The Twitter situation has become untenable. Here's my profoliles for BlueSky
https://t.co/kwD6pqAo83
and Mastodon
https://t.co/sCb5EnfVPy
See you there, friends! ❤️
The Twitter situation has become untenable. Here's my profoliles for BlueSky
https://t.co/kwD6pqAo83
and Mastodon
https://t.co/sCb5EnfVPy
See you there, friends! ❤️
The Twitter situation has become untenable. Here's my profoliles for BlueSky
https://t.co/kwD6pqAo83
and Mastodon
https://t.co/sCb5EnfVPy
See you there, friends! ❤️
Have you filled out the 2024 US #postproduction survey?
Have you done your part to make sure your colleagues and friends have too?
https://t.co/6VC59BfID4
A question for #Hardware#Collectors: How do you safely store old tech with their aging batteries? Have you experienced leaks/exploding cells? What's the best strategies to avoid it? Throwing them all out & hoping to get replacements when wanting to power up the old stuff again?
@parenteswagking Haha I knew that would come up! I didn't save it, but I had the picture on the Tektronix on as I grabbed the waveform. It's intentionally this green, so the parade looks good, not the other way round 😅
Oh no, I made another design for my #colorist colleagues and other folks in #postproduction. Wearing this on a T-shirt is a conversation starter, believe me! 😅
I just cancelled my Adobe licence after many years as a customer.
The new terms give Adobe "worldwide royalty-free licence to reproduce, display, distribute" or do whatever they want with any content I produce using their software.
This is beyond insane. No creator in their right mind can accept this .
You pay a huge monthly subscription and they want to own your content and your entire business as well.
Going to have to learn some new tools.
THIS is pure offensive insanity. Adobe is claiming royalty-free rights to copy and make new content out of customers' assets. Adobe is claiming that they can then sub-license customer assets to OTHER companies. They describe a "reasonable" use-case, but describe no limitations.
Would any documentary film editors be willing to look at the table of contents (outline) for my next Art of the Cut book (Volume 3!) and let me know if I'm missing anything or have things in a bad order or if I'm plain crazy? DM me.