Allwell

Clipper/

[Allwell @oxAllwell]

@jimmyfallon

[Allwell @oxAllwell]

Before the fame, Conor McGregor was known for one thing: trouble.

Jimmy Fallon: Welcome back to the show, Conor. You don't have to bring me gifts.
Conor McGregor: This is my new cigar range: The Unapologetic. In celebration of the Knicks' victory.
Jimmy Fallon: Oh, look at that!
Conor McGregor: There you go. Gold, baby! We did it.
Jimmy Fallon: You did it. Very generous. Yeah, did you watch? Was it exciting, right?
Conor McGregor: Very good. Very good, yeah.
Jimmy Fallon: Yeah, the World Cup is here as well, right? Everything's happening.
Conor McGregor: It's great, it's awesome, it's brilliant.
Jimmy Fallon: Last time we were here, do you remember we went out drinking?
Conor McGregor: That's right, that's right. Paddy Reilly's Bar.
Jimmy Fallon: We did! We had a great time, had a little sing-song.
Conor McGregor: Yeah, a little sing-song. We have to do it again, we have to.
Jimmy Fallon: I know, again. Now, it's your big return to the UFC, Conor. What's... what's happening?
Conor McGregor: Ready to rock my mind. Five years out of the game, and I'm back. I'm excited to get back. Thank you so much, guys. Thank you.
Jimmy Fallon: You're considered to be one of... one of the best MMA fighters in the world, and you became the first fighter in UFC history to hold titles in two weight classes at the same time, my man.
Conor McGregor: That's right. The double champ. The champ champ.
Jimmy Fallon: And it happened here in New York City.
Conor McGregor: Yeah, New York City. Madison Square Garden, the same place.
Jimmy Fallon: Then you also knocked someone out in... in 13 seconds once. I was... I always wanted to ask, did you wish it lasted a little longer?
Conor McGregor: No, you know what? Ecstatic. Gone. In and out, gone.
Jimmy Fallon: Yeah, exactly.
Conor McGregor: We don't get paid by the hour in there. You know, it's a... it's a dangerous game, so...
Jimmy Fallon: It's a dangerous game. What do you feel... what do you feel when you step into the Octagon?
Conor McGregor: You know, you have to be calm, you have to be composed, you have to trust your training and your discipline. It's where, you know, there's no hiding in the Octagon. If you've maybe missed a training session, or skipped a meal, or, you know, ate something you shouldn't have, or, you know, lived a life of... not of discipline...
Jimmy Fallon: Yeah.
Conor McGregor: ...it's going to show in there. You'll get caught. So if you put in the work, and you make that walk, you just trust your work, trust your discipline, trust what you've done, and hope it all turns out well.
Jimmy Fallon: Where did the... Where did you get the... the... the term "Notorious"? Where'd you get that?
Conor McGregor: My nickname is Notorious. My fight name is Notorious. It actually came because I had a habit of getting into trouble when I was younger, a little bit. And my coach had me saved in the phone as "Trouble," actually. He had... that was... that was my...
Jimmy Fallon: That was your name in his phone?
Conor McGregor: That was my name in his phone, yeah, "Trouble." Now, I was only a young... young guy, but, you know, it's just... I was just notorious for it, that's it. And then it became... it became that. I like Biggie as well, I like the music, and that was the... the walkout song, and it just kind of gelled together over the years, and it became "The Notorious."

[Allwell @oxAllwell]

Before the fame, Conor McGregor was known for one thing: trouble.

