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Новые интеллектуальные технологии - инновационные методики развития личности

[Massimo @Rainmaker1973]

Rally pilot vs what rally pilot sees

[📹 tgr_wrc]

[Quanta Magazine @QuantaMagazine]

Often, when you pull hard on something, it breaks. But when it comes to the spindle, the fiber that organizes chromosomes during cell division, pulling only makes it stronger. https://t.co/9X13Jv5wXL

[Massimo @Rainmaker1973]

Desk kinetic sculpture

[🎼🌺Music Love♥️ @ThoNg676733]

Among the greatest masterpieces of Western classical music, very few works have been as extensively studied and analyzed as Symphony No. 5 in C minor, Op. 67 by Ludwig van Beethoven.

The fame of the work is often associated with its famous four-note opening motif. However, the true source of the symphony’s greatness does not lie in those four notes themselves. It lies in a chain of closely connected principles, developed from those four simple notes, extending from musical structure to human psychology, and at a deeper level, opening up philosophical reflections.

To understand why this symphony has moved audiences for over two centuries, we need to proceed step by step from the surface to its deepest layers.

1. The visible musical detail: The four-note motif

The symphony opens with one of the simplest musical ideas in history:

Three short notes.

One long note.

What matters is not the pitch of the notes, but their internal structure. As Charles Rosen and Donald Francis Tovey have pointed out, the value of this motif is not that it is a famous melody, but that it is a rhythmic and structural “cell” capable of virtually unlimited self-development.

Rather than functioning merely as an opening theme, it becomes the “DNA” of the entire work.

The audience hears only four notes.

But in that very moment, Beethoven has already established the principle that governs the entire symphony.

2. Structural principle: A self-generating musical system

As the work develops, the motif no longer functions as a conventional melody.

Its rhythm, its tension, and its structural proportions gradually permeate every layer of the music.

Theme.

Transition.

Harmony.

Orchestration.

Form.

Everything begins to operate according to the same underlying principle.

The listener no longer perceives separate musical ideas.

They are hearing a single principle continuously reorganizing itself in different forms.

This is one of Beethoven’s greatest innovations.

He does not build the symphony from multiple independent ideas.

He allows the entire work to grow from a unified principle.

3. The listener’s experience: A sense of necessity

This unity produces a particular effect.

When every musical event develops naturally from what came before, the listener gradually gains the sense that everything is necessary.

No detail appears randomly.

No section could be arbitrarily replaced.

Every conflict demands resolution.

Every modulation seems driven by the internal logic of the music.

Donald Francis Tovey called this feeling “dramatic necessity.”

The music makes the listener feel that it could not unfold in any other way.

The listener is no longer hearing a sequence of sounds.

They are witnessing the operation of a system with its own internal logic.

4. Psychological root: The human desire for order

But why does this sense of necessity move the listener so deeply?

Part of the answer lies in how humans perceive the world.

Human beings have a natural tendency to seek patterns, unity, and meaning in their experiences.

When what initially seems complex gradually reveals itself as part of a unified whole, the mind experiences a profound sense of satisfaction.

What moves the listener is not only that the music is beautiful.

It is that they perceive a transformation from chaos to order.

They realize that all conflicts, interruptions, and instabilities ultimately find their place within a meaningful totality.

Thus, the symphony responds to one of the most fundamental tendencies of human cognition:

The desire to discover unity beneath what appears fragmented.

5. Philosophical layer: Order emerging from conflict

At a deeper level, the symphony can also be interpreted in light of an idea that appears in many classical philosophical traditions.

Since ancient Greece, many philosophers have viewed beauty as the manifestation of inner order within what appears complex.

The concept of cosmos originally meant not only “the universe,” but also a harmonious order in which each element finds its proper place within the whole.

Seen through this lens, Symphony No. 5 does not merely resolve musical conflicts.

It also evokes the image of an order gradually emerging from those very conflicts.

The journey from C minor to C major is not only a tonal transformation.

It is a journey from a state of tension to a state of unity.

Whether or not Beethoven consciously intended this symbolic layer, the music nevertheless produces this experience for many listeners.

It creates the sense that beneath apparent chaos there exists a deeper order.

6. The deepest root of greatness

Thus, the greatness of Symphony No. 5 does not lie simply in its famous four-note motif.

Nor does it lie solely in Beethoven’s mastery of harmony, rhythm, orchestration, or sonata form.

The true greatness of the work lies in the fact that all structural levels serve a single artistic purpose.

A simple rhythmic motif becomes an organizing principle.

That organizing principle creates the necessity of the entire structure.

This necessity produces a sense of unified order.

And that sense of order touches one of humanity’s oldest aspirations:

The hope that behind all conflict, instability, and fragmentation in life, there exists a deeper order, a unity, and a meaning that can be recognized.

Therefore, Symphony No. 5 is not only an outstanding musical achievement.

