I'm glad to be the recipient Filmmaker representing Nigeria on this Pan-African movie collaboration between Nigeria, Ghana and Togo, through @gugurustudios @gugurumedia
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MAMI WATA @mamiwatamovie was our first.
Here's another one.
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We are open to collaborate on our other works.
What does vulnerability truly look like for a man when his heart is broken & no one is watching?
That question led to the creation of The Autograph of Nothingness—a short film that is unapologetically raw about the vulnerability of men in the aftermath of heartbreak. A film that dares to sit with the silence, the grief, the loneliness, and the parts of masculinity we rarely allow others to see.
In celebration of #MensMentalHealthMonth, here is our Official Poster for the short film #TheAutographOfNothingness
#DearMen I hope when you watch it. I hope you feel seen, and I hope you find something of yourself within it✨
The A-Team
Directed by: Moses Ipadeola @MosesBigmuz
Producer: Mautin Tairu
Written by: Cynthia Dozie-Onwusoh & Kemi Rebecca Osiyi
Cinematography by: Okwong Fadamana
Art poster: @KaizenKreativ_
Longevity in this industry isn’t about how much you know, it’s about how much you’re willing to unlearn.
The actors who last in this game never stop growing. They are constantly reinventing themselves, exploring new techniques, and finding fresh ways to breathe life into every character.
The moment you think you know everything is the moment you stop evolving. Stay humble. Stay curious. Stay driven by the performance. ✨
Adunni Ade shines bright with her captivating performances in She Must Be Obeyed, SOÓLÈ, Funmilayo Ransome-Kuti, Lakatabu, and Tokunbo!
Not only does she show on screen, but she's also a boss behind the camera as a Producer and Executive Producer. Her debut production, Soole, took the box office and Netflix by storm.
Nollywood’s greatest contribution to global cinema is its groundedness, and no one anchors a story like the Guguru woman. She is the informant, the protector, and the ultimate survivor.
In the spirit of #givetogain, we’re honoring that grit.
Today is a good day to watch this beautiful film for just ₦3,000 🎥
👉 https://t.co/5rQD40fj9i
Support Nollywood beyond the cinemas. Alternative distribution means more diverse stories, fair returns, and a stronger industry for all of us. 😎
#WatchNollywoodFilms
From the shadows! To the top. #40M at the box office. Highest grossing Nollywood film of 2026.
Highest grossing horror of 2026. Nigeria & Ghana you showed up BIG! Alive Till Dawn is still haunting cinemas nationwide.
A @leo_obienyi and Uzor Arukwe production.
#alivetilldawn #AliveTillDawn #uzorarukwe #nollywood
INDEPENDENT PRODUCERS borrow or sell assets to make films.
When Actors don't promote a film, it damages the Producer’s ROI.
If films stop making money = production shrinks = actors get fewer jobs.
Actors hurt their survival when films don’t make money due to little/no promotions.
I am some of you aren't aware I dropped a new film last week. So allow me to re-announce * drum roll**: LOVE,LATER is now showing on BiodunStephenTV. Tap link
https://t.co/0lQ7f1Pz2m
THANK YOU NOLLYWOOD!!! We just made history & unlocked a new genre in Nollywood box office!!! Thank youuuu to my Fanmily.. this milestone we just clocked is a proof that Nollywood audience want and deserve more bold stories to be told in the big screen!!!
To my Equestrians fanmily.. this win belongs to us all.
If you haven’t seen #AliveTillDawn yet, get your geng, visit the nearest cinema and go find out why #AliveTillDawn is the highest grossing new Nollywood film of the weekend.
Distributed by @theNileEntertainment
#AliveTillDawn #ATD #uzorarukwe
Don't let anyone gaslight you. The movie isn't about portraying any religion in bad light. It showed how people from different regions and religions are complicit.
If you can't stand what is portrayed in the movie, then speak against what's currently happening. Like I said, the current reality is even worse than what is portrayed.
@niyiakinmolayan Now, I understand better.
I'd like to use the time to let you know I support your proposition of working ads into cinema screenings to attract low-income audience.
It seems viable and a long-term win-win for our realities here.
How do we plan for it to be reviewed, at least?