One from the Heart ❤️

films publishing & distribution in Greece & Cyprus, programming, audience development, film education
15 years anniversary

[One from the Heart ❤️ @oneftheart]

ΑΝΤΙΚΑΤΟΠΤΡΙΣΜΟΙ #MiroirsNo3, η νέα ταινία του Κρίστιαν Πέτζολντ με την Πόλα Μπιρ σύντομα στους κινηματογράφους!

[Jon Frosch @jon_frosch]

If there was any question that Léa Drucker was one of France's best actresses, A WOMAN'S LIFE should be a definitive answer. Charline Bourgeois-Tacquet's #Cannes competitor is good. Drucker, as a surgeon questioning her life choices, is great. My review: https://t.co/ORoY3Z2y3a

[Damian Pietrzak @Damiansport1]

Woman's Life - After Anais in Love, Charline Bourgeois-Tacque makes another breezy, moving yet funny film about well, one woman's life. It is a feminist manifest told in 11 chapters, which I absolutely adored. Drucker excells again and shows her wide range. #Cannes2026

[Le Bleu du Miroir @LeBleuduMiroir]

#Cannes2026

Dans un paysage cinématographique souvent dominé par le cynisme ou l’hyperréalisme social, #AdieuMondeCruel touche précisément parce qu’il ose encore croire en la beauté ddes errances adolescentes, à la poésie des solitudes nocturnes...

https://t.co/mZbwfJirEB

[Deadline @DEADLINE]

‘Adieu Monde Cruel’: Félix De Givry Talks Personal Story Behind Teen Drama; Mia Hansen-Løve Casting News & Being On Neon Awards Campaign Trail With ‘Arco’ – Cannes Studio https://t.co/4mf9AFcKP8

[Damien Leblanc @damien_leblanc]

La Semaine de la Critique 2026 se conclut superbement avec le bouleversant Adieu monde cruel, de Félix de Givry.
Critique pour @Trois_Couleurs. https://t.co/EKQ4ck6BUB #Cannes2026

[Damien Leblanc @damien_leblanc]

Exceptionnel film que Notre salut, où Emmanuel Marre applique à la période de la Collaboration des codes visuels et musicaux contemporains qui créent une sidérante collision temporelle prenant tout son sens dans la dernière séquence. Avec un prodigieux Swann Arlaud. #Cannes2026

[Eric Seive @eseive]

Achat du jour

[TCM @tcm]

Often credited as the first Hollywood film to depict Gen X, REALITY BITES tells the story of life after college for a group of friends looking for work and love.

See the TCM premiere tomorrow night at 10pm ET as we look at films about Gen X.

[One from the Heart ❤️ @oneftheart]

@nisafi2008 @NationalBankGR ζητήσαμε να ακυρωθεί γιατί δεν την είχαμε ζητήσει (πιστωτική)

[Variety @Variety]

Emmanuel Marre’s Cannes Prizewinner 'A Man of His Time' Set to Travel as Charades Seals Key Deals in Europe and Asia (EXCLUSIVE) https://t.co/iRMbHqeVuN

[L'Humanité @humanite_fr]

Cannes 2026 : « La vie d’une femme » de Charline Bourgeois-Tacquet illumine le premier jour de la Compétition

➡️ https://t.co/CgTsbDGGPi

[Agence France-Presse @afpfr]

⭐️ #Cannes2026: avec "La vie d'une femme", premier film français projeté en compétition, Charline Bourgeois-Tacquet livre le portrait d'une femme quinquagénaire interprétée par Léa Drucker, jonglant entre sa carrière très prenante de chirurgienne et une vie amoureuse mouvementée.

[IntlCinephileSociety @ICSfilm]

Marc van de Klashorst moves at a brisk pace in Charline Bourgeois-Tacquet's LA VIE D'UNE FEMME, a delightful watch and yet again proof of Léa Drucker's impressive talent #Cannes2026 https://t.co/I8jChqxAlA

[Première Projo @premiereprojo]

Ce soir nous étions à la reprise du film La Vie d’une Femme

En présence de Charline Bourgeois-Tacquet, réalisatrice du film, et de Léa Drucker

[1-2 Special @12specialfilms]

Silent Friend, a film by Ildikó Enyedi.

[Daily Pop @dailypop__]

Le Cinéma Le Saint Germain des Prés a réouvert au public !

Pour sa première semaine, le cinéma propose une sélection de 10 reprises du Festival de Cannes, la plupart en présence d’équipes.

[Filmin @Filmin]

“Siempre estás luchando contra los padres cuando eres hijo. Y mi padre es Alfred Hitchcock”.

Christian Petzold tiene nueva película y llega este viernes a Filmin. Estuvimos con él en su paso por Barcelona y nos habló de “Espejos Nº3”, del reencantamiento, Paula Beer y mucho más.

[Sight and Sound magazine @SightSoundmag]

“The cultural prominence of 'old' movies may be shrinking, but Marilyn's face is still one of the world's most famous. People barely out of their teens, who have never seen a movie made before the Harry Potter series, can identify her.

“That has, paradoxically, hurt the way her talent is assessed, not helped. There's SO much baggage with Monroe. Not just the misfortunes, or the mistakes that Marilyn herself made over time – she was, like all of us, doing her best – but the weight of rumours, stereotypes, conspiracy theories, all of it magnified by the sad fact of her early death.

“Such crazy and ever-changing fame can put people off. They roll their eyes and claim they'd rather leave her to gossip shows, obsessives, influencers and rich people angling for the red carpet at the Met Gala. But avoiding the Marilyn industry is one thing; avoiding her films is needless self-denial. The world doesn't offer us much pleasure right now, and there are few things in cinema more joyous than discovering just how good Marilyn could be.”

Farran Smith Nehme, writing in S&S's newest issue, which pays tribute to the great actress.

Get your copy: https://t.co/GO57f4VhtY

[mon @poetcinematic]

every frame in agnès varda’s le bonheur (1965) looks like a painting 🌼