What is a Bandish and its importance in Indian Classical Music.
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Besides the Khayal, String instruments like the Sitar and the Sarod, also use another form for presentation, the alaap, Jod,Jhala and Gat form.
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Understand how different musical instruments measure up to the demands of presenting a Raga.
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A closer look at various musical instruments used by Indian Music, and how they are classified.
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What is normally the proportion of the durations of the Vilambit and the Drut in a performance?
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If the structure of the Khayal is so well codified, what makes artists so different from each other in their performance?
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At what point and why does the laya of the Vilambit Khayala increase in a performance?
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What musical concepts you need to be familiar with, to appreciate a Khayal performance?
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How does the development progress in the Vilambit Khayal?
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The Khayal is the contemporary major form of presenting a raga in a performance.
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How exactly does the artist expand and develop a raga, using the Bandish as a platform?
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In Indian Classical Music, understand how the frames of the Raga (Raag) and the Tala (Taal) come together, to form the Bandish or the composition. It is the Bandish which then becomes the platform for presentation.
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Take a closer look at some of the commonly used Tala in practice.
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The term Laya also refers to the tempo or speed, which ranges from the Slowest Vilambit, to the fastest Drut.
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The accompaniment of Tabla for a khayal performance is known as Theka, and not Tala. What is the difference?
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Delve deeper within the structure of the Tala, to understand its structure, and arising aesthetic principles.
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The Tabla consists of two drums, which produce a combination of a bass and a treble sound. Understand how these sounds are used to create the bols, to make the language of the Tabla.
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Just as the Swara is used in the form of a Raga for performance, Laya is processed into the concept of Tala, which is used for performance.
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Understand the basic concept of Laya as it exists in nature, and how it is used in Music.
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