Niall Smith

[Niall Smith @niallsmith28]

BeauBeaus for @Dazed by me, taken from The LOUD Issue Spring ‘24

[Niall Smith @niallsmith28]

@Miss_Toppin Would love to learn more. You can check out my work here - https://t.co/PqrTFRL6eI / https://t.co/rOXuI8tq15

[Nicolas-Tyrell Scott @iamntyrell]

End of an era. Feels like the Jinx, Scottie, Speedy moment in culture has moved on, what they did in hip-hop media digitally won’t be forgotten. All are still successful and in operation, but the landscape has shifted

[Niall Smith @niallsmith28]

This isn’t just [blank] it’s [blank] is such a sickness in AI writing. You see it everywhere.

[⭒kiya⭒ @kiyakhads]

2025 is a very important year.

[Niall Smith @niallsmith28]

@jeanblairee No words bro, we appreciate you 🫡

[jean blaire @jeanblairee]

Naz and Niall at Trench are doing absolutely amazing work and deserve all the flowers

[Joseph JP Patterson @Jpizzledizzle]

.@niallsmith28 meets @EstelleDarlings 🏆

[Mimi the music blogger @mimitheblogger]

I really hope we properly archive and document Black music history in the UK it’s so important

We have so many silent heroes that contributed to the scene

We’ve seen efforts in the past and I’m not dismissing it but we need something big, accessible, and engaging something that doesn’t feel like a long history lesson but still captures the depth and impact of our culture

[DJ Mag @DJmag]

Released in 1995, Tricky’s (@KnowleWestboy) ‘Maxinquaye’ marked a paradoxical shift in British music canon — an onyx-tinged opus that liquefied genre

With the help of Martina Topley-Bird & producer Mark Saunders, @niallsmith28 revisits a pivotal UK record

https://t.co/YfGXVNJmpq

[Niall Smith @niallsmith28]

@nazfromnewham @mimitheblogger @trenchmag @jjfinns @UKUnderground_ @UKRapDaily @theculturecrypt thank you Naz🫡

[Zino Vinci @ZinoVinci]

Rice and stew out soon

[DJ Mcthickum @mcthickum_]

😭💀💀 I know imma find it

[Joseph JP Patterson @Jpizzledizzle]

Essential read by @niallsmith28 🎯

[CLASH @ClashMagazine]

REVIEW: Tyler, the Creator's anti-character study 'CHROMAKOPIA' is a triumph of imagination, coloured by joy, encroaching dread and deft sonic abandon -

https://t.co/3Umrix8PaE

[DJ Mag @DJmag]

Released in 1995, Tricky’s (@KnowleWestboy) ‘Maxinquaye’ marked a paradoxical shift in British music canon — an onyx-tinged opus that liquefied genre

With the help of Martina Topley-Bird & producer Mark Saunders, @niallsmith28 revisits a pivotal UK record https://t.co/m1UOxGBhv3

[Niall Smith @niallsmith28]

@KnowleWestboy album retrospective: charting Black electronic music’s development in the ‘90s, through the lens of ‘Maxinquaye’ by me for @DJMag in celebration of Black History Month

[DJ Mag @DJmag]

Released in 1995, Tricky’s (@KnowleWestboy) ‘Maxinquaye’ marked a paradoxical shift in British music canon — an onyx-tinged opus that liquefied genre

With the help of Martina Topley-Bird & producer Mark Saunders, @niallsmith28 revisits a pivotal UK record https://t.co/m1UOxGBhv3

[Zino Vinci @ZinoVinci]

Praise God

[Niall Smith @niallsmith28]

album review by me btw

[CLASH @ClashMagazine]

REVIEW: @Kehlani's 'Crash' is "a focused, yet frantic overhaul of the R&B vocalist’s signature sound..."

@niallsmith28 assesses their striking new album -

https://t.co/eBp92H8fTe

[Niall Smith @niallsmith28]

reviewed the new @temsbaby album for @NME

https://t.co/W9KbDPrmT3

[the culture crypt @theculturecrypt]

THE CULTURE CRYPT / ISSUE #3 DIGITAL EDITION / SAIMING

WOOF MEOW. MEET @saimingmusic - THE SOUTH LONDON RAPSTAR MAKING WAVES AND TAKIN' NAMES

Stay tuned for more📎