The accusation that I am antisemitic is appalling and fundamentally dishonest. Criticizing the actions of the Israeli prime minister, a military technology contract, or the executives who supply it is not the same as criticizing Jewish people. This critical and necessary dialogue is then dishonestly framed as being anti-Israel. To be clear, my views come from my own political convictions and should never be interpreted as hostility toward Jewish people, for whom I have deep love and respect. Everything I know about acting, activism, and humanism has been profoundly shaped by the Jewish friends, colleagues, and loved ones who have been integral and family throughout every point of my life.
This merger has real consequences for real people, and for the entire country. Scrutinizing the Ellisons, including Oracle’s business built on data, surveillance technology and government contracts, and the serious threat to editorial freedom and the loss of a livelihood for thousands of families, is fair and necessary. The $111 billion deal would hand one family control over CNN, HBO and Warner Bros., backed in part by foreign money whose influence on editorial decisions has never been fully explained to the public.
Lawmakers on both sides of the aisle have called for serious national security review, and regulators still haven’t given the public a real answer. Until they do, the merger shouldn’t move forward. Now is the time to dive boldly into all these issues, not step back or concede.
This conversation about crushes is so much funnier when you remember that nothing actually happened. No flirted with or “stole” anyone’s partner. Emotions were felt and dealt with
nobody is ready for this convo, but a universally acclaimed film would not have been brat.
i’m not saying you don’t get it.
i’m not even saying it’s intentionally bad.
it’s just that mixed reviews are the most brat outcome we could have hoped for.
@BetterCallMateo@JRR10____ your name fue un caso de terrible distribución y marketing en occidente, de hecho las películas de Makoto Shinkai tienden a estrenarse en este lado del charco hasta dos años después, por lo que más que ninguneada no hizo ruido hasta late 2017 cuando ya no era considerable