Jimmy Fallon: Welcome back to the show, Conor. You don't have to bring me gifts.
Conor McGregor: This is my new cigar range: The Unapologetic. In celebration of the Knicks' victory.
Jimmy Fallon: Oh, look at that!
Conor McGregor: There you go. Gold, baby! We did it.
Jimmy Fallon: You did it. Very generous. Yeah, did you watch? Was it exciting, right?
Conor McGregor: Very good. Very good, yeah.
Jimmy Fallon: Yeah, the World Cup is here as well, right? Everything's happening.
Conor McGregor: It's great, it's awesome, it's brilliant.
Jimmy Fallon: Last time we were here, do you remember we went out drinking?
Conor McGregor: That's right, that's right. Paddy Reilly's Bar.
Jimmy Fallon: We did! We had a great time, had a little sing-song.
Conor McGregor: Yeah, a little sing-song. We have to do it again, we have to.
Jimmy Fallon: I know, again. Now, it's your big return to the UFC, Conor. What's... what's happening?
Conor McGregor: Ready to rock my mind. Five years out of the game, and I'm back. I'm excited to get back. Thank you so much, guys. Thank you.
Jimmy Fallon: You're considered to be one of... one of the best MMA fighters in the world, and you became the first fighter in UFC history to hold titles in two weight classes at the same time, my man.
Conor McGregor: That's right. The double champ. The champ champ.
Jimmy Fallon: And it happened here in New York City.
Conor McGregor: Yeah, New York City. Madison Square Garden, the same place.
Jimmy Fallon: Then you also knocked someone out in... in 13 seconds once. I was... I always wanted to ask, did you wish it lasted a little longer?
Conor McGregor: No, you know what? Ecstatic. Gone. In and out, gone.
Jimmy Fallon: Yeah, exactly.
Conor McGregor: We don't get paid by the hour in there. You know, it's a... it's a dangerous game, so...
Jimmy Fallon: It's a dangerous game. What do you feel... what do you feel when you step into the Octagon?
Conor McGregor: You know, you have to be calm, you have to be composed, you have to trust your training and your discipline. It's where, you know, there's no hiding in the Octagon. If you've maybe missed a training session, or skipped a meal, or, you know, ate something you shouldn't have, or, you know, lived a life of... not of discipline...
Jimmy Fallon: Yeah.
Conor McGregor: ...it's going to show in there. You'll get caught. So if you put in the work, and you make that walk, you just trust your work, trust your discipline, trust what you've done, and hope it all turns out well.
Jimmy Fallon: Where did the... Where did you get the... the... the term "Notorious"? Where'd you get that?
Conor McGregor: My nickname is Notorious. My fight name is Notorious. It actually came because I had a habit of getting into trouble when I was younger, a little bit. And my coach had me saved in the phone as "Trouble," actually. He had... that was... that was my...
Jimmy Fallon: That was your name in his phone?
Conor McGregor: That was my name in his phone, yeah, "Trouble." Now, I was only a young... young guy, but, you know, it's just... I was just notorious for it, that's it. And then it became... it became that. I like Biggie as well, I like the music, and that was the... the walkout song, and it just kind of gelled together over the years, and it became "The Notorious."

[Allwell @oxAllwell]

@Variety

[Allwell @oxAllwell]

Jonathan Bailey just explained why David Corenswet's Superman feels different.

Jonathan Bailey: Should we start the conversation? This is, I don't know, what is this.
David Corenswet: There's a lot of cameras.
Jonathan Bailey: Oh yeah, that's true.
Jonathan Bailey: So, Superman.
David Corenswet: Who?
Jonathan Bailey: Superman.
David Corenswet: Yeah.
Jonathan Bailey: Um, I mean, I loved the film.
David Corenswet: Appreciate it.
Jonathan Bailey: Um, and I thought you were really extraordinary in it.And I thought that there's so much integrity and specificity in who both Clark and Superman are. But the thing that I really loved is that um, there was a real, it felt to me like a very honest and true version of integrity and therefore... values, and therefore cool. Because it was so heroic, and the hero was entirely fallible, and passionate, and I feel like sees the world in a completely different way. The thought processes were very... it felt to me very sort of scientific.
David Corenswet: Oh, I love that you said that. That rings very true with me generally in life. The sort of scientific curiosity, exploration, rigor, which does take a certain... willingness to not be so cool. To like care very much about details and... and be willing to kind of look a little bit foolish by trying really hard. James is, I think, that way in life and especially with his movies. He loves making movies, he loves comic books, even more so than wanting to make them good, he wants to make them fun, and special, and different.
Jonathan Bailey: And he's got a real sense of humor, hasn't he?
David Corenswet: Oh, well, yeah, he's...
Jonathan Bailey: That's what really struck me within all of it. It felt like... um, there was... there was... it just felt like there were so many vibrant ideas. Like, you were invited into someone's dream state.
David Corenswet: Yeah.
Jonathan Bailey: And that's what is so exciting. Because...
David Corenswet: That's why you want to go to the movies, is to like see a dream on the screen. Um, and yeah, it's cool to have a director who... who leads with that, um, and has... has great respect and wants to... wants to deliver something to an audience, but wants to deliver something that is unique to them... to themselves as a.
Jonathan Bailey: As a visionary.
David Corenswet: Yeah.
Jonathan Bailey: And how they interpret the world.
David Corenswet: Yeah. It was really cool working like that, because he also casts people who think that way and are excited about their... their craft and their art in that way. As an actor, there is just a desire to be more involved, because you do... you are the last person to find anything out, most of the time.
Jonathan Bailey: Yeah, yeah, yeah.
David Corenswet: And there are a lot of situations, I feel, where... where there's a... there's a... there's a culture of protecting actors from too much information, which I think can hamstring them sometimes, hamstring us. I often get frustrated feeling like I want to contribute in this moment when we're... when we're shooting the scene, but I don't know why we're shooting it in this room, or like that.
Jonathan Bailey: Well, there's an amazing footage of you and James having an extraordinary
David Corenswet: Is this not the moment where I go, "I was wrong to feel that way"?
James Gunn: That's exactly where the issue is, right? Because what he didn't tell you was it was wrong to feel that way.
Jonathan Bailey: I always think there should be... Oh God, this is such a nerd thing...

