phamdupeuple

Muñekita

[Rap Alert @rapalert6]

Beyoncé officially releases “MORNING DEW (DONK)” as part of a new upcoming 20th anniversary edition of “B'DAY.”

[TINASHE @Tinashe]

is it everything you thought it’d be ?

[✣ @flwrgrlpop]

im off that kelela

[A$HLEY @reallydumbslut]

last day of pride month tomorrow

[fluttershy @hwrtyed]

“are u high?” god forbid a girl likes to giggle a lot (yes im high)

[phamdupeuple @phamdupeuple]

mais qu’est ce qu’ils ont fait au métro Parmentier…. défigurée

[Rihanna @rihanna]

I don't get bitter, I just get better

[✨ @magdalenepop]

this misunderstood, underrated classique

[annev @snoopeanutss]

jeanne d’arc serait folle de voir autant d’anglais à paris

[m ৎ୭˚˖٠ @bitchbettalurk]

so obsessed w her voice here

[songs that changed history @iconiksongs]

feedback by janet jackson.

[* @mvbible]

Janet Jackson • Rock With U [2008]

[Rihanna @rihanna]

72, summer 2026 issue, #EE72

[Missus™️ @girl08022006]

The summer I turned retarded

[björk @bjork]

i wanted to tell you how we made the visuals for nerve-bloom
i did it with Natalia Kleszczewska and Natalie Liu .

Natalia Kleszczewska is a painter , she painted the creatures and the backgrounds .
Natalie Liu is a computer graphics director , she shaped the digital dimension of the work .
my role in it was a creative director , bringing in the singer-songwriter tradition , where emotionally precise things happen inside the structure of a song . i guided colour pallettes , textures and the environments the music happens in .
to make this possible , during the process , natalia often had to paint many shapes and sizes , different textures and layers of colours . natalie then developed the visuals, designing and overseeing CGI elements , and finding ways for the digital to sit organically alongside Natalia’s world . and include my dramaturgy and creative direction.
we spent 7 months talking and working together , dedicated to relish in the craft of blending hand-made visuals with digital experimentation , 3D design and commit it to physical display technology . a lot of time was spent on researching different tools and techniques to find what worked best at each stage in the song .
like i’ve done before , i wanted to merge old things with tech , giving it soul & a meaning .
to paint a painting is an analog craft but computer programming is craftmanship too !! and both can co-exist ,
.....encouraging each other to bloom even further towards a mutual world .

there is a tradition in pop music for the mucisian to choose a video director . in the art world , this is called “curation” , but where we came from , it was natural that the musician would have strong opinions on what your song needed , which mood , colours , textures & storyline . today this is called “creative director” and it is something we didn’t credit ourselves with in the 90s , but i am starting to understand this better now .

i don´t think of me as a visual artist . because my heart is music . everything i do comes from a sonic point of view .
this is something i have called “sonic symbolism” , sound made visual , a reverse synesthesia .

when you listen to a song for the first time , it is like swallowing a whale , you need to feel the whole musical sculpture in one go .
the structure of a song has always been extremely important to me : what shape it is .
this is part of the craft of being a singer-songwriter

........... we are tune sculpturors .......

since i am talking about the visuals for nerve bloom it is impossible to not mention the avatars in my music videos .
they have replaced the storyteller with anattempt to connect to the more universal element of music , through animation, avatars , puppetry both digital and analog .
for me they are marionettes in a puppet-theatre , hopefully in a similar realm as the jungian archetypes
( which we all can act out the characteristics of ...)

.... i feel nerve-bloom is a natural continuation ....

an animated avatar archetype

singing you a song

–––––
Avatars, animation and archetypes: Nerve Bloom (remix) – on display at Listasafn Íslands / National Gallery of Iceland until September 20th 2026.

The production of this film was made possible with the generous support of #bottegaveneta.

[TERRANCE @___Terrance___]

HAPPY PRIDE MONTH !!!!!!!

[monty @monty_avo]

new ravyn lenae album in august YUP

[ICYESTTWAT @FUCCl]

Tinashe is mother to most. She’s been worlds ahead of these girls since her first mixtape. Pls don’t credit Charli for anything concerning her.

[culture @notgwendalupe]

Donna Summer - Bad Girls (1979)