˚ ༘♡ โมชิ ⋆｡˚

[˚ ༘♡ โมชิ ⋆｡˚ @omarcastr]

#fypシ゚viral #fypシ゚ 🥹

[˚ ༘♡ โมชิ ⋆｡˚ @omarcastr]

#xmm #sgxmm

[˚ ༘♡ โมชิ ⋆｡˚ @omarcastr]

18+ #fypシ゚viral

[˚ ༘♡ โมชิ ⋆｡˚ @omarcastr]

#xmm #sgxmm

[˚ ༘♡ โมชิ ⋆｡˚ @omarcastr]

Venice, framed in the wide format.

I made most of these with the 35mm and 70–200mm. Not my usual 24 and 50, though the combination worked remarkably well. One kept me close to what was happening, and the other allowed me to step back and observe. Be...

[˚ ༘♡ โมชิ ⋆｡˚ @omarcastr]

I have no particular niche.

I make photographs of whatever manages to capture my attention.

Sometimes only for a few seconds. Sometimes for long enough to stand there in awe, lowering the camera between frames simply to experience it properly. To r...

[˚ ༘♡ โมชิ ⋆｡˚ @omarcastr]

From horses to horsepower.

The RS3 had a plan of its own. Locations mapped out, a three-hour drive to meet a good friend, and a setting selected around the character of the car.

Then the road had other ideas.

Our first location was unexpectedly cl...

[˚ ༘♡ โมชิ ⋆｡˚ @omarcastr]

Year of the Horse.

Returning to them felt right.
Not because they were new, but because they had always been ongoing.

For a long time, they were a constant.
The light changed, the seasons changed, and no moment came twice.

They were never really w...

[˚ ༘♡ โมชิ ⋆｡˚ @omarcastr]

Only subject I Chase Light.

Not for the place it occupies, but for what it does to everything around it. It remains above every other subject. Landscape, people, wildlife, architecture. Each depends on it. Without light, they are present, but they d...

[˚ ༘♡ โมชิ ⋆｡˚ @omarcastr]

A selection of my favourite photographs from England.

Assembling these images has been a quiet reminder that I’ve barely begun to explore. Although I’m based in Wales and photograph there and in Scotland often, my time spent working through England ...

[˚ ༘♡ โมชิ ⋆｡˚ @omarcastr]

Lanzarote again, walking through landscapes that felt familiar and, at the same time, completely new.

I’ve visited before, but the island in winter surprised me. Green finding its way through the volcanic ground, soft light crossing the hills, and v...

[˚ ༘♡ โมชิ ⋆｡˚ @omarcastr]

Two photographs from home, Wales, published in National Geographic’s Best of the World series.

[˚ ༘♡ โมชิ ⋆｡˚ @omarcastr]

Some places begin with a plan.

You look at them before you get there, considering the light, the land, and the photographs you could make in that setting.
Others do not ask much from you straight away.

You take a chance on a place that none of you ...

[˚ ༘♡ โมชิ ⋆｡˚ @omarcastr]

The latest upload on my YouTube is now live.

It’s a real-world look at the Sony 85mm G Master II, shot at home and on a few trips over the past month, including what it does best and where it fits for me.

I also revisit a recent unexpected moment I...

[˚ ༘♡ โมชิ ⋆｡˚ @omarcastr]

People, places, things — Venice.
A person, a place, a thing.

I still love these as ways to make a photo, and often they’re all a set really needs.

I’m going to share more collections like this from different places: no big concept, no need to make ...

[˚ ༘♡ โมชิ ⋆｡˚ @omarcastr]

A few years ago, I was doing this simply because I loved it. Now it’s the life I get to live, and I’m not taking that lightly.

I picked up a camera, fell in love with the process, and eventually took the leap to pursue photography full-time. Since t...

[˚ ༘♡ โมชิ ⋆｡˚ @omarcastr]

Physical photographs feel different. They move more slowly, last longer, and make it easier to really connect. That’s a big reason I made People Places Things.

It’s a photo book focused on the subjects I’m most drawn to, with short written pieces ab...

[˚ ༘♡ โมชิ ⋆｡˚ @omarcastr]

Frames inside frames.

Framing techniques can seem elementary when reduced to the idea itself. A doorway. A window. An arch. A shape surrounding a subject. We encounter them early, we see them constantly, and it’s easy to write them off as obvious.

...

[˚ ༘♡ โมชิ ⋆｡˚ @omarcastr]

Things, once again.

The quieter images. The observational ones. Photographs that aren’t always immediately apparent, but still stop me and hold my eye.

I’ve shared before that I don’t know any niche. I don’t just capture what’s in front of me; I ma...

[˚ ༘♡ โมชิ ⋆｡˚ @omarcastr]

I first noticed this man and his dog in Lanzarote back in 2023, standing against the white wall and green window.

Something about the moment drew me in, so I carefully worked my way into position and took a few photographs without disturbing them. M...