💬| Taylor made a firm stance in her speech at the SHOF about how she backs the music she puts out regardless of the feedback she gets, good or bad:
“My favorite art is detailed and singular in its voice, therefore it can’t be digested and metabolized by everyone who experiences it in the same way. I’m very frequently told by people how they feel about my music, that they never really got my music until they got their heart broken, or started driving their daughter to school every day, or until I made an alternative album in the pandemic called folklore, or that they only like the hits, or that they only liked the ones that weren’t hits, or that they don’t like any of it at all. But it doesn’t feel uncomfortable for me to get feedback of all sorts because I know where I stand regarding the work I’ve made. As writers, we can only hope to meet people where they are in their lives, but you can’t ever orchestrate or force the encounter. “
it’s been two years and i still think about the choice to write “i died ON the altar waiting for the proof” rather than AT, because instead of a bride she became a sacrifice
Cheers to International Women’s Day. 🥂 Tag your ultimate quintessential showgirl and let us know what you're listening to today below!
We’ll start: @taylorswift13's “Elizabeth Taylor” 🫶
Put it in the papers, on the screen, and in their minds! Elizabeth Taylor and Elizabeth Taylor (So Glamorous Cabaret Version) will be available on Cry My Eyes Violet Glitter 7” Vinyl as part of #RSD2026 on April 18th, while supplies last! 💎💜 More information at https://t.co/6IY9tTBFwK