积恶成习

你自己心里清楚

[积恶成习 @punkass911]

@Jas0nYu 屎吃多了

[积恶成习 @punkass911]

@JiaweiShen2568 妈的看到他突然想起昨天看的电影 火遮眼里那个西装暴徒啊…

[积恶成习 @punkass911]

@cuichenghao 猪扒妹绝了，都吃成这猪扒样子了还这么贪吃……

[积恶成习 @punkass911]

@omduow @wuyuesanren 不知道你是来找骂的还是故意来搞笑的…

[积恶成习 @punkass911]

@YiXia90314 这下明白为什么馆长吃到几颗花生米了吧

[积恶成习 @punkass911]

@kender4020 槟榔碳水脸，buff叠满。

[积恶成习 @punkass911]

@Sizhe_bitcat 他俩不认识我倒立吃一坨新鲜的屎。

[积恶成习 @punkass911]

@cuichenghao 他妈的肯定是最早有人起头塞烟塞钱让这些烂货插队先下自己车的货才搞成这逼样的啊……都是寄吧活该了！

[积恶成习 @punkass911]

@VicentYip ai

[积恶成习 @punkass911]

@qingzhuo1024 @brainfx994 你tm就是个键盘侠。。。

[积恶成习 @punkass911]

@WangNextDoor2 不敢想象这女人第二天起床身上有多臭。。。

[积恶成习 @punkass911]

@fanshigui8964 东北轻工业出海啦？

[积恶成习 @punkass911]

@Pplwith1IQ 神经病

[积恶成习 @punkass911]

@yantanzhang 也不知道是哪个老婆娘起的头要挂树上拍照……

[积恶成习 @punkass911]

@igeekbb ptsd差点发作了

[积恶成习 @punkass911]

@SuisPasDaVinci 卖酒的煞笔

[日本美術史bot @NihonBijutsushi]

円山 応挙　まるやま おうきょ　Maruyama Ōkyo　1733–1795

《朝顔狗子図杉戸》
あさがお くしず すぎと

1784年・江戸時代
板に彩色
東京国立博物館

[最多情報局 @tyomateee]

アンドレア・ラヴのストップモーション・フェルトアート、ずっと見てしまう...
https://t.co/6PBygXg6H4

[Archaeology & Art @archaeologyart]

Temple of Isis, Egypt, early 20th century

[Archaeology & Art @archaeologyart]

Ritual Dagger (Phurba). Culture: Eastern Tibet, Kham region, Derge or China. Date: c. 17th century or earlier. Medium: Gilt copper alloy and rock crystal; H. 20.32 cm. Collection: Los Angeles County Museum of Art (LACMA), Los Angeles.

The upper part of this dagger features a heavy, densely worked gilded hilt, while the lower part is a clear, translucent rock crystal blade. This is a Phurba (Sanskrit: Kila)--a ceremonial dagger used in Tibetan Buddhism.

This dagger isn’t meant for physical combat, but for a spiritual process of fixation.

Shift your eyes up from the crystal to where the metal hilt begins. The creature here is a hybrid aquatic monster known in Hindu and Buddhist mythology as a Makara. The Makara is typically associated with the powerful energies of water and nature. However, in this design, the crystal blade is positioned as if it’s being "spit" from the monster’s mouth. This detail signifies that wild energy is being transformed into power under the priest’s control. The small skull motifs encircling the dagger’s neck around the Makara’s mouth aren’t a reference to death, but to the annihilation of the ego. The intertwined knots on the hilt and the lotus bud at the very top are common motifs in Tibetan Buddhist art.

The ancestor of this ritual dagger is actually a simple tent peg used by nomadic communities in the Himalayas. Early travelers used these pegs to secure their shelters to the ground against harsh mountain winds, but over time, they elevated the concept to a different plane. Just as a peg secures a tent against a storm, monks use the Phurba to "nail" a chaotic mind or bad energy right where it is. According to legend, Padmasambhava, who brought Buddhism to Tibet, "nailed" the land using huge ritual pegs to control local spirits. So, this object is a stabilizer transformed from a simple camping tool.