We are very excited that THE LIGHTING by @MChihying
will have its European premiere at the 72nd
@berlinale @BerlinaleForum
THE LIGHTING is the outcome of Musquiqui winning the Han Nefkens Foundation
@LOOPBarcelona Video Art Production Grant 2019
We are delighted to share the news of Aziz Hazara winning the @FGAPrize 2021✨
Hazara’s work, Bow Echo, produced by the Han Nefkens Foundation, is part of the current exhibition at the PinchukArtCentre, on view until February 27, 2022.
Timoteus A. Kusno is the winner of the HNF - Loop Barcelona Video Art Production Grant 2021, in collaboration with the Fundació Joan Miró, Barcelona; Inside-Out Art Museum, Beijing; MoCA Taipei; ILHAM Gallery, Kuala Lumpur; Centre d'Art Contemporain, Genève and Art Hub Copenhagen
We are delighted to announce that Nguyễn Trinh Thi is the recipient of the Han Nefkens Foundation, Mori Art Museum, M+ and Singapore Art Museum – Moving Image Commission 2021 and will receive USD $100,000 for the production of a new screen-based artwork.
We are glad to announce, in collaboration with the Fundació Antoni Tàpies, The Restless Echo of Tomorrow, the first solo exhibition of Afghan artist Aziz Hazara, curated by Sona Stepanyan and Hilde Teerlinck.
3 October 2020 - 24 January 2021
Fundació Antoni Tàpies
Mientras, en la Nave 0 se exhibirá el trabajo de la artista china Hao Jingban, Ganadora del Premio de Producción de Vídeo Arte @FundHanNefkens@arcomadrid 2019
[ANNOUNCEMENT] The Biennale of Sydney announced today that NIRIN, its 22nd edition, will be reopening from 16 June, with some venues opening from 1 June 2020. https://t.co/v3kWCBY27i
WIELS is reopening today in Brussels, where visitors can view the exhibition "Monsoon Melody." This exhibition is a project of the Han Nefkens Foundation, in collaboration with: Fundació Joan Miró, WIELS, and the Chisenhale Gallery. @FundHanNefkens#worldartfoundations
We are very glad to announce that Thao Nguyen Phan's exhibition "Monsoon Melody" @WIELS_Brussels will re-open on Tuesday 19.05. Now more than ever, museums are needed as a safe space of contemplation
"I don't have a feeling of possession about art. I think it is the same when you have a wonderful tree standing in your garden. The tree belongs to the world." Han Nefkens talks to Frieze about video art
https://t.co/EE753Bqs8z
"Thao Nguyen Phan’s 'moving images'—as she prefers to call her video projections—are gorgeous and profoundly disturbing at once."
Monsoon Melody at @WIELS_Brussels reviewed by @Artforum
https://t.co/oZM0o6AkBU
“...life is very fragile and short. That’s helped me see what’s really important. Who cares about ownership if you can’t take things with you?”
—Barcelona-based, Dutch-born collector Han Nefkens, @FundHanNefkens
@georginaadam | @FT
https://t.co/mMMNmkBibF
#art#Spain#videoart