Even before the release of her upcoming album, ADÉLA had already addressed the possibility of people criticizing its more commercial and accessible sound compared to her debut EP, The Provocateur.
But according to her, this change in direction was completely intentional.
The Provocateur was all about experimentation, unconventional production and pushing boundaries. It introduced ADÉLA as an artist who wasn’t afraid to take risks and do things differently.
This time, however, she wanted to explore another side of herself. The new album is bigger, more melodic, more pop and undeniably more accessible, but that doesn’t mean she’s abandoning the artistic identity she built with her debut.
ADÉLA already proved that she could experiment. She simply doesn’t want to spend her career trying to recreate the same sound.
And honestly? What’s more experimental than refusing to repeat yourself?
ay no pero qué aburrida la gente una no puede sacar lo q le salga del coño, q tiene q estar haciendo la misma musica siempre la chavala porq TU quieras. as long as the music is good im SEATED and it most definitely is. anyway stream prima
@AlexZanabria@fley_es pero a ver chaval, que precisamente se lo pregunta como vacilada porque la otra ha dicho que la quiere dejar KO. a mí me das risa tú que vienes a opinar y no sabes ni dónde estás metido
Pues a mi no me parece que venga el Papa en el mes del Orgullo y diga que los matrimonios igualitarios no son matrimonio, y que luego haga un discurso abolicionista a los derechos del aborto, vamos es que no me jodas
SM wanted to be unique in 2016 so bad with nct because wdym nct u's debut was the hardest song in kpop till this day, dreamies debut had them in hoverboards and 127's debut had them backflipping and flying