Nnedimma Nnebe

Raving black woman. Views expressed are my own.

[UN Food Systems Coordination Hub @FoodSystems]

Join the Agrifood Innovation Finance Debate, 22 Nov @ 11:00

Uniting #SMEs and investors, this event tackles financing challenges & opportunities for #FoodSystems innovators in Africa & Asia and will provide insights on scaling #SDG-focused financing.

➡️https://t.co/5K0eTAdEvn

[Abdalhadi Alijla عبد الهادي العجلة @alijla2021]

Last year, I returned to Gaza to visit my family after 16 years in exile. During my stay, I captured numerous photos. I aim to share them here in a thread to demonstrate that Gazans embrace life with passion and resilience. They have their own cuisine and cherish their moments of joy. It's not just about conflict and loss. We yearn for the return of our normal lives, our freedom, our land, and equality.

[BBC News Africa @BBCAfrica]

People in Sudan are being failed by the international community, more than anywhere else in the world, the UN's aid chief has told the BBC. https://t.co/oXScVIS0jZ

[Aceli Africa @AceliAfrica]

Join us Sept 13 with @USAID & Nuup to discuss how Aceli's approach to mobilizing private capital for #agriSMEs in East Africa is being applied in #LatAm, and factors donors should consider when replicating #blendedfinance models across regions.
Register: https://t.co/kkDKKl7kPh

[Artists of Colour @artistsofcolour]

SELF-PORTRAIT III, Wei Tan, 2022

[j@¢ @babyb1gcat]

love to see Ppl Without Drivers License representation - we are everywhere

[Toronto Police Operations @TPSOperations]

MISSING:
Shauna-Kay, 4
- last seen June 22 @ 10am in the Markham Rd & Eglinton Ave area
- described as 3'0, braided black hair in a bun
- last seen wearing a purple t-shirt, grey pants, and white shoes
#GO1483432
^se

[IIED @IIED]

ICYMI: ‘Poetry as illumination’: using creative writing to explore how gender and sexuality shape our work --> https://t.co/iHF4YX5AcW

@TuckerLandesman reflected on how we can use #creativewriting to explore how #gender and sexuality shape our work as development professionals.

[🌳Arbres Montréal @ArbresMontreal]

💚La tempête des derniers jours laisse définitivement un grand vide dans la canopée montréalaise:🌳C’est l’identité même de la métropole qui est frappée, sa silhouette. Certains arbres étaient centenaires, on parle ici du patrimoine qui nous entoure.(1/4) #polmtl #arbresmontreal

[Nnedimma Nnebe @nnnebe]

@nytimes Brillant composer, RIP

[The New York Times @nytimes]

Breaking News: Ryuichi Sakamoto, the Oscar-winning Japanese composer who scored films including “The Last Emperor,” “The Sheltering Sky” and “The Revenant,” has died at 71. https://t.co/0HOPaoBrMs

[Remue-ménage @remue_menage]

★ Racisme & #MoiAussi - rencontre croisée avec Rokhaya Diallo et Kharoll-Ann Souffrant à la librairie L'Euguélionne le 3 avril 2023 @RokhayaDiallo @kasouffrantpro @librairiefemmtl @reqef_ @mcgillu
▶️https://t.co/OyRaAMBk4U

[The Guardian @guardian]

Architect Lesley Lokko: ‘There is a sense in Africa that it is our time’ https://t.co/CvcVAmdDVo

[Dr. Patrice TALLA @PatriceTalla]

On #IntlForestDay good reminding that healthy forests protect humans from diseases. Forests have traditionally served as natural barrier to disease transmission from animals to humans. Forests are vital source of FNS for nearly 1 billion people who depend on harvesting NWFPs

[Vox @voxdotcom]

See that bird? You’re a bird-watcher now. https://t.co/xcsPUCGC5T

[🝫 ✹ ᴰʳᵉᵃᵐ ᴶᵒᵘʳⁿᵃˡⁱˢᵗ @mike_boreas]

Matazo Kayama

[Evaluation @UNevaluation]

A Theory of Change approach can be used for different purposes, by different users, and at different moments in the cycle of developing, monitoring, reviewing or evaluating a programme or strategy.

⭕️ https://t.co/WOOskcAxxA

[UN Development @UNDP]

Meet Soren Haldrup, one of our talented staff from 🇩🇰 at the @UN!

@Soren_VH is Innovation Specialist and Fund Manager working with us to develop a new #InnovationFacility to tackle complex development challenges and improve how to measure and evaluate impact on these issues.

[Academia Aesthetics @AcademiaAesthe1]

A 300-year-old fresco by Andrea Pozzo. The entire ceiling is flat.