It is an artistic experience in which the listener does not merely hear order.

They perceive the very process by which order is formed.

That is why the work has transcended the era in which it was composed.

It does not speak only to the human ear.

It also speaks to one of the deepest longings of the human mind:

That behind complexity there is always unity.

Behind conflict there is always reconciliation.

And behind what appears chaotic, there is always an order gradually being revealed.

[Spacesthetic @interiorsuckerr]

“La Scarzuola,” a surreal city built by Tomaso Buzzi between 1958 and 1978. To this day, nobody knows why he built it

[Unique Movie Moments 🐬 @uniquemoviemom]

James Bond walks in like a boss. He doesn't care what anyone thinks of him, because he already knows who he is.

I miss Pierce Brosnan as James Bond... damn he was like 11/10 acting

[🌸🎵 Beautiful Melody 🎶💖 @Ducnghia16]

When a Melody Matures: Why Chopin’s Nocturne Op. 27 No. 2 Touches the Human Soul

In the treasury of Frédéric Chopin’s music, the Nocturne in D-flat major, Op. 27 No. 2 remains among the most beloved of his works. Listeners commonly recall its gentle beauty, the shimmering chains of ornamentation, and the serene atmosphere that pervades the piece. Yet the enduring vitality of this composition springs from something deeper than mere loveliness of sound.

What makes this Nocturne truly distinctive is a tightly woven chain of principles: from a very brief melodic outline, Chopin constructs an entire journey of continuous development. This journey unfolds not only within the musical structure but also creates a profoundly distinctive psychological experience for the listener. At a still deeper level, it opens a perspective on the maturation of the human soul.

To understand why the work imparts so profound a sense of peace and fulfilment, we must proceed step by step from the surface of the music down to its innermost depths.

1. The Visible Musical Detail: A Very Simple Melodic Line

From the very first bars, Chopin presents a short melodic outline:

D♭ – E♭ – F – then gently returning through E♭ – D♭.

The motion proceeds largely by step, with no wide leaps, so the ear grasps it almost immediately.

More importantly, each note carries a natural directional impulse:

D♭ longs to rise to E♭.
F descends softly back to E♭.
E♭ closes upon D♭.

Each movement forms a tiny cycle of expectation and release. The listener remembers not only the melody itself, but the very way it *breathes*. This is the seed from which the entire work grows.

2. The Structural Principle: A Melody in Continuous Maturation

As the music unfolds, Chopin scarcely abandons the initial idea in favour of an entirely new theme. Instead, he allows that very outline to grow and expand.

Decorative notes gradually appear.
Phrases become longer.
The register widens.
The harmony grows richer.
The rhythm becomes more supple.

Yet beneath all these transformations, the original melodic contour remains constantly present. Even at the climax, when the melody is enveloped in a multitude of ornaments, the listener can still perceive the familiar D♭–E♭–F motion supporting the entire sonorous surface.

Thus the whole Nocturne is not built from a succession of disparate ideas. It is formed from a single idea that develops without interruption.

3. The Listener’s Experience: Witnessing Something Living Grow

This principle creates a quite exceptional experience. The listener does not feel continually confronted by novelty. Rather, one has the sense of accompanying something familiar that is steadily maturing.

Each reappearance of the melody is at once the same and different — recognisable enough to feel at home, fresh enough to invite further discovery. It is a delicate equilibrium between memory and surprise.

The listener is therefore not merely enjoying beautiful sounds. One feels as though witnessing a living organism developing naturally before one’s eyes.

4. The Psychological Root: The Desire to See Growth Without Loss of Essence

Why does this experience bring such deep serenity? Part of the answer lies in the very manner in which human beings perceive life.

We long to mature, yet we also desire that, in the process, what is best within us should not be lost. We rejoice when a child grows up while retaining the purity of its soul. We admire a person of wide experience who has preserved kindness of heart. We cherish a friendship or a love that has changed with the years yet still bears the unmistakable stamp of its original nature.

Nocturne Op. 27 No. 2 awakens precisely this psychological inclination. It offers the listener the experience of continuous development without any sense of rupture. The new does not negate the old; it enriches it. It is this unity of change and identity that gives the work its lasting power of attraction.

Yet this is not the deepest layer of the work.

5. The Layer of Traditional Religious Interpretation: Fulfilment Amid the Flow of Life

At the level of traditional religious interpretation, the journey of this melody may evoke a law of human existence. Life is ever in motion, and we constantly face change. True happiness, however, does not come from halting all outward vicissitude, but from preserving inner stillness, turning inward to examine oneself, and continually nurturing one’s original good nature. Then the changes of life no longer estrange us from our essence, but become opportunities for the inherent good qualities within us to be revealed ever more completely, leading our being to fulfilment.

The hope that man may preserve his good nature and gradually attain fulfilment amid the changes of life is itself one of the deepest longings of humanity. It is by transforming this hope into a musical experience that Nocturne Op. 27 No. 2 transcends the limits of beautiful music to become a timeless masterpiece.

