@ashnichrist@streamcoachtv Very true. There’s also way more to it than just free stuff expectation. We’ve been trained this way, but also things are really freaking hard when there’s a lack of susinable sustainable income going around.
Full 2025 recap (more context + links + what’s next): https://t.co/okaaW7pGIr
If you supported, listened, shared, attended, or just kept an eye on the journey — thank you. (🧵7/7)
I’ve believed this for a long time: classical music still has an audience.
2025 was the year it stopped being a belief and started feeling proven — because the payoff showed up in real rooms, with real people.
(full recap link in the last post) (🧵1/7)
Early 2026 shows (if you’re nearby):
- Feb 24 (7pm) — CCSU Faculty Concert (Classical Reimagined)
- Mar 27–28 — Woman Composers Festival of Hartford - May 22 (7:30pm) — Marlborough Arts Center
- Jul 17–18 — Convivial Fest (🧵6/7)
Classico milestones in 2025:
3 years in June → video #400 in August → wrapped the year at #435.
And the Classico transcription is officially published now too!
@blerp This is definitely something I'd be interested in –– my biggest issue is how niched my streaming and content is.
I'm not looking to change it, but leverage it, and most advice doesn't seem to apply to my purpose of my stream.
@xChainbrain I don’t have an answer - just observations.
Multistreaming was great, but I feel streaming on vertical vs horizontal has turned into completely different content.
@xChainbrain Yeah - the vertical streaming thing was good in the beginning, but now everyone is gating their platform.
My streams are long, I take breaks for my physical and mental health during those streams, and it certainly hits the view count in the mobile platforms.