"The oeuvre of every great poet is a canon unto itself, and Bloom’s ideal required an authoritative canon of canons."
Alex Lanz on Harold Bloom and the context of "The Man Who Read Everything": https://t.co/ZRSEiSGkKr
true of most of the greatest lyricists, and why I think the overwhelming modern focus on “relatable” or “confessional” lyricism is boring and often bad
Romanticism rejected bourgeois society in two ways: 1) by saving ('romanticising') the lowly, ordinary, mundane aspects of life which modern society rejects & 2) a refusal of total reification by de-thingifying the world through spiritualisation (pantheism)
i reviewed jonathan kramnick’s criticism and truth, which i take to be arguing, among other things, that close reading isn’t just for girls. unpaywalled link below
with @jamacintosh on "work"
Joshua Clover and @anniemcclanahan on "organization"
our dear late friend Marina Vishmidt on "debt"
Bev Best and Richard Dienst! Tom McCarthy! Ida Börjel! @marxforcats!
I wrote about "disruption"!
🚨🚨🚨 wowow okay bye
This is a great list of books on nationalism - with one exception. A brief thread on why Imagined Communities is one of the most overrated books in the field - and what other books should replace it on any reading list on the subject. 1/
I wrote a critical response to Ted Chiang’s New Yorker piece, which I hope will be taken as the heartfelt contribution of a comrade and not the ramblings of a pedant. Link in bio, etc.
In "Secularlism As Misdirection," Nivedita Menon traces how the discourse of secularism fixes attention to and hypervisualizes women and religion while obscuring other related issues. Read the intro for free now! #PoliticalTheory
https://t.co/OUqLV9WobC
i'm in the new @Parapraxis_Mag on barbara johnson, that thing where people loudly complain about being silenced, lyric poetry, and my love-hate relationship with undecidability https://t.co/VX9M9RYHrz
Media Theory 7.2 – Out Now!
Featuring the Bernard Stiegler Memorial Lecture and a special section on ‘Lauren Berlant and Media Theory’, edited by Carolyn Pedwell & Simon Dawes.
https://t.co/QF0F9dAs7N