[Allwell @oxAllwell]

Jonathan Bailey just explained why David Corenswet's Superman feels different.

Jonathan Bailey: Should we start the conversation? This is, I don't know, what is this.
David Corenswet: There's a lot of cameras.
Jonathan Bailey: Oh yeah, that's true.
Jonathan Bailey: So, Superman.
David Corenswet: Who?
Jonathan Bailey: Superman.
David Corenswet: Yeah.
Jonathan Bailey: Um, I mean, I loved the film.
David Corenswet: Appreciate it.
Jonathan Bailey: Um, and I thought you were really extraordinary in it.And I thought that there's so much integrity and specificity in who both Clark and Superman are. But the thing that I really loved is that um, there was a real, it felt to me like a very honest and true version of integrity and therefore... values, and therefore cool. Because it was so heroic, and the hero was entirely fallible, and passionate, and I feel like sees the world in a completely different way. The thought processes were very... it felt to me very sort of scientific.
David Corenswet: Oh, I love that you said that. That rings very true with me generally in life. The sort of scientific curiosity, exploration, rigor, which does take a certain... willingness to not be so cool. To like care very much about details and... and be willing to kind of look a little bit foolish by trying really hard. James is, I think, that way in life and especially with his movies. He loves making movies, he loves comic books, even more so than wanting to make them good, he wants to make them fun, and special, and different.
Jonathan Bailey: And he's got a real sense of humor, hasn't he?
David Corenswet: Oh, well, yeah, he's...
Jonathan Bailey: That's what really struck me within all of it. It felt like... um, there was... there was... it just felt like there were so many vibrant ideas. Like, you were invited into someone's dream state.
David Corenswet: Yeah.
Jonathan Bailey: And that's what is so exciting. Because...
David Corenswet: That's why you want to go to the movies, is to like see a dream on the screen. Um, and yeah, it's cool to have a director who... who leads with that, um, and has... has great respect and wants to... wants to deliver something to an audience, but wants to deliver something that is unique to them... to themselves as a.
Jonathan Bailey: As a visionary.
David Corenswet: Yeah.
Jonathan Bailey: And how they interpret the world.
David Corenswet: Yeah. It was really cool working like that, because he also casts people who think that way and are excited about their... their craft and their art in that way. As an actor, there is just a desire to be more involved, because you do... you are the last person to find anything out, most of the time.
Jonathan Bailey: Yeah, yeah, yeah.
David Corenswet: And there are a lot of situations, I feel, where... where there's a... there's a... there's a culture of protecting actors from too much information, which I think can hamstring them sometimes, hamstring us. I often get frustrated feeling like I want to contribute in this moment when we're... when we're shooting the scene, but I don't know why we're shooting it in this room, or like that.
Jonathan Bailey: Well, there's an amazing footage of you and James having an extraordinary
David Corenswet: Is this not the moment where I go, "I was wrong to feel that way"?
James Gunn: That's exactly where the issue is, right? Because what he didn't tell you was it was wrong to feel that way.
Jonathan Bailey: I always think there should be... Oh God, this is such a nerd thing...

