Boichi, el autor de "Dr. STONE", afirma lo siguiente:
«Los lectores de manga pirata NO SON NUESTROS ADVERSARIOS. Son nuestro público futuro. Son la prueba de que la demanda ya existe».
Boichi explica que muchos fans del manga en todo el mundo aún carecen de acceso a manga legal porque algunos países NO CUENTAN con infraestructura editorial, sistemas de traducción ni redes de distribución.
«Decirles a los fans del manga en esos países: "Deberían comprar manga", no tiene sentido si no tienen forma de adquirirlo».
Sostiene que los servicios de manga digital asequibles son clave para expandir la industria a nivel global y crear oportunidades para futuros creadores.
¡LO ENTENDIÓ TODO! 🙏
Hey guys, Kevin, CEO of GLITCH here. Been trying to figure out when and how to express this, but now I think is the right time:
To the fans - Thank you, deeply. You are the reason we got here. I know it can get noisy online sometimes, but the real-world reality is that you are some of the most genuine, kind people we have ever had the privilege of meeting. We saw every cosplay, every discussion circle, every sticker shared outside the theatres. That is what this is all about.
To every person at/with GLITCH - I never doubted you for a single second. You are all so incredibly talented, and I am so proud that the impact of your work is now being felt on a world stage.
To the industry - Animation and cinema is art. Art is human expression. Digital Circus was a deeply personal story created to express complex feelings. Please let that be the signal you take from all of this.
To everyone - Keep making things and keep sharing your work. We found all our creators through the internet.
Now, here’s Pomni with her signature dance move.
We are working hard on BURIED GIANT. We have a lot of experimentation ahead. But this entire community never gives up- never abandons its faith: Made by humans for humans. Whomever joins this adventure is doing the animation Gods' work.
“AI makes things easy anyone can do it! But also using AI is a skill and an art form and I should be taken seriously because it’s actually really hard.” Which one is it?
Support real artists and especially those in the communities AI is destroying.
due to recent disappointing events i am throwing it out there that i am frankelda is releasing on netflix on june 12th (!!) and is the first indie stop-motion film to be fully made in mexico 😙
If you need to partner with AI to get a greenlight on your project, it ain't worth it. I know it's super frustrating out there rn but nothing makes replacing your peers with automated garbo justified. Nothing. We gotta hold the line on this one or we're f*cked.
💬 «Si necesitas de la IA para sacar adelante tu proyecto, no vale la pena.
...Nada justifica reemplazar a tus compañeros con basura automatizada».
- Matt Braly sobre el caso de Jorge R. Gutiérrez.
‘The Good Advice Cupcake’ creator Loryn Brantz says she is “horrified and disgusted” after BuzzFeed allegedly gave her character to an AI platform without her involvement.
She also called for a boycott of BuzzFeed and AI-produced animation.
LAS PALABRAS DE TITE KUBO QUE TRASCENDIERON EL TIEMPO
«Los lectores NO TIENEN DERECHO a cambiar una obra. Solo pueden decidir leerla o no» 🗿
«Si no te gusta, entonces simplemente deja de leerla. Si tienes el talento para crear algo más interesante que Bleach, entonces deberías convertirte en mangaka». 💀
«Si es más interesante, sin duda tendrás más éxito que Bleach. Si dices que no puedes dibujar, entonces trabaja duro, conviértete en editor y da consejos a los mangakas. Si realmente tienes talento, serás bienvenido en cualquier parte». 🔥
«Pero si NO TIENES TALENTO y aún así te quejas de quiénes dan lo mejor de sí, eres del tipo de persona que solo se interpone en el camino de quienes trabajan duro. Entonces simplemente escóndete en algún lugar, mantén los ojos cerrados, abre la boca y vive del agua de lluvia y tierra». 👊
Palabras de Tite Kubo, cuando los lectores quisieron decirle como llevar y que cambios hacer en BLEACH. ✍️
I was there for Homestuck. I was there in the Tumblr days of Seven Universe and Gravity Falls. I was there for the formative years of online fandoms all across the internet.
The TADC fandom is one of the most unruly, childish fandoms I've ever had the displeasure of interacting with. Instead of being happy that a small indie studio get's a chance at a theatrical release, y'all want to boycott it because you want it to "stay niche" and don't want the medium to mature and grow, and push bigger studios like Disney and Pixar out of the spotlight for once.
Despite what it might seem like on the internet, Glitch is small peanuts compared to those giants. The rest of the world outside of the internet bubble has NO IDEA what TADC even is, so these theatres need to be convinced that showing it will be worth it for them.
On top of that, despite GLITCH being an Australian company; TADC is an American production. Of COURSE they're going to focus on where the show originated and where it's most popular for their initial theatrical release; but if you want to see it closer to you, YOU NEED TO REACH OUT AND ASK FOR IT.
GLITCH can't do it all, THEY'RE INDIE. IT'S US. WE'RE THE DISTRIBUTORS. It's just like Iron Lung all over again, but GLITCH is getting shit on instead of supported like Iron Lung was.
I grew up in a time where I had to dodge spoilers for limited releases, and I managed to do it. Avoiding spoilers is surprisingly easy, you're just too entitled.
We should absolutely be supporting an indie studio when they make moves like this. It's unheard of for something like this to be happening, and these projects are backed by real people with real passions. GLITCH doesn't make their money from YouTube views, they make it on merch and MAYBE, JUST MAYBE, they'll make a LITTLE revenue from these movie releases, but we have to support them if we want to see more projects like Iron Lung and TADC moving into the big screens.
Primer tráiler oficial de LA HUELLA DEL ORO:
● La primer serie animada para adultos de Cartoon Network Latinoamérica.
● Creada en Argentina por Daniel Duche y protagonizada por Mario Castañeda.