Trained at London’s prestigious Central School of Speech & Drama, Raz Adoti made his name as an actor working with Hollywood royalty! Next up, his own stories!
🗣️ | "𝐓𝐇𝐄 𝐁𝐄𝐒𝐓 𝐅𝐄𝐄𝐋𝐈𝐍𝐆 𝐈 𝐄𝐕𝐄𝐑 𝐇𝐀𝐃."
Son Heung-min 🇰🇷 joined his cousin @ochocinco to discuss Tottenham's EPIC comeback against Ajax in the 2019 UCL semi-final.
#COYS fans, who else remembers where they were during that epic game?
@HotspurLane Good for him. He was played out of position on the left wing in the last 20 minutes for an injury plagued 18 months. He recovered and started banging them in when played centrally, I think most people were caught up with his first season. Bro gave us everything! Good luck! COYS!
This is why I laugh at the banterous slandering of the GOATed Jay Jay Okocha. If it is not just banter and you genuinely believed he killed team’s progressive play, then your understanding of the game has to be checked.
Jay Jay was not just a magical dribbler; but just like Messi, he was a talent, blessed with tremendous vision and a dexterious passer of the ball.
So, like it was in this game vs Italy in 1994 (that shaped the unfounded claims that Jay Jay doesn’t play with the team), the times he didn’t pass, he was either unsure of the pass going through or of the teammate’s run good enough. It happens, a lot, with players that never like to lose the ball.
And once again in this clip against Italy, it is obvious to see how positive Jay Jay’s play was for the team than negative. I remember the notion while watching this game LIVE among those seniors were that of negativity; I wonder how they will feel if they watch it with open minds now. (I remember watching the full game in Qatar four years ago 😁)
https://t.co/7bz2WsR52l
Tottenham going down would have been one of the biggest every stories to happen in the premier league,
Genuinely scraped it by the skin of our teeth, but the absolute state of refereeing the last 3 months of the season.
We were honoured to be welcomed to Auckland by local tangata whenua (people of the land) @NWOrakei (Ngāti Whātua Ōrākei) today.
Our players and club staff took part in a pōwhiri, a traditional Māori welcoming ceremony.
Christopher Reeve rests between takes on the set of Superman: The Movie in 1977, still wearing the iconic Superman suit that would become one of the most recognizable costumes in film history.
There is something deeply human about this photograph: Christopher Reeve, dressed as the world’s most famous superhero, sits asleep in a folding chair between takes. The image captures the contrast between the magic of cinema and the reality behind the scenes.
On screen, Superman appeared unstoppable — a hero who never tired or faltered. Off camera, Reeve was a young actor enduring long production days, waiting beneath hot studio lights for the next scene to be filmed.
Superman: The Movie was shot primarily from March to October 1977, with major portions filmed at Pinewood Studios in England and on location in New York City. Directed by Richard Donner, the production was one of the most ambitious films of its era, featuring groundbreaking visual effects, complex flying sequences, and a budget that eventually surpassed $50 million, making it the most expensive film ever made at the time.
Reeve was only 24 years old and relatively unknown when he won the role after competing against hundreds of actors, including several established stars. To prepare, he followed an intense training program with British bodybuilder David Prowse, who would later become famous as Darth Vader in Star Wars. Reeve gained around 30 pounds of muscle, transforming his slim build into the powerful physique that defined Superman for generations.
When the film premiered in December 1978, it became a major critical and commercial success, helping launch the era of the modern superhero blockbuster. Reeve’s sincere and optimistic portrayal remains one of the most celebrated versions of Superman ever brought to the screen.
The film’s famous marketing slogan — “You’ll believe a man can fly” — captured the impact of its revolutionary visual effects. Through innovative wire work, optical effects, and front-projection techniques, Superman: The Movie achieved something audiences had never seen before: making a superhero truly feel real.
A man was caught on camera scaling the side of a building in Paris to rescue a four-year-old child hanging from a balcony. Without a moment's hesitation, he climbed several stories to reach the little boy and pull him to safety.
A true hero whose courage deserves the highest respect and every medal imaginable. 👏🏅❤️