[Allwell @oxAllwell]

@Complex

[Allwell @oxAllwell]

Quenlin Blackwell and Billie Eilish compare fictional crushes, and the answers are hilarious

Quenlin Blackwell: I feel like that gagged.
Billie Eilish: Okay, good. Okay. First GOAT. GOAT fictional character crush?
Quenlin Blackwell: I literally have a list.
Billie Eilish: Yeah, go.
Quenlin Blackwell: The Lorax.
Billie Eilish: She loves The Lorax.
Quenlin Blackwell: In my veins. Scooby-Doo.
Quenlin Blackwell: Jack Skellington.
Billie Eilish: Ah, yeah. That's a good one.
Quenlin Blackwell: Also, the emo fish from Nemo.
Billie Eilish: Don't...
Quenlin Blackwell: He gagged. Not crush, but like a Queen Latifah moment: SpongeBob.
Billie Eilish: Wait.
Quenlin Blackwell: Okay.
Billie Eilish: 'Cause I don't think SpongeBob would want me.
Quenlin Blackwell: Why wouldn't he want you?
Billie Eilish: 'Cause he's gay.
Quenlin Blackwell: Says who?
Billie Eilish: Nickelodeon.
Quenlin Blackwell: Actually, he seems like an asexual vibe to me.
Billie Eilish: I wouldn't...
Quenlin Blackwell: He seems like he's not sexual. But maybe that would make you—
Billie Eilish: He came out on Nickelodeon. On a Nickelodeon Twitter post. Yes.
Quenlin Blackwell: Wow, that's amazing.
Billie Eilish: Maybe he just came out as part of the LGBTQ, so maybe he is asexual.
Billie Eilish: Okay, my list: Jack Skellington. I know this isn't like an animated thing, but it's animated by VFX: Venom.
Quenlin Blackwell: That's a fantasy for sure. Purr.
Billie Eilish: Mmm, BoJack Horseman, unfortunately.
Quenlin Blackwell: Crash out.
Billie Eilish: Obviously like Holli Would. Holli Would from Cool World.
Quenlin Blackwell: Cool World. Fire.
Billie Eilish: Obviously Jessica Rabbit, but that's just a duh. Scar.
Quenlin Blackwell: Solid.

[gee @12gee_man]

Pinkchyu (Goth creator that got Drake barking) shocks 2 goons hosts after revealing she’s actually a virgin despite her online persona

"I kid you not, 5,000 hours in VR Chat. Did not leave my room"

"I've never actually done it. I've done other things, but I've never had penetrative sex"

"5,000 hours in VR Chat. Did not leave my room. That was gooning with people, doing horny stuff"

"I get made fun of sometimes on my content... 'Dude, is she like a truck driver? Why is she driving like that?' I'm like, 'I'm trying to figure it out!'"

"How are you a dommy mommy when you play Magic: The Gathering, like anime, we're gaming..."

"Now you're out in the real world and I'm like... I'm just autistic, I don't know"

[gee @12gee_man]

Maddy May leaves 2 Goons hosts speechless after revealing she is deaf

"I went to like a special school for deaf kids"

"I'm completely deaf on my left side"

"it's like a hearing aid that's like magnet to your head"

"I was deaf from birth. It wasn't like that. It wasn't like anything"

"But that's not an interesting story... And then I started sucking d***"

Source: Maddy May || 2 Goons

[Allwell @oxAllwell]

@calebpressley

[Allwell @oxAllwell]

