Pratik

Keep moving forward 🫵

[Terres Michael @TerresMich8676]

Dystelism

[Arabinda K Padhee @arvindpadhee]

“Sir, you are from Bargad?” the young officer at the Immigration Desk at Delhi Airport asked, glancing at my Passport. “Yes,” I smiled, and almost instinctively asked, “Are you from Odisha?”

“Sir, more ghar bhi Bargad aae.” (Yes Sir, I too hail from Bargad.) In that fleeting moment, emotions quietly overflowed.

Our roots have a beautiful way of finding us, no matter how far we travel. Sometimes, all it takes is the name of a familiar place, a few words in our own language, and a stranger suddenly feels like family.

As I parted, Saswat smiled and wished me, “Jai Jagannath!” I smiled back, carrying with me that little warmth of home. The world is indeed small. And perhaps that is why they say: blood is thicker than water. 😊

[Ram Gopal Varma @RGVzoomin]

What every film maker should understand from #dhurandhar is that it is full of living, breathing characters who seem as real as you and me sitting and watching in the theatre, hence making it highly relatable. Satya is about gangsters, but be it Bhiku Matre, Kallu Mama or Vakil Mule, they all look as real as anyone real. Dhurandhar took this to another level.
That is the only lesson worth stealing for all film makers which the one most expensive films refuse to learn. Back in the day even in a mega budget film like Titanic , James Cameron spent the money to make it look as real as possible whereas we do the exact opposite here
Dhurandhar does not treat its hero as a walking poster who must be worshipped at all costs. He can be non existent in the room. He can wait tables, listen instead of speaking , miscalculate, get dirty, get smaller in front of more smaller characters . The camera does not constantly elevate . It watches. Rehman Dakait does not exist to look iconic in a still.. he exists as a man with a specific laugh, a specific fear, a specific way of holding a gun or a stare . The politician, the cop, the cousin, the juice shop friend none of them feel hired to decorate the star. They feel like people who would still be there whether the hero was there or not . You are not waiting for the next elevation shot. You are staying because the people on screen make you stay by becoming immersive
The other films swagger. Have fog and slow motion that lasts longer than the characters inner lives. The women are not people.. they are functions arranged around the same gravitational centre so that the centre never has to become a living real person. You cannot tell what any of them are when he is not in the shot.
Violence in Dhurandhar has a before and an after. Somebody pays. Somebody changes. Somebody is left standing feeling smaller.
In the other films, violence is just a spectacle minus context . Attitude is the plot. Style arrives first and th n searches for a reason.
The camera does not observe, it advertises. Editing does not cut time, it manufactures fake intensity that was never in the writing . Characters do not act because they must. They act because the poster needed a dynamic still.
Satya’s gangsters could have existed on a real Mumbai street. Dhurandhar’s Lyari men feel like they have already lived for many years before the hero came there. The other films heroes feel assembled in a look test. You leave knowing the hero’s hair, the hero’s walk, the hero’s catchphrase. You do not leave knowing a single thing about him as a human being.
That is the difference every filmmaker should be forced to acknowledge and learn .. Dhurandhars director trusts the audience enough to put living people on screen and let them feel as much as the protagonist . The hero feels as much pain as the villain . One is cinema that cuts into flesh.
The others are cinema that pose for the camera

[Tye @tye1337]

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[Pratik @pratikp025]

@tye1337 YouTube

[𝓣𝔂𝓵𝓪 @fw_tyla]

When you’re fighting a battle inside that no one knows about, and yet everyone still sees you as the bad person.

[Pratik @pratikp025]

"I miss the part where that's my problem"

[Harsh 17  @harsh03443]

So, it’s official: Doomsday is going to be Tobey Maguire’s last movie as Spider-Man.

Thank you for everything, man. ❤️🕷️

[Pratik @pratikp025]

@bichiraula @manas_muduli Sat katha 😂

[Manas Muduli @manas_muduli]

5 new food processing parks are coming up in Odisha.

• Food Processing Corridor - Khordha-Kataka
• Food & Sea-food Processing Park - Baleshwar
• Western Odisha Food Processing Cluster - Baragada
• Food Processing Park - Nuapada
• Food Processing Park - Brahmapur

[Manas Muduli @manas_muduli]

This slide was presented today at Delhi Food Pro.

Odisha’s food processing ecosystem spans 10 locations, with big companies like ITC, Britannia, Parle Agro, Indo Nissin, HCCB, Tata Consumer Products, Falcon Marine and many more operating across the state.

Odisha is steadily emerging as a major food processing hub.

[Pratik @pratikp025]

Forgot to mention Bargarh, Odisha...

[Pratik @pratikp025]

Finally after many years,@SwiggyCares @Swiggy has started it's service from june 30,2026....

[Pratik @pratikp025]

Finally after many years,@SwiggyCares @Swiggy has started it's service from june 30,2026....

[Pratik @pratikp025]

You haven't initiated any action yet @SwiggyCares @swiggyindia @Swiggy since last 4 months inspite of repeated tweets. Bargarh is a town with good population and demand but still you have no interest in expanding your services, don't know why.
@Happy_Bargarh @shovansrath

[✧˚ @Kinngszn]

Liberosis

[♡ @velunehq]

Jouska

[✧˚ @Kinngszn]

Nevrine

[Manas Muduli @manas_muduli]

Now the Lord of the Universe comes out!!

Mahaprabhu Shree Jagannatha’s sacred Pahandi is in progress now.

Amid chants of devotion and the sound of sacred bells, He proceeds towards the Nandighosha Ratha.

Jagannatha Dham, Puri.

[Ansuman Rath 🇮🇳 @_AnsumanRath]

BPCL's Integrated 1G & 2G Bio-Ethanol Refinery at Bargarh built at a cost of Rs 1607 crore will be dedicated to the nation on 4th of July'26 by Hon'ble Union Home Minister Sh Amit Shah. It is the 1st refinery in the World with grain based 1G & 2G Bio Ethanol production.

[Manas Muduli @manas_muduli]

A proposal has been put forward for a rapid transport corridor connecting Bargarh, Sambalpur and VSS Airport in Odisha.

The envisioned corridor would provide seamless connectivity to major educational institutions, VIMSAR, Burla, Hirakud, industrial hubs, railway stations and the airport through a modern, high-capacity public transport network.

The H&UD Department has referred the proposal to CRUT and BMRCL for examination.