pablo del castillo

[GUNDAM CARD GAME English Version @GUNDAM_GCG_ENG]

To our Gundam Card Game players,

After reviewing tournament results, internal testing, and feedback from players around the world, we have decided to update the Banned & Restricted List, effective July 25.

We wanted to share this update as early as possible so players and event organizers can stay informed ahead of the changes.

Our goal is to foster an environment where a wide variety of decks and strategies can thrive. We hope this update will create more opportunities for different playstyles to succeed and contribute to a better overall gameplay experience.

We understand these changes may have a significant impact on players, and this was not a decision we made lightly. As the game continues to evolve, we will keep a close eye on the environment and continue listening to your feedback as we work together to make Gundam Card Game even better.

Thank you for your passion and continued support.

– The Gundam Card Game Development Team

[pablo del castillo @pavlovf]

@PaladinArthuru 全文はどこで読めますか？

[Zeonic|Scanlations @zeonicscans]

Woo hoo! Under the Moonlight is FINALLY getting an ebook release. All four volumes are coming out the end of the month. Guess I know what I'll be doing for August...

[Zeonic|Scanlations @zeonicscans]

Vol.01 https://t.co/5WRKLNnJtO
Vol.02 https://t.co/OaQaSOQ5Gc
Vol.03 https://t.co/50AAhkVui1
Vol.04 https://t.co/2kaB5BV4aA

[Zeonic|Scanlations @zeonicscans]

Definitely digging the artwork for it! Here's to hoping we get a manga/novel tie-in!

[中島りも（セリフと演出から読み解く機動戦士ガンダム解説） @limo_hrih]

富野監督の「完璧なデザイナーベビー」、プル。平安から20世紀まで、ロリコン文化史との比較から https://t.co/dXFriY6Qkd

プルとロリコンの歴史を徹底的に調べ上げました。『枕草子』から『源氏物語』、『神曲』『アリス』から『ミンキーモモ』まで！　なぜプルは「完璧なデザイナーベビー」と言えるのか？　ロリコンと笑うなかれ、そこには深い理屈と美学がある。

現在メンバーシップ先行配信中、22時から一般公開予定です。

もくじ：
02:14 ポイント１．プルの基本情報
04:41 ポイント２．「うつくしい」ロリコンの歴史
09:10 ポイント３．生物学的・心理学的・社会学的視点
12:21 ポイント４．ナボコフから和製ロリコン文化へ
17:23 ポイント５．プルの誕生
25:52 ポイント６．プルツーが存在する意味
30:03 ポイント７．プルが12体存在する意味
32:40 ポイント８．無限に増えるプル

[Anime Updates @animeupdates]

'GHOST IN THE SHELL' by Science SARU New Official Anime Key Visual!

Premieres July 7, 2026

[ガンダム公式 @gundam_info]

2026年4月7日で #ガンダム47周年 ✨

本日ご紹介するのは、
2015年公開のOVA
『機動戦士ガンダム サンダーボルト』‼

▼作品情報・配信サービスはこちらをチェック📺
https://t.co/QhH63bIUUv

[フィレンツェのケバブ @y_saizen]

SDガンダム✌️
#SDガンダム

[ガンダム公式 @gundam_info]

◤◢◤◢◤特報◢◤◢◤◢

映画『ソレスタルビーイング』

西暦2314年劇場公開決定。

4人の若者が、命を懸ける。ガンダムと共に――

▼予告映像を公開
https://t.co/h3ajohS6K7

#ソレスタルビーイング
#エイプリルフール

[攻殻機動隊【公式】GHOST IN THE SHELL official @thegitsofficial]

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　　　　サイエンスSARU制作
　　　　　　　TVアニメ
『攻殻機動隊 THE GHOST IN THE SHELL』
　プロモーションビデオ第2弾、解禁。

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サイエンスSARUによる、完全新作“攻殻機動隊”シリーズ。

2026年7月 カンテレ・フジテレビ系 全国ネット
“火アニバル!!”枠にて毎週火曜よる11時 放送開始。
https://t.co/pClLGhxFZv

https://t.co/6lR6Y21a8y

THE GHOST IN THE SHELL Scheduled for July 2026.
A new anime series by Science SARU.

#theghostintheshell #攻殻機動隊 #thegits

[pablo del castillo @pavlovf]

@zeonicscans Hello! you have a translation for the ZZ novel?

[まつあつま @matsuatsuma2]

HSGK ファントム慧茄騎
（原型: 平井興治氏）
できました。

グロスレッドでオーソドックスに…
素晴らしい造形を堪能〜。
かっこよすぎて滅

#HSGK赤ファン #FSS_jp #ボークス

[Zeonic|Scanlations @zeonicscans]

◤◢◤◢◤◢◤◢◤◢◤◢◤◢◤◢
INTERVIEW TRANSLATION
SHUKOU MURASE
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Last week I posted Murase's interviews on the site:

https://t.co/Nhfw06EcrD
https://t.co/Bpa7rFCUaj
https://t.co/lxD1Z5RMJE

[Ollie Barder @Cacophanus]

Yoshikazu Yasuhiko At ‘Venus Wars’ Screening Talks Of Anime Comeback - @Forbes- https://t.co/J2GJjCLuxP

[Fabrizio Gunjap @FabrizioGunjap]

MESSAGE
— Yoshiyuki Tomino
(Original Chief Supervisor)

I defined Amuro Ray as the protagonist of the theatrical version of Mobile Suit Gundam.
In the second part, I tried setting him against that kind of Amuro—one who would abandon the society he was meant to fight for.
So then—would Amuro deny it?
That place is a battlefield.
Would Amuro live while denying it, or would he die?
He fights on the borderline between life and death, surviving by the skin of his teeth.
Would that be called “living” just because he obtained it through sheer luck (kyōkō)?
Probably not.
Even if he refuses to treat it as mere “luck,” there are surely those who would reduce that survival to nothing more than luck.
Yet whether he likes it or not, it ultimately depends on Amuro’s own self-awareness.