The reason Jesse Eisenberg leaves his own movie premieres is ridiculous

Caleb Pressley: Jesse Eisenberg.
Jesse Eisenberg: That's right.
Caleb Pressley: When you go to a movie premiere, is that the first time you've seen the movie?
Jesse Eisenberg: I don't even stay for the movie. I don't like watching movies I've been in, so when I go to a movie premiere, I walk in, and then I leave through a different exit.
Caleb Pressley: Oh, you just like the red carpet.
Jesse Eisenberg: I love that carpet. You know I love that carpet.
Caleb Pressley: For a red carpet, do you have to get styled?
Jesse Eisenberg: I select to in an attempt to be appropriate.
Caleb Pressley: And do most people in Hollywood have to get styled?
Jesse Eisenberg: You know, I truly... I feel so uncomfortable...
Caleb Pressley: He's a good-looking guy.
Jesse Eisenberg: Okay, were you teeing me up for this picture? In the sense that I feel this is more appropriate? Okay, yes. Yeah.
Caleb Pressley: I'm going to name a stereotype about actors, and you just tell me: is that stereotype true, or is that stereotype not true?
Jesse Eisenberg: Okay.
Caleb Pressley: Very dramatic.
Jesse Eisenberg: Actors, yeah, can be quite dramatic. Yeah, that's true.
Caleb Pressley: Die first in scary movies.
*Jesse Eisenberg: Die first in scary movies? You mean actors die first in scary movies?
Caleb Pressley: I'm asking you.
Jesse Eisenberg: Yeah, always if there's a death in a Hollywood movie, it would be by a SAG member.
Caleb Pressley: Let me ask you this.
Jesse Eisenberg: Yeah.
Caleb Pressley: Have you ever done full frontal?
Jesse Eisenberg: I... um... you know, it's the kind of thing that I think I don't have to ever worry about, you know? I think there's a kind of mutual understanding that I have clothes in films.
Caleb Pressley: I heard you got a good Mark Zuckerberg impression. You want to do it?
Jesse Eisenberg: I have a killer impression. No, no, yeah. That's my party trick. I do a killer impression of a dramatic movie that I was in.
Caleb Pressley: Really?
Jesse Eisenberg: Yeah. No, no, no, no.
Caleb Pressley: Mark Zuckerberg's a smart guy.
Jesse Eisenberg: Sure.
Caleb Pressley: Was that difficult for you to play?
Jesse Eisenberg: Yeah, I find kind of any thinking I do in movies to be difficult.
Caleb Pressley: When a director says, "Hey Jesse, we need you to gain 50 pounds of pure muscle for this next role"...
Jesse Eisenberg: It's hard to maintain, because I have like a thinner frame, you know?
Caleb Pressley: Really?
Jesse Eisenberg: Yeah.

[Allwell @oxAllwell]

The reason Jesse Eisenberg leaves his own movie premieres is ridiculous

Caleb Pressley: Jesse Eisenberg.
Jesse Eisenberg: That's right.
Caleb Pressley: When you go to a movie premiere, is that the first time you've seen the movie?
Jesse Eisenberg: I don't even stay for the movie. I don't like watching movies I've been in, so when I go to a movie premiere, I walk in, and then I leave through a different exit.
Caleb Pressley: Oh, you just like the red carpet.
Jesse Eisenberg: I love that carpet. You know I love that carpet.
Caleb Pressley: For a red carpet, do you have to get styled?
Jesse Eisenberg: I select to in an attempt to be appropriate.
Caleb Pressley: And do most people in Hollywood have to get styled?
Jesse Eisenberg: You know, I truly... I feel so uncomfortable...
Caleb Pressley: He's a good-looking guy.
Jesse Eisenberg: Okay, were you teeing me up for this picture? In the sense that I feel this is more appropriate? Okay, yes. Yeah.
Caleb Pressley: I'm going to name a stereotype about actors, and you just tell me: is that stereotype true, or is that stereotype not true?
Jesse Eisenberg: Okay.
Caleb Pressley: Very dramatic.
Jesse Eisenberg: Actors, yeah, can be quite dramatic. Yeah, that's true.
Caleb Pressley: Die first in scary movies.
*Jesse Eisenberg: Die first in scary movies? You mean actors die first in scary movies?
Caleb Pressley: I'm asking you.
Jesse Eisenberg: Yeah, always if there's a death in a Hollywood movie, it would be by a SAG member.
Caleb Pressley: Let me ask you this.
Jesse Eisenberg: Yeah.
Caleb Pressley: Have you ever done full frontal?
Jesse Eisenberg: I... um... you know, it's the kind of thing that I think I don't have to ever worry about, you know? I think there's a kind of mutual understanding that I have clothes in films.
Caleb Pressley: I heard you got a good Mark Zuckerberg impression. You want to do it?
Jesse Eisenberg: I have a killer impression. No, no, yeah. That's my party trick. I do a killer impression of a dramatic movie that I was in.
Caleb Pressley: Really?
Jesse Eisenberg: Yeah. No, no, no, no.
Caleb Pressley: Mark Zuckerberg's a smart guy.
Jesse Eisenberg: Sure.
Caleb Pressley: Was that difficult for you to play?
Jesse Eisenberg: Yeah, I find kind of any thinking I do in movies to be difficult.
Caleb Pressley: When a director says, "Hey Jesse, we need you to gain 50 pounds of pure muscle for this next role"...
Jesse Eisenberg: It's hard to maintain, because I have like a thinner frame, you know?
Caleb Pressley: Really?
Jesse Eisenberg: Yeah.

