elissa suh

i write about film and food | @mubi @screenslate @eater @bonappetit @lithub @bombmagazine @voguemagazine @filmmakermag @archdigest @anothergaze @tmagazine

[elissa suh @oddbarnacles]

on the Hongian catchphrase “You’re so pretty [너무 예쁘다]!” for @NotebookMUBI. The (often funny) exclamatory appeal also tips towards men's intrusions into women's spaces. https://t.co/1CK6tDLvZZ now playing on @mubiuk.

[Brandon Streussnig @BrndnStrssng]

Cannes lineup

[Metrograph @Metrograph]

“There is that cosmopolitan glibness—a light, quick intelligence which flickers at the edge of even her most stricken heroines and grounds her more extreme emotions in something unmistakably real.”—Elissa Suh (@oddbarnacles) on the French icon Juliette Binoche on her birthday.

[elissa suh @oddbarnacles]

@schlockvalue !!!!!!

[Notebook @mubinotebook]

Join us Tuesday March 10 at @BAMfilmBrooklyn for a special 35mm screening of Luca Guadagnino’s lush melodrama I AM LOVE, featuring an introduction by bestselling cookbook author Alison Roman and Notebook Issue 8 contributor Elissa Suh. Tickets: https://t.co/TKnZ08lXrR

[Notebook @mubinotebook]

"In cinema, the image of a woman eating is seldom incidental... How or what she eats marks her difference: It can measure her position in the world or the distance she keeps from it."

Elissa Suh (@oddbarnacles) writes on feral eating in feminist cinema. https://t.co/TnU4Mv35q6

[elissa suh @oddbarnacles]

Had a great conversation with Adam and Zack Khalil about their new doc essential viewing!! @sundancefest @FilmmakerMag https://t.co/VYR1VC82uQ

[elissa suh @oddbarnacles]

a small sampling of @sundancefest for CULTURED https://t.co/xmjZSWrkMe

[elissa suh @oddbarnacles]

reminder that you can and should follow me elsewhere

[katie kadue @kukukadoo]

not sure why hamnet tries to appeal to modern audiences with “grief” when shakespeare’s play centers on an issue much more relevant today: a dispute over land belonging to denmark

[Maxwell Alejandro Frost @MaxwellFrostFL]

I am okay. Thank you for all the well wishes. We are in scary times. Please stay safe and do not let these people silence you. Onwards.

[elissa suh @oddbarnacles]

here's an interview with Rafael Manuel about his feature debut Filipinaña, one of my favorites so far @sundancefest @FilmmakerMag #SundanceFilmFestival https://t.co/VOhID5wsrA

[Josh Lewis @thejoshl]

Who did Park Chan-wook offend at one of the Academy lunches

[elissa suh @oddbarnacles]

how do my fellow critics not all scoop yourselves on here when you're writing coverage (i'm at #SundanceFilmFestival)

[elissa suh @oddbarnacles]

Greenberg and Les Bonnes Femme

[helmet girl @sbodrojan]

what are some movies u genuinely believe, deep down, that u love more than anyone else? mine are Bujalski’s Results, Zach Clark’s Little Sister, Les Blank’s Gap Toothed Women, In Person with Ginger Rogers

[elissa suh @oddbarnacles]

hopefully by now everyone has seen IF I HAD LEG'S I'D KICK YOU. here's me talking to Mary Bronstein who is just the coolest. @a24 @voguemagazine https://t.co/ZDnAJQBxrJ

[elissa suh @oddbarnacles]

talked to oliver laxe about SIRAT and how all contemporary art is dead on arrival @BOMBmagazine. go see at @FilmLinc while you can! https://t.co/WFhHX0MDoX

[elissa suh @oddbarnacles]

some filmmaker interviews i keep forgetting to post: Sepideh Farsi for @BOMBmagazine https://t.co/ENWDze79DI

[wengel @wengelll]

under zohran’s new york ten new 70mm imax screens will be built overnight across all five boroughs

[۪ @cinemafrances]

The Cinema of Jean-Luc Godard
(1954 -2023)

335.54 GB

collection by @brunolem0n.

a body of work that spans features, shorts, documentaries, anthologies, interviews, and commercials: marked by the eccentric, rulebreaking spirit of French New Wave that forever redefined cinema.

[Notebook @mubinotebook]

Edo Choi (@edogoesboating), Chloe Lizotte (@celizotte), Maxwell Paparella (@44getting), Elissa Suh (@oddbarnacles) and Keva York (@kevasyork) sit down to discuss DRACULA, the riotous latest film from Radu Jude: https://t.co/bFJU23cjkZ