To continue the conversation initiated by the Philippine Pavilion’s Structures of Mutual Support (SoMS) Exhibition, we are bringing together a panel of experts for a webinar titled Beyond Mutual Support.
Register here: https://t.co/BUsJsR1J7d
@MetMuseumManila
NCCA announces the Open Call for Curatorial Proposals for the Philippine participation at the 59th Venice Art Biennale in 2022, initiated by la Fondazione la Biennale di Venezia. The deadline for the call will be on 20 May 2021.
For more information: https://t.co/mH4an4OoVP
Island Weather may yet be the most challenging project in artist Mark Justiniani's Infinity series because it is the biggest and most complex. #islandweather#PHPavilion2019#BiennaleArte2019
The components of Island Weather are formed from an expansive list of materials including steel, glass, wood, resin, enamel and found objects.
#islandweather#PHPavilion2019#BiennaleArte2019
Mock constructions in wood for Island Weather. Tessa visits Mark at studio warehouse where components for the art project are being constructed and assembled. #islandweather#PHPavilion2019#BiennaleArte2019
Island Weather explores local histories and proposes a vernacular understanding of vision. It evokes geography, the atmosphere, the current state of things and the way we persistently make sense of it.
#islandweather#PHPavilion2019#BiennaleArte2019
The @philartvenice presents Island Weather at the 2019 Venice Art Biennale. Curator Tessa Maria Guazon and artist Mark Justiniani will realize a site-specific installation at the Pavilion. #islandweather#PHPavilion2019#BiennaleArte2019 https://t.co/iL2OQL1enQ
Mounting the Philippine Pavilion's 14-meters long wedge-shape screen, with its highest point at 4 meters tapering down to 1.8 meters, was technically challenging but seeing Yason Banal’s… https://t.co/XO0OkD0NTq
From curator Edson Cabalfin's sketches to the world stage of the 2018 Venice Architecture Biennale, the Philippine Pavilion exhibition The City Who Had Two Navels invites the global… https://t.co/aMaPJxaL4x
For De la Salle – College of Saint Benilde (DLS-CSB), Pasig River in Manila, particularly the areas of Binondo and Intramuros, is a significant site in reconsidering the effects of… https://t.co/3qBF4EcROd
MEDICALIZATION OF COLONIAL SPACE AND TECHNOLOGIES OF COLONIAL MODERNITY
The shift from Spanish to American colonial rule at the turn of the century provided an auspicious atmosphere for… https://t.co/51acqZDh22
The Philippine Pavilion at the 58th Venice Biennale 2019
ISLAND WEATHER
Tessa Maria Guazon, curator
Mark Justiniani, artist
Islands are at the core of this exhibition project as it… https://t.co/ohO1AY6FxP
HAPPENING NOW: Philippine Pavilion curators Patrick Flores and Tessa Marie Guazon at the Metropolitan Museum of Manila for ‘Contemporary: Narratives of Art and Region’ lecture.
COLONIAL CHURCHES AS MONUMENTS OF CONTROL: Colonial churches for the longest of time have prefigured romantically as monuments to God’s greater glory or have been depicted as… https://t.co/ixanPv4Kaw
WATCH the full video on our Facebook page 🇵🇭The Philippine Pavilion proudly presents The City Who Had Two Navels curated by Edson Cabalfin featuring works from Yason Banal, TAO (Technical… https://t.co/vHaoMtwVLn
Yason Banal, Philippine Pavilion artist, will present snippets of various videos from YouTube deconstructing ‘architecture’ as an expanded and discursive field. The talk and screening… https://t.co/3QsXV9p1Xi
Lisa Ito-Tapang is an independent curator, cultural worker and writer based in Manila. She will present her lecture titled "Spatial Reclamation as Resistance" and screen the short video… https://t.co/9yuEn8O6oQ