POV: you have a weird friendโฆ
I created this for my guy @deyniyii for his birthday last year, somehow the image doesnโt scream โbirthdayโ but is it creative or what?? ๐. Btw, that was a full frame that I transformed into something I still donโt understand till today ๐
Mine is an Aston Martin. I need one Aston Martin before I die ya Allah. It's the next level for me. The day I drove a Ferrari, I knew I needed to Hustle at a different level . Money is good
After much procrastination car flog at last
๐คญ๐คญ๐คญ Iโm so proud of my self!!
Thank you again @hasan_motors1 surest plug
Thank you my @i_am_labyb and @TheSourceHive for being so helpful throughout this process, you guys the best!
Apparently this is the new art direction for Nigerian music videos.
Single saturated colour, editorial aesthetic, dramatic backlighting, symmetrical framing, dark cinematic grade.
I've seen it too many times not to notice.
This screenshot has 8 videos, all from the past month.
A lot of music today feels engineered for quick reactions. Viral snippets. Forced catchphrases. Loud marketing. Temporary excitement disguised as cultural impact. Songs arrive heavily packaged, they will dominate the timelines for two weeks, then it'll disappear without leaving any emotional residue behind.
But every once in a while, an artist and a producer will lock into something more intentional.
That is what BNXN and Sarz delivered on The Game Needs Us.
This EP feels like a reminder of what happens when melody, songwriting, emotion, production, and chemistry are treated seriously again.
I absolutely love it. The Game Really Needed Them. This is beautiful music