Studio installation: A Martian Sends A Postcard Home (2021) is an 8K dual screen sound and motion work (141x43”) that contemplates mortality, and the mystery of time.
Gestural soundscape using tablet-drawn shapes and patterns to generate synchronized au…https://t.co/yhckaIMlf7
Studio installation: A Martian Sends A Postcard Home (2021) is an 8K dual screen sound and motion work (141x43”) that contemplates mortality, and the mystery of time.
Gestural soundscape generated by the drawing of shapes and objects on a tablet using a…https://t.co/BICvNSV07Y
A Martian Sends A Postcard Home (2021) is an 8K dual screen sound and motion work (141x43”) that contemplates mortality, and the mystery of time. Occupying the central panel, an elderly man (joined at moments by the artist) reminisces — oblivious to the a…https://t.co/70HWUCcfts
A Martian Sends A Postcard Home (2021) is an 8K dual screen sound and motion work (141x43”) that contemplates mortality, and the mystery of time. Occupying the central panel, an elderly man (joined at moments by the artist) reminisces — oblivious to the a…https://t.co/SKKfgxpEC7
On display today at Studio Van Eyssen 3-8pm:
And Then The Tide Runs Out | 2021 | Single Screen 8K Sound and Motion Work
This single panel video work — which is part self-portrait — offers a meditation on climate change, in which a California s…https://t.co/yHxydon6DY
A Martian Sends A Postcard Home (2021) is an 8K dual screen sound and motion work that contemplates mortality, and the mystery of time. Occupying the central panel, an elderly man (joined at moments by the artist) reminisces — oblivious to the arrival and…https://t.co/Q76IhH1eII
Using two large-format OLED displays, and a short throw laser projector, Where Lightning Forks This Camera Recalls (2021) explores the relationship of the observer, camera in hand, to the environment. Both landscapes and self-portrait (photographed in a c…https://t.co/dUciBTKjl0
In its simplest and most human form, interaction is touch. Whether the impulse is to sit, stand, kneel, or reach out, this series of mirror works, interrogating notions of authorship, invites the viewer to become user and, in participation, the subject of…https://t.co/p0lRVIT28G
In 1856, British art critic, John Ruskin coined the term “pathetic fallacy” which described the human tendency to attribute human emotions to the natural world.
In Case of Turbulence (2021), complete with “brooding” storm front, provokes an emotional re…https://t.co/JZ1A7WboZA
On show until October 1, 2020, The View In Color is a portrait of impermanence, and our complex relationship to time. An unidentified figure faces away from us, gazing into the distance. He fades and reappears, before merging with the city lights below, a…https://t.co/ctEOkixbki
On show until October 1, 2020, The View In Color is a portrait of impermanence, and our complex relationship to time. An unidentified figure faces away from us, gazing into the distance. He fades and reappears, before merging with the city lights below, a…https://t.co/FZDPIvqRXG
And Then The Tide Goes Out is an 8K sound and motion work that approaches climate change from the perspective of the witness who, far from being a removed observer, is both embedded in the natural world, and entangled in the human activity that threatens…https://t.co/Y3gxWlGM2d
The Imaginary Museum is a collaborative project for artists to continue showing work at a time when galleries are closed to the public. Artists are encouraged to present their work virtually, and to share it with the world in social media, attaching the hashtag #imaginarymuseum