To fully appreciate the journey of melodic growth analyzed in the above article, we invite you to listen to the classic performance by Arthur Rubinstein:

Arthur Rubinstein plays Chopin: Nocturne Op. 27 No. 2

[Massimo @Rainmaker1973]

Dynamic Digital Radiography (DDR) allows you to observe movement like never before.

This novel low-dose X-ray imaging technique enables visualization of anatomy in motion.

[Smart Biology @SmartBiology3D]

Passive reading = forgetting by tomorrow. 🧠 Active interaction = long-term retention. If you're a Prof looking to boost actual comprehension in your upcoming course, it’s time to switch to a dynamic digital text.
https://t.co/pjpc0YJhOL
#biology #science #3D #animation #Edtech #HigherEd #CognitiveScience #Teaching

[🎼🌺Music Love♥️ @ThoNg676733]

The Grandeur of Pachelbel’s Canon in D Major

To discover the true origin of the beauty and sacredness of this masterpiece, we must go straight to its core foundation: the eight bass notes and how they interact with the human psyche.

Those eight notes are:

$$D - A - B - F\# - G - D - G - A$$

This is not a random sequence. It is an ancient musical structure known as the Romanesca (or Chaconne bass).

Why do these eight notes possess such profound spiritual power?

They follow a perfect pattern of motion that mirrors the order of the universe: descending in order to ascend(The Fall and Redemption).

The first four notes ($D - A - B - F\#$) create a sense of surrender, inner stillness, and humble submission.
The last four notes ($G - D - G - A$) suddenly reverse direction, rising and returning to the note $A$, forming a cycle of “Eternal Return.”

The unchanging repetition of this cycle gives the listener a deep sense of security, as if they are being embraced by a cosmic order that will never collapse.

However, if the piece consisted only of these eight bass notes repeating endlessly, it would become monotonous. The timeless brilliance of the Canon lies in the counterpoint — the perfect art of polyphony that Pachelbel built upon this solid bass foundation.

Over the steadfast bass line, Pachelbel created an almost flawless three-voice canon: the three violins imitate one another in turn, producing layers of melody that interweave with exquisite subtlety. They are both independent and perfectly harmonious with one another and with the bass. This is counterpoint at its highest level — the ideal balance between individual freedom and collective order.

The Purest Root: The Art of Resolving Conflict

The violins continuously generate dissonance — moments of tension, sorrow, and anguish that symbolize the trials and sufferings of human life. Yet, in the very next measure, the Romanesca bass immediately guides everything back to consonance, delivering a profound sense of relief and emotional release.

Here, counterpoint is not merely a technique, but a philosophy: human beings may endure pain and darkness, but if they follow the divine order (the unchanging bass line), every dissonance can be resolved into harmony and peace.

Why Do Those Who Preserve Traditional Culture Love This Piece So Much?

Because Pachelbel’s Canon is the most vivid proof of a core truth in traditional culture: The highest beauty is born from obeying Heaven, not from defying it.

With only eight basic bass notes and rigorously disciplined counterpoint, Pachelbel created an immortal masterpiece that has touched the hearts of millions across centuries. The piece proves that restraint, discipline, and respect for the laws of harmony are the true path to eternal greatness.

[Night Sky Today @NightSkyToday]

NEWS🚨: A Man sat in complete darkness for 2 hours while his DNA emitted light captured in an image, revealing that humans radiate bio-photons and are truly light beings, demonstrating that life glows even without external illumination.

[Richard @ricwe123]

Can China speed things up with taking over the world?

[Julio Schneider 🇧🇷🇺🇸 @juliovschneider]

Quem mais vai tentar fazer?

[Michael Dickson @michaeldickson]

Happy 100th birthday, Mel Brooks!!

[Interesting Universe @InterestingUni]

Would you live here?

📹 : ulyssezachary

[Rozetked @rozetked]

Всё ещё сидите на российском App Store? Тогда мы идём к вам!

Сменить регион учётной записи Apple полезно и несложно. Доказываем в короткой инструкции.

По ссылке: https://t.co/CzBLcarCnS

[NEW【テクノロジーニュース】 @sutoroveli_news]

【発明】重低音の音波だけで火を消す装置が実用化された。30〜60Hzの低周波を炎に向けて集束させると音圧が酸素と火を分離し鎮火する。化学薬品も水も残留物もゼロで補充が一切不要。DARPAの研究を元に米大学生がポータブル化した。

[Interesting Universe @InterestingUni]

The art of coffee roasting ☕️

📹 : caffe.verdi

[cinesthetic. @TheCinesthetic]

Brad Pitt made his film debut in NO MAN’S LAND (1987) as an uncredited waiter with no dialogue.

He started asking the actors if they wanted anything between takes until an assistant director warned him to stop or he’d be fired.