Man I’m so happy I tapped into @scottyolorin early! 🔥 This guy is so goddamn good bro, one of the hardest Nigerian artists coming up right now. The consistency, the vibes, the delivery him Dey on another level. Mark my words, he’s going way bigger than this!
Just listened to Ebony Reigns again and you can’t deny the fact that her melodies are fucking out of this world! That’s why every single she dropped was a straight hit.
May her soul continue to rest in peace 🙏🏾
I was literally telling someone Jordan Ayew would be taken off around the 85th minute… and he got subbed 4 minutes before full time. Then Ghana scored right after. 😭
I always wonder why they wait until so late to make that change. You can see he’s not really influencing the game, but they still hold on until the final moments before bringing someone else in. 🤦🏾♂️
😂 This literally just means you don’t like the guy you’re talking to sis.
Every girl that was really feeling me in the talking stage was sending pictures on her own.. They be like “how do I look?
Came from a real moment that
inspired me to create this beautiful record for
my brothers 2TOFF. ❤️🔥
“YEARNING FOR YOU” OUT NOW!
Executive Prod. by Me.
Go Run It Up🚀
https://t.co/Fq3EE6nR9i
Dear @worlasigh, big respect for the grind and the new albums (the ones I couldn’t get to listen to yet)🔥 But bro, in this streaming era, not dropping on DSPs (Spotify, Apple Music, Audiomack etc.) is hurting your fans more than helping.
We get it that streaming payouts are low, so hard copy sales make sense for direct pay. Sell the physicals or exclusive links first, no problem. But after some time, please put it on the platforms too.
Fans like me have playlists for your music. I add every new drop so I can keep streaming the old joints alongside. Not everyone wants to carry pen drives or chase WhatsApp links every time. One tap on Spotify/Apple and boom, full access.
You’re reducing reach and loyal fans this way. We fully support direct buys too, but make the music accessible for the streaming generation. Win-win!