[Allwell @oxAllwell]

Imagine winning Best Picture... but the Academy acts like your movie directed itself.

Jimmy Kimmel: Very good to see you.
Ben Affleck: Thank you, I think. Um, thank you very much. And we—it should be, congratulations on your, I believe it's the Critics' Choice.
Jimmy Kimmel: Thank you very much, yes.
Ben Affleck: Um, in fact, speaking of Matt, he wanted me to pass on a note. He wanted me to share with you, yeah, which I thought was very nice. I'll read it. "Dear Jimmy, congratulations on the Critics' Choice Award. You should have gotten canceled a long time ago. Maybe you would have gotten sympathy then, and so you could have won more than one minor movie award like me." Anyway, it was a very nice note.
Jimmy Kimmel: No, it wasn't a nice note, and I will take that note and I will save it forever. Thank you for bringing that, and I'm sorry you have to even know him. You won the, you won the Critics' Choice Award a couple of times.
Ben Affleck: I did, not unlike you, I benefited from some sympathy.
Jimmy Kimmel: Oh, did you?
Ben Affleck: Well yeah, it was like a year when everybody, it's the horrible thing of everyone's telling you all the time, "You're gonna get nominated, you're gonna get nominated for Director." This movie Argo that I did, and everybody kept telling me I was gonna get nominated. And so of course, you wake up that morning, and sure enough, like, you know, and by the way, it's not like any other morning that I had not been nominated for Best Director, but all of a sudden, it's a massive embarrassment. I woke up, and people, "You didn't get nominated." And, you know, I thought, "Oh, God."
Jimmy Kimmel: Can I explain this a little more? Because I actually wanted to ask you about that. I was thinking about you last night, because I was watching Leo DiCaprio at this Critics' Choice Award, and I was thinking, "Boy, he's got so many better places to be." And the movie wins Best Picture, the director Paul Thomas Anderson wins Best Director, and then he doesn't win. And I'm thinking he must be so pissed that whatever, he got airlifted from a yacht somewhere, and couldn't be there anymore, he came to lose. And I was thinking about you because this is maybe the worst award show situation ever. I think you're underselling this, because Argo, not only was it, not only was it nominated for the Oscar for Best Picture, you won Best Picture. You starred in it and directed it, and you were not nominated in either category for a film—like, it's as if the movie directed itself.
Ben Affleck: Well, it's nice to be here. Thanks very much. Well, you're bringing it back. That's sort of what it felt like, yeah. And then the nice thing about it is the day of the snub, which all of a sudden it's like a thing, a negative event, that's all of a sudden this horrible thing. I had to go to the Critics' Choice Awards the day that the Oscars were announced, and I remember getting there, and there was like a red carpet line, seemed like there were 500 people dying to talk to me. And every single one of them was

[Allwell @oxAllwell]

@jimmykimmel

[Allwell @oxAllwell]

Imagine winning Best Picture... but the Academy acts like your movie directed itself.

Jimmy Kimmel: Very good to see you.
Ben Affleck: Thank you, I think. Um, thank you very much. And we—it should be, congratulations on your, I believe it's the Critics' Choice.
Jimmy Kimmel: Thank you very much, yes.
Ben Affleck: Um, in fact, speaking of Matt, he wanted me to pass on a note. He wanted me to share with you, yeah, which I thought was very nice. I'll read it. "Dear Jimmy, congratulations on the Critics' Choice Award. You should have gotten canceled a long time ago. Maybe you would have gotten sympathy then, and so you could have won more than one minor movie award like me." Anyway, it was a very nice note.
Jimmy Kimmel: No, it wasn't a nice note, and I will take that note and I will save it forever. Thank you for bringing that, and I'm sorry you have to even know him. You won the, you won the Critics' Choice Award a couple of times.
Ben Affleck: I did, not unlike you, I benefited from some sympathy.
Jimmy Kimmel: Oh, did you?
Ben Affleck: Well yeah, it was like a year when everybody, it's the horrible thing of everyone's telling you all the time, "You're gonna get nominated, you're gonna get nominated for Director." This movie Argo that I did, and everybody kept telling me I was gonna get nominated. And so of course, you wake up that morning, and sure enough, like, you know, and by the way, it's not like any other morning that I had not been nominated for Best Director, but all of a sudden, it's a massive embarrassment. I woke up, and people, "You didn't get nominated." And, you know, I thought, "Oh, God."
Jimmy Kimmel: Can I explain this a little more? Because I actually wanted to ask you about that. I was thinking about you last night, because I was watching Leo DiCaprio at this Critics' Choice Award, and I was thinking, "Boy, he's got so many better places to be." And the movie wins Best Picture, the director Paul Thomas Anderson wins Best Director, and then he doesn't win. And I'm thinking he must be so pissed that whatever, he got airlifted from a yacht somewhere, and couldn't be there anymore, he came to lose. And I was thinking about you because this is maybe the worst award show situation ever. I think you're underselling this, because Argo, not only was it, not only was it nominated for the Oscar for Best Picture, you won Best Picture. You starred in it and directed it, and you were not nominated in either category for a film—like, it's as if the movie directed itself.
Ben Affleck: Well, it's nice to be here. Thanks very much. Well, you're bringing it back. That's sort of what it felt like, yeah. And then the nice thing about it is the day of the snub, which all of a sudden it's like a thing, a negative event, that's all of a sudden this horrible thing. I had to go to the Critics' Choice Awards the day that the Oscars were announced, and I remember getting there, and there was like a red carpet line, seemed like there were 500 people dying to talk to me. And every single one of them was

