@ATRightMovies The actual design work on the Kryptonian alphabet was by graphic designer Kirsten Franson. I designed the "S" - she extrapolated all the rest from Alex's brief.
@ATRightMovies I was *not* the production designer on MoS. That was Alex McDowell. It was his idea to use Art Nouveau to inspire Kryptonian form language. I was merely an illustrator/virtual sculptor.
@wthartig@ATRightMovies It's true that Krypton's form language was inspired by Art Nouveau, yes, and it's true that Weta Digital did the VFX; but I was NOT the production designer. That was Alex McDowell. The design work was done by our teams in Los Angeles and Vancouver.
@apro4real@weiwentg@MayWest1016@michaelharriot That's exactly why the Russians won't let him go. They know exactly what kind of fuel they are adding to the racist fire here. Whatever. I'm glad she's home.
AT LAST I get to show this stuff! My sculpt (and backdrop) for Namor's throneroom in Black Panther: Wakanda Forever.
The throne room was designed by Yolande Thame from a concept by Till Nowak, art directed by Jason T Clark; the beautiful glyphs on the w…https://t.co/vlfDvPHM3G
Very happy to see that my work is featured in the new trailer for "Black Panther: Wakanda Forever," in ways large and small. Eternally grateful to Hannah Beachler for the opportunity to participate in what is sure to be a memorable, iconic part of the MCU…https://t.co/wxHo585uCv
Finally watched Elvis and had a transformative experience against my will... When the final dissolve showed real-life Elvis taking his final bow transposed over Tom Hanks' insane prosthetic nose, I was laughing with TEARS in my eyes... Holy shit 2022 is a great year for movies
I am available for work!
Below is a link to one of several updated images I did last year for the Psyche mission, (launch now delayed until next year). New science has indicated that while she’s still shiny as ever, Psyche isn’t…https://t.co/jmCEvxuAhO https://t.co/S657opsk4S