poorly heir

Collective. We make stuff.

[poorly heir @poorlyheir]

We’re making some of our stuff available online. Artists’ books, mail art, printed matter and other scraps.

https://t.co/BWSZRFDLc6

[prada meinhof @Prada_Meinhof]

Manifeste du Groupe Algérien de l’Internationale Lettriste

“La société moderne est une société de flics. Nous sommes révolutionnaires parce que la police est la force suprême de cette société.”

Alger, avril 1953.

HADJ MOHAMED DAHOU, CHEIK BEN DHINE, AIT DIAFER

[56a Infoshop @56aInfoshop]

3️⃣5️⃣

🎈🎂🎈🎂🎁🎈🎂🎁🍰🎂🎂🎉🎊👑🎺👑

Old friends and new folks come to our great place and celebrate!

Sat June 27th from 2pm!

[X-Ray Eyes  @fearofyou]

In the Shadow of the Sun (1981)

Una raccolta di film in Super 8 girati da Derek Jarman tra il 1972 e il 1975. La colonna sonora è stata composta ed eseguita dai Throbbing Gristle, registrata nel 1980 e pubblicata separatamente come album nel 1984.

Read: https://t.co/mtPXxLOtmg

[🔻 @atlajala]

86 solar rotations for the eternal spirit of Katerina Gogou (June 1st 1940 - October 3rd, 1993)

[poorly heir @poorlyheir]

@BootsRiley When will it be released in the UK?

[🔻 @atlajala]

Cinetract 001, 1st of many films by Cinétracts collective made up of filmmakers & militants involved in May ‘68 uprisings (Raynal, Marker, Godard, Resnais, Gorin, many more) all films were silent, b+w, 2min 50sec, edited in camera, distributed for cost of production (50 francs)

[🔻 @atlajala]

SAN FRANCISCO STATE: ON STRIKE! (1969) & HIGH SCHOOL RISING (1968) screen on Monday, May 25, on 16mm, at 34 Trinity, in SF. 16th screening in black hole cinematheque’s NEWSREEL series. doors 8, films 8:30. co-presented by @leftinthebay. free and open to the people.

[MayDay Rooms @maydayrooms]

RADICAL POETRY!

Just archived some amazing global mimeograph revolution poetry publications from anarchist poet Dave Cunliffe (1941-1921) and Tina Morris

Forwards to the Mayday Rooms Weird Freak Summer 🔥

[poorly heir @poorlyheir]

When you ask what ground we can build hope on, the answer has to be on some other basis than ‘the riddle of history solved’.

Marc Karlin – Between Times

https://t.co/03Dx4x6pNh

[poorly heir @poorlyheir]

No more time for spectating.
Tune it, count it, let it blast.
Cut it, press it, distribute it.
Xerox music’s here at last.

The Desperate Bicycles - The Medium Was Tedium / Don't Back the Front

https://t.co/TGMd6AN2fY

[poorly heir @poorlyheir]

"Gutenberg's Bible was printed with letters only; the Bible of our time cannot be presented in letters alone."

El Lissitzky

[cj @chronowerks]

Ballet Mécanique (1924) and George Antheil's score both feel like they're "challenging" in the same spirit as something you could see in experimental electronic music and its associated visuals today

[poorly heir @poorlyheir]

The Conversation

A transcript of a company meeting / a one-act work play.

https://t.co/2TmVD2PeZy

[poorly heir @poorlyheir]

Carousel/I See A Darkness

A script circling a darkness.

https://t.co/zQ8hDeSr1Y

[poorly heir @poorlyheir]

I wrote ‘there is no such thing as documentary’ because it’s illusory to take the real and reality for granted and to think that a neutral language exists... To use an image is to enter fiction.

Trinh T. Minh-ha

[poorly heir @poorlyheir]

Reality is a Plane

https://t.co/ErCKPjB5fm

[Daniel Fraser @harmlessfires]

Got to write about the reissue of a book that's very dear to me:

https://t.co/CcvfW9JIoG

[heatwave magazine @heatwvmag]

Dan (Unseen Bookclub) gives us his review of Full Circle: A Life in Rebellion, a recently published autobiography that tracks the eccentric life of hippy icon Ben Morea through the tumultuous 60’s in NYC, as the founder of print magazine Black Mask and the anarchist group Up Against the Wall Motherfucker, through later iterations of his life off-grid and underground in the Southwest, to the present day.

“With Morea’s sparse words, wild past, and interwoven narratives, Full Circle presents itself as a timely document of intergenerational transfer. The 20th century is dead and buried, and its surviving witnesses and visionaries are fewer each year. We are now a full quarter into the 21st, and the landscape of struggle seems to have changed utterly from Morea’s heyday”

@DetritusBooks

[🔻 @atlajala]

rare moment of a 27 year old Ben Morea seen with both his face & voice on film, in Garbage (1968, Newsreel), talking here about the necessity to reject piecemeal reforms or scabbing efforts during the garbage workers strike on the lower east side.

[poorly heir @poorlyheir]

RIP Ben Morea. This Chris Marker film shows the time Morea and others broke into the Pentagon during an anti-war protest.

https://t.co/44KqnsP94Z