MEGA STAR Speaks Out on #Irumudi!
ఒక సినిమా విజయం పరిశ్రమలోని అందరికీ పండుగే.
ఈ పరిశ్రమ అందరిదీ… ఏ కొందరిదో కాదు.
మనం బతకాలి… ఇతరులనూ బతికించాలి!
#LiveAndLetLive
Tollywood’s top 10 grossers of 2026 globally:
Peddi – 341.13 crore
Mana Shankara Vara Prasad Garu – 300.79 crore
The RajaSaab – 206.57 crore
Irumudi – 117 crore (6 days)
Maa Inti Bangaaram – 100.96 crore
Ustaad Bhagat Singh – 97.25 crore
Anaganaga Oka Raju – 83.85 crore
Lenin – 68.93 crore
Dacoit – 56.88 crore
Chennai Love Story – 52.12 crore
ప్రజారాజ్యం ఆవిర్భావ దినోత్సవం.(26/08/2008)
ప్రజలకి మంచి చేయాలని వచ్చే
ఏ నాయకున్నీ ఈ రాష్ట్రంలో ఎదగనీయరు !!
దానికి ఉదాహరనే ప్రజారాజ్యం.🔥🔥🔥🔥
@KChiruTweets
**ప్రజారాజ్యం పార్టీ స్థాపించి నేటికీ 18 సంవత్సరాలు-**ఆగస్టు 26-8-2008
**ఒక్కసారి ఆ తీపి జ్ఞాపకాలను గుర్తు తెచ్చుకుందాం**
**ప్రేమే మార్గం సేవే లక్ష్యం** అనే సిద్ధాంతంతో* ప్రజారాజ్యం* పార్టీ స్థాపించి కోట్లాదిమంది యువతని రాజకీయం వైపు చూసేటట్లు చేసిన పార్టీ* ప్రజారాజ్యం* పార్టీ *ఉమ్మడి ఆంధ్రప్రదేశ్లో 140 సీట్లు ఎస్సీ ఎస్టీ బిసి మైనారిటీలకు ఇచ్చి బలహీన వర్గాలకు పెద్ద పీట వేసి దేశ చరిత్రలోనే చరిత్ర సృష్టించిన పార్టీ ప్రజారాజ్యం పార్టీ* నేడు ఆ పార్టీ లేకపోవచ్చు గాని అదే లక్ష్యం అదే భావజాలం జనసేనగా పేరు మారిందే తప్ప మా తపన మారలేదు**🙏🏻🙏🏻🙏🏻
#MegastarChiranjeevi @KChiruTweets ❤️
#Toxic A Fairy Tale That Turns Into a Complete Nightmare for Everyone!
A technically sound film buried under chaotic writing and exhausting execution. There are barely any proper character introductions, the narrative has no clear flow, and the screenplay gets confusing enough that you’re often left wondering what’s even happening. Dialogue writing is bad, the editing is even worse, and Ravi Basrur’s BGM only makes the experience that much more painful.
Yash’s screen presence and a few scenes along with a better executed climax are the very few positives. This one is hard to sit through. Not even a bad watch, this is a straight up disaster!
Rating: 1.5/5
చిన్న సమస్య వస్తే మనం కృంగి పోతాం .. కానీ అజ్ఞాతవాసి సినిమా టైంలో తాను ఫేస్ చేసిన ఇష్యూని త్రివిక్రమ్ ఎంత బాగా చెప్పారో చూడండి .. లైఫ్ ఎంకే ఫెయిల్యూర్ వచ్చినపుడు దాన్ని దాచడమే అసలైన ఫెయిల్యూర్
Breakdown of shots for #Kaaka glimpse by the cinematographer Vijay Karthik Kannan 👍
Shot Division - DOP Copy
Factory wide shot – drone – OK 5:20 pm
Ammaji board shot – container passing – OK
Dead top angle – prawn shot with dry ice – OK 10:15 pm
Live prawn inside glass box (Cam 1 outside, Cam 2 probe inside the glass box) – OK 12:00 am
Hero inside glass room near table (foreground Ammaji glass label, background hero working) – OK
Hero ID card close-up – OK 10:30 am
Hero keeping in … foreground out of focus – background workers working – OK 11:38
Lunchbox and water bottle close-up – top angle (include watch) – OK 8:30 am
Hero checking time in the same shot and time hitting 4:57–4:58 – OK 11:42 am
Baby prawn packing – OK 10:50 pm
Hero walking between 2 tanks – OK 10:10 pm
Bag and shoulder under armpit – back-follow – close-up – OK 1:51 pm
Gate pass entering the frame and hero signs (hand enters) and tilting the camera to Singh – OK
Clock hitting 4:59–5:00 – OK 8:41 am
Siren close-up – OK 1:27 pm
Apron removing – OK 1:27 pm
Back shot – workers exiting from the factory in BG – water wheels spin stopping in foreground
Low angle leg shot – hero walks on the ramp – OK 3:08 pm
Hero OTS – camera follows on ramp, focus on Sunil walking opposite to the workers – OK 3:08 pm
Profile shot – Sunil dialogue (close-up, wide from inside office – 1st floor) – OK 3:08 pm
Camera on top of the ramp – railing in foreground – worker (on ground) calling hero and walking towards the camera (for leave) – OK 3:08 pm
Worker OTS from ground – hero bike key – OK 8:20 pm
Frontal shot of worker throwing key – OK 8:55 pm
Low angle of hero on ramp – key hitting the bottom of the ramp and falling down – OK 8:35 pm
Top angle of the tank – keys entering the frame and falling (high speed) – OK 9:20 pm
Underwater – camera 45° tilt-up – key entering the frame (high speed) – one shot OK
Hero OTS (from the ramp) – worker saying/looking sorry – OK 9:06 pm
Frontal wide near gate – through the door workers exiting, Cheenu going last – OK 7:56 pm
Counter-angle through the door – workers walking in distance outside – hero hand closing
Wide profile shot – water reflection – hero walking across the ramp – OK 4:34 pm
Hero back shot – walking away from the [unclear] – OK
Close-up of remote – hero hand enters – OK
Frontal angle – hero out of focus, hand enters with remote – OK 4:58 pm
Close-up of pressing buttons (up, down, magnet on)
Low-angle shot of magnet coming out [of the tank]
Underwater – through water we see hero – OK 5:50 pm
Frontal hero – [unclear] foreground – OK
Close-up of rope unwinding
Underwater – low-angle profile shot and magnet enters and stops – OK 10:40 pm
Wide shot of hero – magnet already submerged in water – OK 11:20 pm
Close-up – hero pressing “magnet” on remote
Underwater – low-angle profile shot and magnet attracts the guns and water waves to be created on set – OK 10:15 pm
Extreme wide from the entrance – hero on ramp and magnet coming out – OK 7:28 pm
Top angle of magnet coming out
Profile shot – magnet entering and exiting the frame, focus shift to hero – OK 5:15 pm
Close-up of keychain hanging and hero taking – OK 6:32 pm
Hero turning towards camera – tilt shot from ramp – OK 7:00 pm