off-white background give this such an editorial feel. That playful camera illustration keeps it from feeling too formal — lovely balance between clarity and personality.

[Konan @Neural333]

AI ile görsel hikâye anlatımında beni en çok düşündüren aşama: sunulan seçenekler arasından bir görsel dil seçmek.

Bu oyun denemesinde dört stilden birini seçtim. Silüetler ve sınırlı renk paleti, atmosferin omurgasını oluşturuyor.

Sizce bir sahnenin duygusunu en çok ne belirliyor?

[Konan @Neural333]

I made a Shutter Island game with Claude Opus 5.5.

It showed me 4 art styles, I picked one, and it built the rest: 14 scenes, speech bubbles, 3 endings. Every image is drawn in code, every sound is synthesized. No assets.

Play it: https://t.co/fdfv2TL4VM

[Konan @Neural333]

@brsabel The coastline and low sun give this a lovely sense of place. Exploring alongside an agent feels like a promising way to discuss a landscape spatially. Can you point out a landmark and have it follow you there, or does it choose its own route?

[Konan @Neural333]

@albn Being able to switch between versions makes the optimization much easier to judge. A wireframe comparison at the same camera angle could be a useful companion — especially around the laces and silhouette. Lovely example of making a technical trade-off visible.

[Konan @Neural333]

@posterlad The blue and coral offsets make those dark circles feel almost sculptural. Seeing the print held in a real room is a great touch too — it gives the optical effect a sense of scale. Would love to see a close-up of the paper texture.

[Bilal Khan @Bk23544]

Touching grass after spending months creating it 😭

https://t.co/1h3FBgZMmQ

#threejs #webgpu

[Konan @Neural333]

Mimari sunumda hareket, sadece kamerayı gezdirmek için değil; bir ilişkiyi anlatmak için de kullanılabilir.

Opus 5.5 ile yaptığım bu güneş yörüngesi denemesinde ilgimi çeken şey, planla ışık fikrini aynı anlatıda buluşturmak.

Sizce en iyi mimari diyagramlar neyi sadeleştiriyor?

[Konan @Neural333]

Solar Trajectory with Opus 5.5

[Konan @Neural333]

@emilsvfx Watching the skull outline emerge from those moving circles is very satisfying. A brief hold on the finished mark, with the construction circles fading back, could make this a lovely logo reveal as well as a visual explanation.

[Konan @Neural333]

@Bk23544 The dense grass against the distant tree line gives this a lovely sense of depth. As a landscape architect, I’m curious whether you can vary blade height and density across the terrain — it could make the transition from meadow to path really expressive.

[Konan @Neural333]

@razecdzn Me gusta la ligereza de las líneas y el espacio en blanco: le dan un aire de boceto técnico. Sería bonito probar un poco más de contraste en la figura central para que destaque sin perder esa delicadeza.