1/ Today we are announcing a huge milestone: we are no longer in beta. With Felt 1.0 comes a suite of tools for sophisticated groups and organizations, such as Teams, Team Libraries, and new features for professionals 🎉 https://t.co/jqcQTOTvnS
Announcing our *biggest* launch yet: new tools for working with data inside @felt. In a single click, you can upload up to 5GB of data, style it, and share it with the world. This kind of mapping power & fun has never been available before. Read on…🧵https://t.co/LHrW374krh
Artist Daniel Temkin @rottytooth writes about the community-based and collaborative “esolangs” that point to other threads of digital art histories not much discussed. https://t.co/wqlbJJjKB6
An intro to esolangs as art, including work by Jon Corbett, @dmmaus, @playdo_, Bora Aydıntuğ, @aemkei, and writing by @markcmarino and @OutiKaarina, more... https://t.co/toUABECaRJ
Looking for researchers, story tellers, and managers to join our team @DigiFuturesLab and grow our work on AI, platform governance and digital rights in India and the global south. Details below!
Best Online Feature goes to @tariro, Hannah Price, @vvchambers, @dodaistewart, @marcellehopkins, @jen_harlan, Amanda Webster, Sukanya Aneja, and Woraya "Mint" Boonyapanachoti from the @nyt for "Hear a Harlem Choir Rejoice Again."
https://t.co/SOWMj8uvJA
Rhizome Artbase has acquired not one but TWO esolang projects: in:verse by Sukanya Aneja (prev featured on e.c), my own FatFinger.JS. Also a project by Peter Wildman (whose thesis project appeared on e.c). Lots of other code poetic works here as well https://t.co/epQvFbCXLX
We have added fifteen artworks to the ArtBase as a part of our Executable Poetry open call! These mark the first formal accessions since the relaunch of the ArtBase in April 2021 ⭐️
https://t.co/LGV63sreUY
To complement our photogrammetry guides, we released 2 open-source libraries for creating interactive 3D stories: Story Controls https://t.co/XcVOkD0tOq and 3D Tile Loader https://t.co/zi7xGm3wup.
Both are built for use with Three.js and support @CesiumJS & @RealityCapture_
Did you see? Sketchfab is featured by the @nytimes R&D team as part of their end-to-end guide to #photogrammetry 😎
You can download a webpage template to create your own 'scrollytelling' page as shown in this video.
🔗 https://t.co/YBN2YNJlQp
Have questions about using #photogrammetry to create 3D models for the web?
Ask R&D team members @_woraya_, @splnlss, and @playdo_!
Reply below with questions, and we'll answer them on Friday, 10/1 at 12 pm ET 👇
With support from @ONA, we compiled a series of guides, demos and open-source tools to help anyone create high-quality 3D models for the web. Minimal specialty equipment required.
Explore our end-to-end guide to #photogrammetry here: https://t.co/GNBW1z8wUt
Found the amazing in::verse site by @playdo_ where your shader code becomes poetry. Or your poetry becomes art. It's hard to say.
https://t.co/FmPDru3HTI
🎆🌈🎇ANNOUNCED:Poetic Programming with In:Verse w/Sukanya Aneja🎆🎉🎇 @playdo_@in_verse_
Coming to #CODAME ART+TECH Festival 2020『JOYNT』
https://t.co/0PMYZFADAX
Sat Dec 19 2- 5:30p PT
Create visual poetry with in:verse-with a brief intro to shaders and stack-based programming
We're so excited to introduce our cohort for the Babycastles ___-in-Residence Autumn 2020! 🤩
The residents are Rachel Li @rachelqxl929, Kevin Cadena @cuyabro, Allan Pichardo @allanpichardo & Sukanya Aneja @playdo
More info on them in this thread ⬇️
The Forest by Bora Aydintug
The second image was generated from the poem in the first using @in_verse_: a poetic programming language.
I felt that the image looks like a large building reflected in on itself.
7/16