[Allwell @oxAllwell]

@TheoVon

[Allwell @oxAllwell]

Theo Von brought up a TikTok DM, and Miles Teller unlocked a legendary story

Theo Von: There's a woman who has, yep, two vaginas that's on TikTok.
Miles Teller: Yeah, yeah, yeah.
Theo Von: Uh, she sent a DM the other day to me, the other day...
Miles Teller: How many DMs did she send, one of each one for each
Theo Von: Dude! Dude, she sent... Dude... replica DMs, that's insane, bro.
Miles Teller: So, can I tell you a story?
Theo Von: Yeah.
Miles Teller: So, I'm... uh, I'm at my boy's wedding, and we're... he's from... he's from Ohio. We're at the, you know, reception, now the after-reception. We're all just hanging out in the hotel room, and the one dude's like, "Yo, do you remember... uh, remember that girl we went to high school with with two vaginas?" And he's like, "Dude, you're talking about Cheryl?" And then his other buddy's like, "Yo, Double-Barrel Cheryl?" And I just thought that was the funniest fucking nickname I've ever heard in my life: Double-Barrel Cheryl. I was like, that's gotta go in some American Pie-type movie, just... Double-Barrel Cheryl. So as soon as you started talking about that, I was like, "Oh, I have one."
Theo Von: Put her in a museum.
Miles Teller: But she used to apparently, she used to say like, "This one's for my boyfriend; I'm saving this one for my husband."
Theo Von: Oh. That's kind of beautiful.
Miles Teller: Yeah. Yeah, right?
Theo Von: Yeah.
Miles Teller: Yeah.

[Allwell @oxAllwell]

Theo Von brought up a TikTok DM, and Miles Teller unlocked a legendary story

Theo Von: There's a woman who has, yep, two vaginas that's on TikTok.
Miles Teller: Yeah, yeah, yeah.
Theo Von: Uh, she sent a DM the other day to me, the other day...
Miles Teller: How many DMs did she send, one of each one for each
Theo Von: Dude! Dude, she sent... Dude... replica DMs, that's insane, bro.
Miles Teller: So, can I tell you a story?
Theo Von: Yeah.
Miles Teller: So, I'm... uh, I'm at my boy's wedding, and we're... he's from... he's from Ohio. We're at the, you know, reception, now the after-reception. We're all just hanging out in the hotel room, and the one dude's like, "Yo, do you remember... uh, remember that girl we went to high school with with two vaginas?" And he's like, "Dude, you're talking about Cheryl?" And then his other buddy's like, "Yo, Double-Barrel Cheryl?" And I just thought that was the funniest fucking nickname I've ever heard in my life: Double-Barrel Cheryl. I was like, that's gotta go in some American Pie-type movie, just... Double-Barrel Cheryl. So as soon as you started talking about that, I was like, "Oh, I have one."
Theo Von: Put her in a museum.
Miles Teller: But she used to apparently, she used to say like, "This one's for my boyfriend; I'm saving this one for my husband."
Theo Von: Oh. That's kind of beautiful.
Miles Teller: Yeah. Yeah, right?
Theo Von: Yeah.
Miles Teller: Yeah.