Curater

Discover, learn and develop your taste profile. Testing phase.

[Curater @oncurater]

CURATER SESSION 1
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Toio, floor lamp
https://t.co/Rfxeg0ePhj

Sao Paulo apartment
https://t.co/yipHQPAcag

Sergio Lucena artworks ↪ https://t.co/oMhADOIcCL

[Curater @oncurater]

This week on Curater, Glauber found a lot of typographic work. Nonplace Studio designed an identity for the 13th Seoul Media City Biennale. It uses radiant halos and good color choices. Glauber also highlighted Jannis Kounellis's "Alfabeto" series. These paintings take letters out of their normal context, making you look at their shapes.

He also curated the Mezzadro Stool from 1957. The Castiglioni brothers made it from a tractor seat, metal, and wood.

[Curater @oncurater]

This week on Curater, Rodrigo Branco's paintings showed up. He paints over images, faces out of focus. Andrea Martínez shared stone fragments and photographs. There's a subtle tension between what the camera sees and what's actually there. Mario also connected this to Cait Elizabeth's collages on old book covers, made with paper scraps and vintage cookbook pages.

Felbm's instrumental music was also curated. It has a lot of texture and sounds like natural rhythms. The artwork for Felbm's record is by Joost Stokhof. The physical vinyl release for two EPs has inverted front covers.

Another look at the week's curations.

[Curater @oncurater]

This week on Curater, Gizem Akdag's AI-generated images showed up. Glauber noted her distinct style. Love Hultén's custom music instruments also appeared, featuring thick wood cases and minimal interfaces. Glauber curated these.

Jaq Chartier's paintings, with their bright colors and repeated simple forms, were curated by Anton. Her work often mixes vivacity with repetition.

There was a connection this week between Akdag’s visual explorations and the precise design of Hultén’s instruments. Both artists have a clear, recognizable aesthetic.

A look back at what caught people's attention.

[Curater @oncurater]

This week on Curater, Rafael Gonzalez's film photography of skateboarders stood out. There's an energy to the way he captures movement and body position. Glauber highlighted these shots, focusing on the composition.

Glauber also looked at furniture design, specifically the Bragadier Sofa from 1977 by Cini Boeri for Knoll. The design is bold. He noted how some furniture that looks uncomfortable can be the opposite. This connected with his other curation of Cyrus Ardalan's interior architecture, which mixes different textures. Mason also curated a sofa concept this week, a lightweight frame with thick cushions.

Fadri Lorenzo's sketches were another highlight. Glauber pointed to the wiggly lines and mixed pencil techniques that give the pieces their character.

[Curater @oncurater]

This week on Curater, Mario highlighted Cait Elizabeth's collages. She takes paper scraps and vintage cookbook pages, things she finds cute, and puts them on old hardcover books. Mario also connected her work to Jean Edelbluth's collages, and Eduardo Recife's "Greed," an artwork that inspired him.

Glauber shared a chill bossa nova remix of Otto's song "Bob." He heard the track while watching the "Senna" documentary. Glauber also curated the "Senna" film itself, noting Ayrton Senna's competitive spirit and persistence.

He also brought in Cyrus Ardalan's architecture, a project with mixed textures and interesting interiors.

[Curater @oncurater]

This week on Curater, Glauber found a song that clears his head, a track he'd saved a decade ago without realizing it. He also pointed out a listening room by DEORON and New Fidelity. It's designed like a primitive church, with the audio system arranged like crosses.

Anton Dubrovin shared Akina Nakamori's 1986 album *Fushigi*. He spent time looking for a high-quality version, then realized the recording itself was lo-fi. He hasn't stopped listening since.

Music and sound design were big themes this week.

[Curater @oncurater]

This week on Curater, the Olto e-bike by Infinite Machines was a popular subject. Glauber noted its industrial, minimalist design and how it avoids the Cybertruck comparison despite similar angles and color. He also highlighted the bike's launch campaign. It brought back a 90s style, pairing the futuristic product with regular people in everyday clothes. The photography for Olto, directed by cian, used retro aesthetics for a hyper-futuristic product. Glauber connected these ideas across his curations.

Elsewhere, Anton Dubrovin shared a series of gradient works by Raimer Jochims, specifically "PLATON, 1972." He found them hard to look away from, a simple yet compelling visual.

That’s a look at some of the recent curations.

[Curater @oncurater]

Curated by Glauber

“Stereo Cabinet designed by George Nelson Associates for Herman Miller. Circa 1950. This unit was restored and sold by Oddflat, in Seoul, where they upgraded the speaker, amplifier and turntable. Incredible pie...”

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[Curater @oncurater]

Curated by Glauber

“Props to the photographer “cian” who directed the campaign photoshoot for Olto. Super fun concepts and the retro aesthetics he managed to pulled for such hyper-futuristic looking product.”

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[Curater @oncurater]

Curated by Glauber

“Olto is an e-bike by Infinite Machines, a New York-based company. I like the industrial and minimalist design. Some news outlets compared this to the Cybertruck just because it’s gray and have straight angles,...”

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[Curater @oncurater]

Curated by Glauber

“Launch campaign for Olto by Infinite Machine brought back a very interesting 90s style. What I love about the direction they went is that the product looks very futuristic while the “emotional hook” comes from...”

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[Curater @oncurater]

Curated by Glauber

“The VV Table, created by Houssam Kanaan and Meghedi Simonian for Paris Design Week. Beautiful piece of metal, that in my opinion goes well with pretty much every type of room. Clever idea for storing just a fe...”

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[Curater @oncurater]

Curated by Glauber

“I came across this beautiful music studio on Instagram. This is somewhere in Paris. If I had a music studio it would look like this. I like when classical-looking spaces contrasts with technology. The architec...”

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[Curater @oncurater]

Collections are here! Let’s get niche!

[Glauber @glauberxyz]

Introducing Collections on https://t.co/TqtXMjIhx2 🎉 For anyone who wants a jump start on a given topic, collections will offer the best selection of references, carefully and intentionally curated on the platform. I truly believe in the compounding effect of taste development through intentional curation and this is another layer for taste education.

[Curater @oncurater]

Curated by Anton

“I really like this series of works by Raimer Jochims. You might wonder what’s so special, but for some reason, it’s impossible to tear myself away from these gradients.

PLATON, 1972”

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[Curater @oncurater]

This week on Curater, Alex Prager's photograph "Eve" showed up. It's a shot with birds mid-flight, a whole scene that feels perfect.

Glauber also curated paintings by Sang Woo Kim. Kim uses a vertical way of storytelling, combining different frames into one piece. The textures are distinct.

There were also Charley Harper's murals, "Web of Life" and "Wall of All Species." These are rare finds, commissioned for Miami University and a federal building.

Finally, the Braun LE1 loudspeaker from 1959. Dieter Rams designed it. It's a massive, square speaker.

That's a look at some of this week's highlights.

[Curater @oncurater]

Curated by Glauber

“Braun LE1 (1959) is a loudspeaker designed by Dieter Rams for Braun. I remember this being the product that made me an instant follower of Ram’s work a few years ago. I know, it’s a speaker, but it’s so massiv...”

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[Curater @oncurater]

Curated by Glauber

“Sang Woo Kim has a very interesting style when it comes to paintings. He created this vertical way of storytelling, combining different “frames” into one piece. Very unique style and textures.”

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[Curater @oncurater]

Curated by Glauber

““Eve” (2008) photographed by Alex Prager. If this picture was taken with a film camera (it probably was) I call it a perfect shot! Not only capturing birds in motion but the entire scene is just perfect! I add...”

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