I’ve been waiting for this for such a long time and today I can finally share with you, what I’ve been working on in the second half of 2021. Here's my Domestika Course „Storyboarding for animated movies“
✨ https://t.co/f6UDZRliNS ✨
Nimona’s always been a spunky little story that just wouldn’t stop. She’s a fighter…but she’s also got some really awesome people fighting for her. I am excited out of my mind to announce that THE NIMONA MOVIE IS ALIVE…coming at you in 2023 from Annapurna and Netflix 🤘
Hi #PortfolioDay ✨ I'm Petra, storyboard artist from germany. I have both feature and tv experience, and I'm looking for new work from April. I would love to dip my toes into young adult/adult animation.
https://t.co/iUm066nPKv 👀
Reddit found some Arcane story reels made by some of the (former?) heads at Fortiche and for anyone is a pro or a serious enthusiast, well... you're in for a real treat
https://t.co/SYqkQVvI9R
.@petrapopescu_de is a German storyboard artist, with a passion for crime podcasts, #comic festivals and the wild wild west. 'Inferno' is an artbook of fanart inspired by her love for Star Wars and an 11-page comic. https://t.co/TlrwXrchlK
My animation & art resources sheet is LIVE! Please feel free to share with anyone you'd like. I separated various subjects in different tabs for easier navigation. I will be constantly updating this from now on so feel free to come back whenever!
https://t.co/OhgqJVvJQP
For those of you who missed @michaelrianda amazing story course with WIA and @riseupanimation
You can now find it online 💕
Part1
https://t.co/JxqEhfidw8
Part2
https://t.co/nB6DMBNqLD
Part3
https://t.co/282Nam57Xc
Part4
https://t.co/gmmxLu7sGq
@PuccaNoodles Sorry, just to add to this- obvs compositions working back to back is important, but when I talk about flow I also mean this (see image). Think of each sentence in terms of shot length. What is motivating the cut? What carries the viewer through? Are my pacing and rhythm fluid?
Strawberry Shortcake: Berry in the Big City has been nominated for Outstanding Children’s Programming at the 33rd Annual GLAAD Media Awards! Congratulations to everyberry on the team! ❤️💛💚🧡💜💙🤎
Hi #PortfolioDay ✨ I'm Petra, storyboard artist from germany. I have both feature and tv experience, and I'm looking for new work from April. I would love to dip my toes into young adult/adult animation.
https://t.co/iUm066nPKv 👀
Here's a sequence I storyboarded for season 3 of DuckTales! This was for The Last Harp of Mervana. Sharing boards from the show has become a little more complicated in 2020 (like most things) but I'll be sharing some of my favorite sequences in the next few weeks 💰🦆 #DuckTales
Live your Life scene:
It was a delight to work on this bit alongside @Hannahannac9t and Vitaliy Strokous. This scene went through so many changes but they all led up to a truly uplifting moment between Katie and Rick. One of my favorites!!
#TheMitchellsvsthemachines
The final stage of Katie vs Pal that I boarded out on #TheMitchellsVsTheMachines . When the stealthbots chase Katie, I was super inspired by how they animated the scene. So dynamic and cool!! 😎
Here's Homemovie sequence that I boarded for #TheMitchellsVsTheMachines. It was one of the first seq that I did at the very early stage of the production. Katie on Rick's shoulder, walking down the forest is still one of my favorite part of the film!
Meeting Alberto was a sequence that a lot of artists worked on over the years! Here are a few boards that were my contribution. Tried to push the camera with POV's to make Luca feel completely trapped. This one was so fun!
#pixarluca