It probably will be in English, but the headlines cause a discourse that ignores that the director is Timo Tjahjanto, an Indonesian director whoโs a contemporary/collaborator with Gareth Evans and makes violent martial arts films that fucking rule. Iโm down.
@TheRealHarshman @snoringelbow@prince_petty_ Eh, I see stunt footage on Instagram all the time, sometimes itโs how I find out a movie is even being filmed. Yesterday, even, the director of Fast 9 put out an official video showing off behind the scenes of a stunt. Itโs situation, I think.
I finally saw a Sundance film so I can finally do this!
Ben Wheatleyโs IN THE EARTH is a mindboggling visual feast, economical in scope and scale. More about reconciling with our untethering from nature and bringing that into re-examination in a pandemic world.
@bobvids@MrGervaisWrites Too much horror media disallow themselves from being cathartic or healing, which is fine in some cases, but then you have to be careful what themes you tackle, because then the cynical doom and gloom becomes exploitative. Seems like the case with Bloober Team lately.
Truth be told, Oscar season is the only time a lot of people even engage in non-english films. Itโs hilarious that paying attention to more than just American films after 140 years of film history is looked at as a paradigm shift.
The actual article is specifically about films up for International Feature Film, but itโs still a strange take to say that Parasite is an outlier and most non-English films are message films and dramas. Parasite wasnโt that odd of a film.
I think this has more to do with a (unfortunate) general apathy toward non-english films. Parasite made people pay attention and now they think they just discovered something.