Ossa Magazine

A new critical literary and arts magazine.

[Ossa Magazine @ossamagazine]

"In Ali Smith’s tales, as in the best of Shakespeare, the expert may well be the groundling and the layperson the aristocrat in the velvet chair. A character may be a girl or a boy or both or neither. History is malleable and so, too, is meaning."

[Ossa Magazine @ossamagazine]

AliSmithFan1990: On reading, Ali Smith, and Spring
https://t.co/wT5EIPhI4a

[Ossa Magazine @ossamagazine]

“I Thought You Died”: On Carmen Maria Machado's In the Dream House
https://t.co/aXIRcfQ3xC

[Ossa Magazine @ossamagazine]

AliSmithFan1990: On reading, Ali Smith, and Spring
https://t.co/wT5EIPhI4a

[Ossa Magazine @ossamagazine]

“‘Within you,’ she [Parra] says, ‘there's no yoke / apart from being right.’ This should not be read as nihilistic, however. What could be more contradictory than a trans nihilist?”

[Ossa Magazine @ossamagazine]

True Midday: On the Collected Poems of Esdras Parra
https://t.co/eSseddWo1R

[Ossa Magazine @ossamagazine]

True Midday: On the Collected Poems of Esdras Parra
https://t.co/eSseddWo1R

[Ossa Magazine @ossamagazine]

Split Tooth by Tanya Tagaq reviewed by Laura Broadbent: https://t.co/mXrDUGZBsT

[Ossa Magazine @ossamagazine]

Catherine Fatima interviews Paige Cooper:
https://t.co/ySpH97zGkX

[Ossa Magazine @ossamagazine]

Thresholds: On the Genre-Defining Work of Barbara Loden
https://t.co/eKonjQIg6o

[Ossa Magazine @ossamagazine]

Ben Ladouceur's Mad Long Emotion reviewed by Jake Byrne: https://t.co/XnN1J45Ahw

[Ossa Magazine @ossamagazine]

Split Tooth by Tanya Tagaq reviewed by Laura Broadbent: https://t.co/mXrDUGZBsT

[Ossa Magazine @ossamagazine]

Catherine Fatima interviews Paige Cooper:
https://t.co/ySpH97zGkX

[Ossa Magazine @ossamagazine]

Hello, we're new.
https://t.co/pipzFSIjuA