Don’t miss your chance to read the new Cambridge element, Empire, Extraction and Power in the Festivals of Britain of 1951 and 2022, by Caoimhe Mader McGuinness @CaoimheMMC! Free access available until 15 December at
https://t.co/MixOmvZBWF
#cambridgeelements#dramaandtheatre
Theatre Research International Vol. 50 Issue 3 is now available on Cambridge Core.
https://t.co/xWck1slaH9
From 1 Jan, access will be through members' login at https://t.co/ibm0GwggK8. More information will follow.
Breaking my social media hiatus for this @ParsianaMedia review of Kathryn Hansen's work on Parsi theatre. It had been sitting at the back of my throat for 15 years. Here's hoping we can now stop reducing the 19th century South Asian stage to a utopic site of communal harmony.
Watch Drs Tancredi Gusman, Dorota Sosnowska, and Rashna Nicholson discuss the inception, implications, and impact of special issue 50.3, “Historiography as Metonymy”, publishing later in 2025:
🎥 https://t.co/u9yMQgzxji
#iftr#theatrestudies#IFTR2025@iftrcomms@theatreintl
Delighted and terrified in equal measure that my first book is finally out! If you’re into #appliedtheatre, problems with #globaldevelopment and transnational collaboration, and reflective practice, hopefully this will be of interest https://t.co/SNgChKZgXN
Don’t miss your chance to read new Cambridge Element The Festival of India by @rashnanicholson Free access available until 26 April.
https://t.co/6cKsYtot7K
#cambridgeelements#literature
@CIHABlog@huma_africa@ERC_Research Congratulations to Nic Leonhardt, Christopher B. Balme and their contributors! Their new #openaccess book Developing Theatre in the Global South: Institutions, networks, experts has published today. Download it free: https://t.co/SYPG3uQxTh
Thrilled to announce that my second, smaller, but no less beautiful book baby is finally out in the world! If you’re interested in Cold War cultural diplomacy, exhibitions, and where stars such as Peter Brook got their endless funds from, the book is free to download for 2 weeks.