Patrick Dickinson

British/Irish Writer and Director. COTTONTAIL Winner Best First Film Rome Film Festival 2023. Opens Japan nationwide 1st March 2024. BAFTA 'Brit to Watch'.

[Patrick Dickinson @patrickinema]

Thrilled that after winning Miglor Opera Prima (Best First Film) @romacinemafest #cottontailfilm will open in Japan with the wonderful @longride_movie on 1st March, 2024. Huge congratulations to #リリフランキー @RyoNishikido_JP #木村多江 #高梨臨 @Yuri_Tsunematsu @kosei_kudo

[ロングライド｜映画配給・宣伝 @longride_movie]

꧁　　『#コットンテール』　　꧂
𝟐𝟎𝟐𝟒/𝟑/𝟏(𝐟𝐫𝐢)公開決定🎬

／
🏆ローマ国際映画祭
#パトリック・ディキンソン 監督
🎊最優秀初長編作品賞受賞🎊
＼

#リリー・フランキー
#錦戸亮
#木村多江
#高梨臨

🇬🇧イギリス・ウィンダミア湖を舞台に家族再生を描く日英合作の感動作です💫続報にご期待ください🙌
https://t.co/DPEg3D2lUY

[The Japan Times @japantimes]

If you weren't raised eating "nattō" — Japan's infamously sticky and musky fermented soybeans — acquiring a taste can be a herculean but worthwhile effort. https://t.co/fLgxcQH7CB

[Nanako Tsukidate @775nanananana]

カンヌ国際映画祭5日目③。併行部門で辟易する作品を連続で見た後に、コンペにてジェームズ・グレイ🇺🇸『Paper Tiger』。対立する兄弟がロシアのマフィアを巡る事件に関わることで家族も危険に晒されていく。コンペでは他に群を抜く圧倒的な演出力、ラスト15分には震えた。これまで見たコンペではNo. 1

[Screen International @Screendaily]

’When The Night Falls’ Cannes review: Director Daniel Auteuil turns real-life Second World War event into provocative moral thriller says @davecalhoun #Cannes2026 https://t.co/t6tPnjZR0v

[Nanako Tsukidate @775nanananana]

カンヌ国際映画祭3日目②。コンペにて、パヴェウ・パヴリコフスキ🇵🇱『Fatherland』。『魔の山』のトーマス・マンと作家であり女優の娘が冷戦で引き裂かれたドイツを横断するロードムービー。旅の過程の物語を無駄に劇化せず過去作に続きモノクロの静謐な映像美は一貫しているが、特に驚きはない。

[Nanako Tsukidate @775nanananana]

カンヌ国際映画祭4日目②。コンペにて濱口竜介🇯🇵『SOUDAIN』。日本人監督による仏映画に懐疑的なので全く期待してなかったが、今日本映画に求められている破綻のない甘くエキゾチックな美しき日本をまさに体現してしまっている。演劇など微量の作家性は見受けられるが長尺はその担保には決してならない

[Nanako Tsukidate @775nanananana]

カンヌ国際映画祭4日目①。コンペにてアスガー・ファルハディ🇮🇷『HISTOIRES PARALLÈLES』。そもそも、クシシュトフ・キェシロフスキ『デカローグ』を脚色すると言う発想自体が愚か極まりないが、イザベル・ユペールを筆頭に仏豪華オールキャストで埋め尽くされただけの空虚な出来となっていた。

[Cahiers du cinéma @cahierscinema]

Il y a trois ans furent retrouvés quelques bobines d’une copie de travail de La prière aux étoiles, oeuvre inachevée puis détruite de Marcel Pagnol.
Nous avons pu voir ces 80 minutes inédites le 15 mars, dans le cadre du Festival de la Cinémathèque, à Paris.

[Richard Brody @tnyfrontrow]

On Éric Rohmer's birthday, worth recalling that he's the most misunderstood great filmmaker, which is among the first things I wrote back in the day: https://t.co/3xChat0doq

[Lord Bebo @MyLordBebo]

Tutorial on how to draw your samurai sword in confined spaces

Important for the London Underground

[Mark Cousins @markcousinsfilm]

This lovely cinema in Oxford would appreciate your support
https://t.co/1wX4jgUl89

[Mark Cousins @markcousinsfilm]

Imagine if you took a weekend off, to indulge in, dive in, to this.
I have surprises up my sleeve, but mostly there's cinema.
Cromarty. Take the train to Inverness. Swim in the dark. Swim in movies. I will.

[The Sting @TheStingisBack]

Happy Birthday, Cynthia Rothrock
Cynthia was the first non-Asian to break through as a major star in Hong Kong action cinema. She called her fight with Karen Shepard in Righting Wrongs (1986) “the best fight between two women ever put on screen.” I’m not about to argue

[Harry Eccles @Heccles94]

Tweet of the year?

[Patrick Dickinson @patrickinema]

@ThePCCLondon @timeout You’re my number one! ❤️

[Prince Charles Cinema @ThePCCLondon]

We’re delighted to have come in at #8 in the Top 100 Greatest Cinemas in the WORLD, as ranked by @TimeOut.

It’s wonderful to be in such great company alongside so many fantastic cinemas in London, across the U.K., and around the world.

[Renee @PettyLupone]

Harrison Ford, known for his rugged dignity, just gave one of the most touching acceptance speeches I’ve ever heard.

Just a man, reflecting on the incredible blessing it is to be able to do what you love and find your place in the world.

I cried.

[RadiantFilm @RadiantFilm]

Excerpt from a 1992 interview with Kazuo Miyagawa on Kenji Mizoguchi and Ugetsu (1953), recorded for The Criterion Collection:

[Patrick Dickinson @patrickinema]

@RnaudBertrand Records probably moved and also wiped out in a ‘man made’ flood.