her cleverest song. the switch from a sappy love song to a song about toxic codependency is insane. the haunting chords slowly creeping into the production. so unsettling. it’s already an underrated track yet it’s such a fundamental song for the record
just clocked the way we talk about taylor and charli moving from one genre to another will potentially be what the new pop girls also do .. the thought of a sabrina dance or disco album .. oh my god .. the prospects ..
capa de álbum tão icônica que eu achei que fosse montagem, imagina ter relevância suficiente pra trazer john cale, marc jacobs e martin scorcese para a capa de um álbum intitulado music, fashion, film, ela é a-list demais
after tloas never again will i ever EVER believe anything ANYBODY has to say on the work before hearing it … i’ll subscribe to seeing it before i believe it when it comes to taylor from here on out … never forget the disappointment of tloas due to what it was made out to be
💬| Toy Story 5 director, Andrew Stanson on Taylor Swift making “I Knew It, I Knew You”:
“It’s incredible just how meaningful it’s been having Taylor write and perform this song. Her connection to Jessie and the immediate way she understood what the character was going through was undeniable. The song is so deeply connected to ‘Toy Story.’ So much so that on first listen, it instantly felt like it had always belonged there, like a long-lost family member. It was kismet.”
@anniefitness i always took it to be that it was early morning - half the guests stayed up on the piss and only just started to get ready to head to bed as is typical with scottish weddings - and the auld ones had long headed to bed, only to be waken up for the commotion
Olivia Rodrigo’s song ‘u + me = <3’ was described on Popcast as a “masterpiece.” The “jangly 90s” track channels The Cranberries and Sixpence None the Richer, featuring a “great build and energy” and what is being called the “greatest” bridge lyric on the album.