I write katamari paragraphs like a boss. I let the reader get squished in an overabundance of concepts. I let them drown in researching the words I make up. This in not International Art English.
This is .,.. my own downfall.
I made a table-sized pixel drawing machine (to demonstrate anti-aliasing in digital type and let people play with it.) One of the things I made for my show at the @center4bookarts which officially opens tonight, 6pm. Come! (first solo show in nyc!!)
code needs to perform, it can't be captured. when you create generative art in the way some of my work exists, the instant it gets encoded in video for the web or represented as an image, it kills everything that's essential to it.
Behind the Yugoslav art movement that predicted the birth of digital art — The Calvert Journal
So humbled to have some of the iconic works exhibited at zagreb in the article below.
Congratulations to @DarkoFritzy!
Art history that led to today! https://t.co/iUEzCUJg4j
Monique Nahas born in Paris (1940), earned a Ph.d in theoretical physics in 1969.
Her fellow academic, Hervé Huitric, is her collaborator: the two met in 1971. It was shortly after she began to experiment with computer generated processes that transform algorithms to art.
👇🏽1970