Robert Libasci

[Fascinating @fasc1nate]

Pocahontas had one son with her second husband, John Rolfe. That son had one daughter named Jane Rolfe. In 1887, a book was published that found that Pocahontas had thousands of descendants. That number has more recently been updated to reveal over 30,000 named descendants. https://t.co/51KrUyI6Bc

[The Daily Beast @thedailybeast]

Trump's desperate pleas for Zelensky to spare Russia’s oil refineries have gone ignored. https://t.co/3G9BPjOUaQ

[Robert Libasci @raillmt]

https://t.co/w4DB3z81wx

[Michael Beschloss @BeschlossDC]

At the White House in October 1963, six weeks before his assassination, JFK and a model of the National Cultural Center, later renamed the John F. Kennedy Center for the Performing Arts:

[Robert Libasci @raillmt]

https://t.co/b6qLAebPlS

[Robert Libasci @raillmt]

https://t.co/tnDBnX1CvP

[Robert Libasci @raillmt]

https://t.co/4yjGk0wQJ3

[Robert Libasci @raillmt]

https://t.co/fvcLjP2RzX

[The Divided States Of America @TheDividedStat3]

This is waaaaaaaaaaaaaaaaaaaaaaaaay overdue.

Don’t you agree?

[ABC News @ABC]

A Russian oligarch with ties to President Vladimir Putin allegedly contributed hundreds of thousands of dollars for events around Donald Trump Jr.'s wedding to Bettina Anderson earlier this year, according to a report from ProPublica published Monday. https://t.co/8jS5zilpUz

[Archaeo - Histories @archeohistories]

In Iran around 1880, carpet weaving was far more than a domestic craft—it was a deeply embedded cultural tradition and an essential part of many women’s lives. Women, often from childhood, learned the intricate patterns passed down through generations, their hands guided by both memory and intuition. Working on looms set up in courtyards, small rooms, or dedicated village workshops, they created carpets that told stories—of place, of identity, of quiet artistry woven knot by knot.

These weavers weren’t always visible in official histories or trade records, yet their labor fueled an international industry. Persian carpets were prized across Europe and beyond, admired for their beauty and craftsmanship, yet the women behind them often worked under difficult conditions. Many came from rural or tribal communities, where weaving was both an economic necessity and a communal act—done alongside sisters, mothers, daughters.

The work was demanding: hours hunched over looms, eyes straining to read complex, often improvised designs that required mathematical precision and a deeply intuitive sense of color and rhythm. Each carpet could take months or even years to complete, depending on its size and complexity.

Though they rarely signed their names to their work, these women left lasting signatures—through pattern, through skill, through the quiet endurance woven into every thread. Their carpets carried not just beauty, but legacy: a textile history authored by women whose artistry was often anonymous but never invisible.

#archaeohistories

[Don Winslow @donwinslow]

For Republicans, this is called an INCONVENIENT FACT.

[Robert Libasci @raillmt]

@madisonclaccy9 Yes absolutely!

[PoliticsVideoChannel @politvidchannel]

BREAKING: A federal judge has just ended the “get-out-of-jail-free card” granted to Trump’s sons (and the Trump Organization) by the DOJ in the $1.776 billion IRS settlement.

Trump's sons can now go to jail

[Robert Libasci @raillmt]

https://t.co/baQOLbrTVy

[Robert Libasci @raillmt]

@thebarefootging The ass and the feet! 👅😋😋😋😋😋

[Robert Libasci @raillmt]

@Wondersofworld0 Yes!