Walter Arichávala

Mi vida la construyo cada dia..siempre en compañía d los q AMO. Bendiciones a todos!!!

[YANFRED @Yan_infor]

¿Me estás diciendo que las torres gemelas se movian y uno debía tenerse ?

[Walter Arichávala @parvusdei]

@Cabezismo Agustín Delgado

[❃ུ۪ ❀ུ۪ ДLICIД ❃ུ۪ ❀ུ۪ @_SoyAlicia]

FELIZ LUNES !!!!

" No juzgues sin antes conocer al lobo "

[Music over time🎻 @Peal8888]

Absolutely amazing!!!! I'm completely smitten!!!!
The chemistry between the two of them is incredible!!!! 😍❤️

[MÚSICA Y VIDA SILVESTRE 🎼🐺 @MIGUEL157955918]

R.E.M. - Losing My Religion

[Fauna Natural @MiguelM73104161]

Este clásico jamás pasará de moda

[Fauna Natural @MiguelM73104161]

Esta canción nunca pasará de moda

[🦋 🌷Love Music 🎶 & Dance 💃🏻🕺🏻 @Tiana_Celine_23]

The Piano That Conquered 72,000 People

Imagine walking onto a stage in front of 72,000 people at Wembley Stadium, with nearly two billion watching around the world. You don’t grab a microphone and charge the crowd. You sit down at a piano. Then you begin one of the most ambitious songs ever written as if the pressure does not exist.

That is exactly what Freddie Mercury did on 13 July 1985.

Queen had only 20 minutes at Live Aid. They had rehearsed hard and chosen their strongest moments. They opened with the piano ballad section of Bohemian Rhapsody before exploding into Radio Ga Ga. The clip circulating now captures the first part of that set: Freddie in the white tank top and white trousers, seated at the grand piano, playing and singing while the entire stadium holds its breath.

Watch his face. He is not performing at the song. He is inside it. Sweat runs down his temples. His eyes close or drop to the keys. When he leans into the microphone the intensity is almost uncomfortable. This is not polished showmanship. It is complete surrender to the music in front of the largest audience of his life.

Then he stands.

The energy shifts instantly. The man who had just delivered a delicate, demanding piano vocal now seizes the microphone stand like a weapon and takes ownership of the entire stadium. The seated virtuoso becomes the swaggering frontman without missing a beat. That transition is the point. Most singers pick one mode. Freddie occupied both at once.

Live Aid was not a normal gig. The schedule was brutal. Soundchecks were limited. The world’s biggest stars were watching from the wings. Any hesitation would have been visible to millions. Freddie showed none. He sat at that piano with the calm of someone practising at home, then rose as if the stage had always belonged to him.

Technique alone does not explain it. Plenty of singers can hit the notes. Far fewer can play piano and sing Bohemian Rhapsody live without the performance collapsing under its own complexity. Even fewer can do it while radiating the sense that 72,000 people are in the palm of their hand. Charisma is usually associated with movement and volume. Freddie proved it can also come from stillness. Even seated, no one looked anywhere else.

The historical context makes it sharper. Queen were not the flavour of the month in 1985. Bigger contemporary names were on the bill. Yet this 21-minute set is routinely ranked among the greatest live rock performances ever given. The reason is simple. For those minutes Freddie Mercury was not merely a singer with a band. He was the complete artist: musician, vocalist, conductor, and force of nature.

The clip does not just show a great vocal. It shows a man who could sit down in front of the world, play a difficult song with total command, and then stand up and remind everyone why rock stars exist. He did not just appear on that stage.

He took it.

[Ramsey Ferrero @ramseyferrero79]

Les dan la razón.

[Marty y Oli @OliMarty_]

El PELIGRO del avance del feminismo

[Wilkinmeta @wilkinmeta]

Para que entiendas el caso de Lindsay Clancy

[Oscar @Oscar_94_21]

Estas 12 imágenes cambiarán toda tu realidad...

[Cesar E. Vera E. @chechovera25]

El expresidente de #Emelec Nassib Neme Antón hace referencia a lo sucedido ayer previo al Clásico del Astillero y lo vivido en años anteriores en el estadio Monumental.

"Se les hizo costumbre a estos impresentables intentar jugar por tercera vez sin público al siguiente día. Es muy diferente a la conducta más deportiva que ha tenido Emelec a lo largo de su historia. Mientras fui directivo de Emelec tanto décadas 90 como la última en 4 oportunidades viniendo en el bus fuimos recibidos a pedradas antes del ingreso al túnel que conduce a los camerinos. La primera en 1993 ( gol de Vidal Pachito). La segunda dirigía Sampaoli último clásico primera etapa ( ganó Emelec 2-1 con goles Quiroz y Fleitas) la tercera clásico 2012 que caímos 0-5 y la cuarta clásico 2022 empatamos 1-1. No se diga cuando lo presidía Omar Quintana o Fernando Aspiazu que aunq no me consta potencialmente les ocurrió lo mismo; por objetos lanzados a los jugadores en la celebración de goles se cuentan por decenas los lanzamientos en el monumental, ningún directivo ni técnico ni jugadores se atrevieron deshonrar la camiseta e irrespetar al público haciendo jugar el partido al siguiente día sin la presencia de los espectadores ( escencia misma del espectáculo)! Hay caraduras que encima a través de la pantalla lo presumen de normal!
Normalizando la sinverguenceria con alcahuetería mediática!!"

[Walter Arichávala @parvusdei]

@hicasamadim El 3

[Walter Arichávala @parvusdei]

@josiahjdp Dura pero hermosa. Felicitaciones

[José Luis 🇲🇽 @menjoss]

LAS ESTADÍSTICAS Y LAS MATEMÁTICAS DESMIENTEN A LAS FEMINISTAS

https://t.co/qKlwVyxkaV

[Azteca Noticias @AztecaNoticias]

Los Vázquez rumbo a Acapulco: 5 horas de camino… convertidas en 17 y media 😅

15 personas, un perrito 🐶 y una camioneta amarilla que lo dio TODO: fallaron balatas, baleros, bomba de gasolina… y hasta una llanta 💥

¿El momento cumbre? Arreglarla con la lengüeta de un zapato 👟

Ingenio mexicano en su máxima expresión 🇲🇽

Desde entonces, una frase quedó tatuada en carretera:
“La esperanza muere al último” 🙌

Vía @SergioVicke