Jonathan

“was able to throw some paint on the canvas tonight... we're working to create something beautiful so let's keep going”

[Jonathan @pynechone]

For Ever Mozart (Jean-Luc Godard, 1996)

[Jonathan @pynechone]

@DanielGorman20 sorry man. i do like some of his earlier stuff though

[Jonathan @pynechone]

🚮

[Daniel Gorman @DanielGorman20]

why the fuck doesn’t every movie look like this

[Jonathan @pynechone]

evil is defeated

[Jonathan @pynechone]

@DanielGorman20 yes

[Maddie @maddiewhittle]

Sorry but lmao

[Josh Hart @joshhart]

i miss the way me and #oomf used to talk

[Jonathan @pynechone]

Yes in the sense that Bergman and Herzog are both morons

[deaf kennedys @thamosdeaf]

Peas in a pod.

[The Hollywood Handle @HollywoodHandle]

Luca Guadagnino says ‘TOP GUN: MAVERICK’ is a “very bad movie.”

He says people liked it “because the economy of nostalgia right seems to be the only commodity that can be dominated by all types of markets.”

(Via: https://t.co/cCRBiiRYun)

[Jonathan @pynechone]

The people are yearning for pre-Cahiers film criticism, apparently

[Jonathan @pynechone]

Bergman is infallible?

[Ella Dorn 唐棠 @elladorn_]

I like Scorsese but why is everyone talking about him like he's Ingmar Bergman... he's a very competent filmmaker but not singular and clearly not infallible

[Jonathan @pynechone]

@veolenes @notRomoo Vilka Palestinska grupper som strider mot Israel får man hylla då? Eller är de alla läskiga terrorister enligt dig?

[Jonathan @pynechone]

watching a movie at home in the daytime for the first time in probably years

[Jonathan @pynechone]

Bergman/Nykvist ffs

[Jonathan @pynechone]

not even close bruh

[Matthew Zeitlin @MattZeitlin]

is muller and wenders the best director-cinematographer collaboration ever? who's even close, godard and coutard? scorsese and ballhaus?

[Jonathan @pynechone]

Ford/Toland
Malick/Lubezki
Mann/Beebe

all clear

[Richard Brody @tnyfrontrow]

Cette désaffection pour Malick vient d'une erreur auteuriste: en valorisant des beaux films faits selon des normes commerciales, nombreux critiques ont fini par valoriser les normes elles-mêmes au nom mal placé du classicisme.

[Jonathan @pynechone]

May:

David and Bathsheba (1951)
Joe Hill (1971)
Outlaw Blues (1977)
White Lightning (1972)

[Jonathan @pynechone]

ALLEZ

[el 🐑 @moonderley2]

i’m obsessed with swedish posters for old hollywood movies