@kripaz Gruzdova "DzÄ«res mÄra laikÄ" JRT. Reti neveiksmÄ«gs eksperiments, lai gan neviena cita slikta režisora izrÄde nav redzÄta. Un ļoti tuvu Å”im arÄ« "ZilÄ lapsa" DailÄ pavisam nesen.
@bookclubpodhq All of these: Hamnet, Normal People, ACOTAR :), Hunger Games, My Brilliant Friend, Lord of the Flies (finally), For Whom the Bell Tolls (also finally), A Month in the Country. The rest have read before. But reread Northern Lights thanks to the show. Love my Tuesday mornings now.
For generations, some of the world's brightest mathematicians were trying to explain a shape that almost seemed to defy reality. Hyperbolic geometryāwhere space curves away from itself like ruffled lettuce or coralāwas notoriously difficult to visualize. Professors folded paper, sliced models from cardboard, and carefully assembled delicate constructions that often tore apart before a semester was over. It was one of mathematics' most frustrating teaching problems.
The breakthrough didn't come from a laboratory. It came with a crochet hook.
In 1997, Latvian mathematician Daina Taimina was searching for a better way to teach her students when she noticed something unexpected. By adding stitches at regular intervals while crocheting, the fabric refused to stay flat. Instead, it rippled and curled into the very shape mathematicians had struggled for decades to demonstrate.
It looked almost too simple to be taken seriously.
Some colleagues initially assumed the colorful yarn models were little more than clever crafts. But the mathematics was exact. Every carefully placed increase produced an authentic hyperbolic surfaceāone that students could hold, bend, and examine from every angle without destroying it. Suddenly, an abstract concept that had baffled generations became something you could pass around a classroom.
The idea spread far beyond mathematics departments. Scientists used the models to explain everything from coral reefs and sea slugs to the folds of kale leaves and certain biological structures found in nature. Artists embraced the unexpected beauty of the forms, while educators around the world abandoned fragile paper models in favor of crocheted ones that lasted for years.
Perhaps the most remarkable part of the story is that one of the most elegant advances in teaching advanced mathematics didn't require a supercomputer or expensive technology. It required recognizing that an ancient textile craft could solve a modern mathematical problemāa reminder that breakthroughs sometimes appear where no one thinks to look, until someone is willing to see them differently.
#archaeohistories
These stories are called classics for a reason. š
Tune in to @Insta_Classics with @wmarybeard and Charlotte Higgins for a journey through the ancient myths and histories that continue to dominate the culture, from Cleopatra to The Odyssey.
https://t.co/7QDcuFriej
Valsts policija SiguldÄ meklÄ bezvÄsts prombÅ«tnÄ esoÅ”o septiÅus gadus veco LÅ«kasu Å ohorovu.
ZÄns pÄdÄjo reizi redzÄts Å”odien, 18. maijÄ, ap pulksten 14.00 SiguldÄ, Kr. Barona ielÄ, izejot no mÄcÄ«bu iestÄdes. ZÄns var pÄrvietoties ar vilcienu, norÄda policijÄ.
Valsts policija aicina aplÅ«kot zÄna attÄlu un atsaukties ikvienu, kura rÄ«cÄ«bÄ ir informÄcija par viÅa iespÄjamo atraÅ”anÄs vietu, zvanot pa tÄlruÅa numuru 112.
https://t.co/1WHYhGnKSE
Thank you to everybody who's listened to the first episode of @bookclubpodhq. Tabitha and I have been thrilled by the lovely reaction, especially the great suggestions for future episodes.
We're back on Tuesday with Kazuo Ishiguro's haunting NEVER LET ME GO. See you then!
EPISODE ONE is out now on WUTHERING HEIGHTS...
Join @dcsandbrook and @Tabitha1278867 as they discuss...
šWhy the book is...completely different to the film
š«¶Is it really a love story?
šļøWhy are the Bronte sisters still so compelling to us
@Gimenes_Studija Ja atzÄ«mju ir daudz, tad nav tik traki, bet priekÅ”metos, kur izliek 2-3 atzÄ«mes semestrÄ«, katrs PD pÄrtop par eksÄmenu. MazajÄs klasÄs pilnÄ«gi lieks stress.
@dzeina SmieklÄ«gÄkais, ar ko es esmu saskÄrusies. Makkalovas "Pirmais vÄ«rs RomÄ". 4. vÄks saka, ka grÄmata ir par "bagÄtu, bet zemas izcelsmes sievieti Mariju un nabadzÄ«bÄ grimuÅ”o aristokrÄtu Sullu". NekÄdas Marijas tur, protams, nav. Ir Gajs Marijs.
Krievijas armijas un iedzÄ«votÄju nežÄlÄ«bai nav robežu. RaidÄ«t savas nÄves raÄ·etes bÄrnu slimnÄ«cai ir Ä«paÅ”aĀ cietsirdÄ«baĀ un prÄtam neaptverams noziegums. PalÄ«dzÄsim ar ziedojumu https://t.co/y0ZKPR9M3C
@ieva_sture@varbut@RautaLinda Å is gan jocÄ«gs ieteikums. Man nevienÄ reizÄ no trim nebija nekÄdu sajÅ«tamu atsÄpju. BÅ«tu dÄ«vaini profilaksei vnk dzert tabletes.
@vardotaja@baltaisruncis "Krieva Ädu" es laikam par kulta romÄnu nesauktu. Lai gan man patÄ«k :) Å Ä·iet, pietrÅ«kst lasÄ«tÄju satraukuma un noslÄpumainÄ«bas, kas piederas kulta romÄniem. Man liekas, ka no pÄdÄjÄ laika latvieÅ”u literatÅ«ras tas varÄtu bÅ«t vienÄ«gi "KalendÄrs mani sauc".
@baltaisruncis@vardotaja Man Ŕķiet, lai spriestu par klasiku, jÄpaiet laikam. Vismaz 50 gadiem. Ja ne vairÄk. Jo kulta romÄni, manuprÄt, bieži vien ir vienas paaudzes fenomens. TÄ pati "Kaija vÄrdÄ Džonatans Livingstons", piemÄram.