Perhaps fate does not exist.
Maybe because he was a Newtype, his capacity to survive was unusually strong, and that’s why he was permitted to live—perhaps Amuro’s life is simply the characteristic of one who was chosen.
But can a person’s way of living truly be separated from the destiny of their era and the talents they happen to possess?

Does the path toward “life” open up depending on how one reacts—or tries to present oneself—to external stimuli?
Or is it determined solely by the raw emotion of wanting to “live”?
If one does not expand toward “life,” one cannot continue to survive.

Living by sheer force of will alone is probably impossible.
Even surviving while hating it cannot be done through willpower alone.
On the battlefield, soldiers are compelled to live while constantly confronting death.
They are forced to accept death as part of everyday existence.
They are thrown into the very act of living-while-dying.
That is precisely what happens to ordinary soldiers—and to Amuro as well.

Yet there, people desperately exert all their strength, wishing with their entire being to survive.
Even if they know death is approaching, even if the times try to force death upon them—somewhere within them there remains that “something” that strives to protect life at all costs.

That “something” may be love for another person.
Or perhaps it is for the sake of all humanity.
It may not be for any single individual.

They—each and every one—wish to wield the power that sleeps within them, the power to fulfill their own profound, earnest desire, even if only once.
If we call that power Newtype ability, then I would like to think of Amuro as someone who possesses it.
If we speak of bitterness and regret, then I want to grant that power even to the countless soldiers who died in the rubble without ever obtaining it.

I want to call them “the grieving warriors.”
I want to pour into Amuro all of their regrets and hopes (dreams).
I want to give Amuro the strength to break through and overcome that.

By accepting the sincere wish of the ordinary staff who placed that burden upon him, by accepting the reality of the grieving warriors exactly as they were, I want Amuro to grow into a person capable of leading humanity into the next world—a world filled with the possibilities of the universe.
He himself is us, right now…
I look forward to the departure toward that next stage.

— Yoshiyuki Tomino
(Original Chief Supervisor)
.
#yoshiyukitomino #Gundam #AmuroRay

[アニメ「メイドインアビス」公式 @miabyss_anime]

劇場シリーズ【第1部】
#メイドインアビス 目覚める神秘

2026年秋🕳️劇場公開！

特報映像を公開🎥

[シャア専用ブログ @Char_Tweet]

富野番のレジェンド編集者が語る小説「閃光のハサウェイ」誕生秘話
https://t.co/Y65wD2f0Xq
――富野さんの新作への意欲はどのような感じでしたか？

めちゃめちゃありますよ。「ヒミコヤマト」は続けているようで、他にもいくつか構想を持っているようでした。

[Fabrizio Gunjap @FabrizioGunjap]

In his memo, Yasuo Ohtagaki explains that he designed the MS-09 Dom Resonance specifically for a side story in Mobile Suit Gundam Thunderbolt, where he considered the Guntank to be the true protagonist. Because of this, he drew what he personally regards as the strongest possible Guntank.

He then asked himself: if the enemy opposing this ultra-powerful Guntank is a Dom, what kind of approach would make for the most compelling confrontation? From the very beginning, he wanted to create the ultimate hover unit capable of standing up to the ultimate tank.

Starting from the classic Dom as a base, he developed a design that would not be outmatched by the Guntank. Drawing on past experience, the most effective solution turned out to be dramatically widening the lower body / hover skirt in a tank-like manner, giving it an extremely broad, low-slung profile.

This exaggerated horizontal spread makes the lower section visually dominant—especially when drawing human figures (in the characteristic “Gundam pilot climbing onto a bike” style) next to it. In this episode, with Creed piloting the main Guntank, the massively widened tank-like hover section of the Dom Resonance becomes the central compositional element.

Although this design choice makes both the mobile suit and the characters much harder to draw, Ohtagaki deliberately pushed the horizontal exaggeration to its limit. In the end, he believes he succeeded in creating the strongest hover unit truly capable of rivaling the strongest tank.

He states that he designed it exactly the way he himself wanted, so the Dom Resonance holds a lot of personal attachment for him.

In short: Ohtagaki created the Dom Resonance as the definitive hovercraft counterpart / antithesis to his idealized “strongest Guntank,” transforming the Dom into a gigantic, ultra-wide hover-tank monster for an epic, visually striking duel in the Thunderbolt side story.
.
#gundamthunderbolt #gundam

[Zeonic|Scanlations @zeonicscans]

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HATHAWAY'S FLASH
ALL VOLUMES
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Now that February is here and it's time to kick off another power-up perk on Patreon, January's project goes up on MangaDex! All four volumes of the Hathaway manga are up!

https://t.co/nVxhT9XJMv