I really really really enjoyed Saturday Night. The pacing is brilliant, as this movie rarely lets up from the off, and when it does my God it hits. I will watch Gabriel LaBelle and Cooper Hoffman read the phone book at each other: their scenes together here are fucking electric.
did deserve its own season to marinate more. My biggest critique is that the supporting cast, so vital to the success of the series, do feel like background players here despite quick attempts to wrap up their stories. A good ending but not an excellent one.
Heartstopper Forever is a nice way to wrap up Nick and Charlie’s story, and features really strong performances from Joe Locke and Kit Connor. They are very much the focus here, which makes total sense, however the story of Nick’s identity crisis and depression probably
I’m sorry, Tom Holland is class, has been the star/co star of two back to back smash hits
Why the fuck are these saddos so out to get him. Maybe you should’ve channeled your energy into hit articles against creeps like Jared Leto who you allowed to be held up for years
Also let Destin Daniel Cretton make as many of these and other MCU projects as he wants, he’s spectacular. And for one final note, Glasgow looks incredible on the big screen x
Spider-Man: Brand New Day is the closest I think the movies have come to replicating the experience of reading the Spider-Man comics or indeed playing the Insomniac games. This is a living breathing New York City, where other Marvel characters pop up not just as
and thematically makes sense, I can’t get into how I think it hurts the movie slightly structurally without getting into spoilers.
I love these Tom Holland Spider-Man movies: warts and all.
frankly self-loathing screenplay that sucks any sense of grandeur out of this film. If there is a sequel, they need to play it a bit more earnestly, because this is a painful watch, especially when the action and cinematography could’ve been from any sub par Marvel film. It’s bad
Masters of the Universe is not worth wasting two and a half hours of your life on. While I think the likes of Nicholas Galitzine, Camila Mendes and Idris Elba could be perfect fits for the characters they play, they are hamstrung by a painfully unfunny, at times cringy, and
Some sequences will terrify you, and it’s a testament to Nolan’s visual skill and use of practical effects. It’s the best film of the year so far, and it’ll take some effort to beat it.
Christopher Nolan is the master, and The Odyssey is absolutely outstanding. You must go and see this. Matt Damon gives career best work and Nolan’s script cleverly takes Homer’s narrative but analyses the main character through a different lens: why does he not want to go home?
Anne Hathaway, Robert Pattinson, John Leguizamo… the entire cast understands their characters PERFECTLY, and that includes an unfairly criticised Tom Holland who nails Telemachus’ youthful naivety.