Beate Fricke

Bridging academic worlds, Bern-fan and mother. Co-founder&co-editor of 21-inquiries (OA)

[Beate Fricke @perillus1]

I got sick of hunting around journal websites trying to figure out where they are Open Acces and if I can submit a particular article, and put together a spreadsheet with the info you might want for that purpose.
https://t.co/VmoMJGa9p4

[21inquiries @21inquiries]

We are preparing @21inquiries's autumn issue #3-24! 🍂 Check out our website for a sneak preview: https://t.co/fP34ZPfoWi
#ArtHistory #OpenAccess

[21inquiries @21inquiries]

The "Placing the first pillar" of the "new Crystal Palace, Sydenham", London (1852). Find more on this special building - a legacy of the Great Exhibition of 1851 - in Andreas Fahrmeir's contribution in @21inquiries 's special issue on world exhibitions: https://t.co/4yPX2JlBFb

[Universität Bern @unibern]

Zu einem der «Schönsten Deutschen Bücher» 2024 gekürt: «Holy Smoke», in Kohlepapier eingeschlagen und mit orangener Banderole versehen. Wir gratulieren der Herausgeberin Beate Fricke, Professorin für Ältere #Kunstgeschichte #unibern, herzlich! https://t.co/VxHryY09pi @perillus1

[Beate Fricke @perillus1]

⁦@hyperallergic⁩ just has published a wonderful review of our book on censers! https://t.co/Qp2QqZI26U

[21inquiries @21inquiries]

Have you already read the five reviews in @21inquiries's last issue? You can read them online or download them free of charge here: https://t.co/2qRjmp5kMr
#openaccess #arthistory #arthistoryreviews #globalarthistory

[21inquiries @21inquiries]

In his article "Memetic Superposition. Evaluating the Parallels between Memes and Renaissance Emblems" @ardes_ray argues that our understanding of memes can be enhanced by a comparison with Renaissance emblems as their historical precursor: https://t.co/UpjdeTwG51 #arthistory

[21inquiries @21inquiries]

Jules Pelta Feldman's article on "Reperformance, Reenactment, Simulation. Notes on the Conservation of Performance Art" (https://t.co/k712dWWIxK) focuses on works by Marina Abramović, their representations in popular media and their conservation through simulation. #OpenAccess

[Beate Fricke @perillus1]

I have never met a Rosie, but share many experiences described by Sarah and Rosie… https://t.co/MmgvaQZ13d

[21inquiries @21inquiries]

In her article for @21inquiries's latest issue - "Ecologies of Blue Paper. Dürer and Beyond" - Iris Brahms examines blue paper as an "ecological solution" in the drawing practice of German artists in the early sixteenth century: https://t.co/01JGzNtFRt
#arthistory #openaccess

[21inquiries @21inquiries]

Out today: @21inquiries's new issue #4–2023! With articles by Iris Brahms, Kristin Plys, Jules Pelta Feldman, @ardes_ray & Paul Werling and five book reviews: https://t.co/2qRjmp5kMr
#openaccess #arthistory #globalarthistory

[Beate Fricke @perillus1]

Wonderful idea by Kaj Lehmann to turn a book about censers into an object that resembles its content- the book is wrapped in charcoal paper leaving traces once you open it … thx for hirmerverlag to embrace the idea & the brilliant contributors to write! https://t.co/YOPO3Dw1Jg

[Princeton University Press @PrincetonUPress]

Tales Things Tell by Finbarr Barry Flood & @perillus1 offers new perspectives on early globalisms from objects and images.

Read the introduction to this marvelous book today:
https://t.co/WZZ9ald3jF #ArtHistory

[21inquiries @21inquiries]

Coming soon - this year's last issue of @21inquiries, with articles by Iris Brahms, Kristin Plys, Jules Pelta Feldman, @ardes_ray & Paul Werling and five book reviews! For a sneak preview have a look here:
https://t.co/fP34ZPfoWi
#arthistory #OpenAccess

[Beate Fricke @perillus1]

When Kaj Lehman told me his idea for the design of our book, I knew it was the book I want to realize - wrapped in coal paper, so the book is stained and dirty like the censers it is about….thx for a wonderful collaboration https://t.co/YOPO3Dw1Jg

[21inquiries @21inquiries]

In her article "Distanz zeigen, Nähe erzeugen. Zu den Eremit:innen-Grafiken nach Maerten de Vos" @AnnetteKranen shows how these series of engravings convey a sense of the desert by visual means, thereby involving the viewers closely in the hermitages: https://t.co/e1DFGmGlSJ

[21inquiries @21inquiries]

"Gefühlte Nähe. Zur Mediengeschichte von Testimonial Images" - @tanjapro & @kerstinschankw1 trace the media history of a communication mode that relies on intimacy and testifying: https://t.co/w61Wa2txlY #Selfie #Testimonial #Proximity #ArtHistory #OpenAccess

[Burlington Magazine @BurlingtonMag]

This month our Reviews Editor, Alexandra Gajewski, discusses the impact of Brexit on art history and its study.

Read here: https://t.co/NDoEdmmJa8

[Journal18 @Journal18_]

Making Sense of Ice? Engaging Meltwater in the Long Eighteenth Century in Switzerland and France
Etienne Wismer
https://t.co/ydF1BuY280

[Beate Fricke @perillus1]

@mfkomie @PrincetonUPress @kaj_lehmann @IttaiWeinryb Get 30% off with code P325 (Princeton university press)

[Beate Fricke @perillus1]

Sending off copies…. Harvesting time! Wonderful collaborations with Finbarr Barry Flood, and the authors contributing to holt smoke have come to a fruitful end! Proud and happy

[Beate Fricke @perillus1]

Thx to @mfkomie, @PrincetonUPress , @kaj_lehmann, Hirmer Verlag, @IttaiWeinryb

[Beate Fricke @perillus1]

@mfkomie @PrincetonUPress @kaj_lehmann @IttaiWeinryb https://t.co/Ku5u4gFwja

And

https://t.co/NSe4az5Rpb