Re-aye

Re-Aye’s sketchbook. Just drawing whatever comes to mind, maybe one day I'll be good at it.
Please do not repost, and also fuck genAI

[Animation Obsessive @ani_obsessive]

Concept art by Yoshiyuki Momose for Only Yesterday (1991), dir. Isao Takahata, Studio Ghibli

[ファントムシータ @PhantomSiita]

🐍YouTube公開🐍

「ホラークイーン」のレコーディングビハインド映像を公開👁️⸝⋆⸝⋆

✯ https://t.co/NCVVxNYl0U ✯

奮闘ｽﾙメンバーをぜひ見届けてくだｻｲ!!εïз

#ファントムシータ #ホラークイーン

[Vee @scratchthatout]

i'm breathless. what a phenomenal first chapter, from how it approached reading and collecting as aesthetics, or the reality of second-hand book costs.

the way the recovery of the deceased's books were handled was just so real to me. an uncomfortable, beautiful moment.

[Re-aye @Reayedoodles]

Dandadan doodle
ターボ👓🍑ちゃん

[TVアニメ『恋せよまやかし天使ども』 @koidomo_anime]

‧ ┈ ‧ ┈ ‧ ┈ ‧ ୨୧ ‧ ┈ ‧ ┈ ‧ ┈ ‧

『#恋せよまやかし天使ども』
⠀ ティザービジュアル公開

‧ ┈ ‧ ┈ ‧ ┈ ‧ ┈ ‧ ┈ ‧ ┈ ‧ ┈ ‧

制作：#MAPPA

2027年TVアニメ化✨ˊ˗

✧公式HP
https://t.co/EPLxExtONp

[卯月ココ @uzcoco_66]

【 お知らせ 】

先ほど配信にて発表されましたが
『 #恋せよまやかし天使ども 』アニメ
MAPPAさんに制作していただいております！

ティザービジュアルやPVなども公開されましたので是非観てください🙇🏻

[岡添 健介 @nokorimon]

新規自主制作
『まじない』

[⨯ dewa ⨯ comms closed! @dewborb_art]

okarun wip!
and as always, i make things much harder for myself

[Ayase 💞 @MomoAyasee]

what we saw what he saw

[Ayase 💞 @MomoAyasee]

❤️

[meraki_༊*·˚ @bbygurl_sugu]

Bringing this video of Gojo dancing to "Lost in Paradise" back to the tl cause this masterpiece is too iconic to be forgotten.

[Re-aye @Reayedoodles]

Lrt: i really loved that art style they used in the first ending in jjk. Really felt thst they grasped each character’s casual style in such a cute way, and grasps the innocence before shit really hits the fan.

[長添 雅嗣 @dir_nagasoe]

アニメ呪術廻戦5周年記念イラスト描かせてもらいました。

5年も経つんですね
今考えるとこのタッチでいくことにゴーサイン出してくれたみなさんにほんと感謝です。
グッズ楽しみです！

[丹羽弘美 @niwahiromi01]

こちらの原画担当させていただきました！

[Re-aye @Reayedoodles]

I wonder if ppl create characters with her voice in mind.

[Re-aye @Reayedoodles]

Hahahahaha, the more clips of JJK0 I watch, the more I'm like Wow Ogata Megumi is really good at her job.

[본드 @SxFisthebest]

In an interview, Ao Kojima, the mangaka of Hon nara Uru hodo, spoke about Mitsuru Adachi.

“When I was a child, we had Adachi-sensei’s works at home, up through around the time of Touch, so I read them often. His stories sometimes contained mature nuances, and there were parts that I couldn’t fully understand as an elementary school student. Even so, I tried to read them by stretching beyond my age. A big reason was that the works themselves were so easy to read.”

“He didn’t rely on excessive dialogue. Instead, he conveyed things through scenery, facial expressions, and the flow of the panels. The page composition and direction were incredibly clean, and looking back now, they were remarkably skillful. It felt almost like watching a movie or a TV drama, allowing readers to naturally connect with the characters. Even as a child, I could enter that world effortlessly and without any sense of strain.”

[⚔️m r n ⚔️ @joyfulmuraena]

🐊
03.2026

[Re-aye @Reayedoodles]

🎶守り続けた愛が
いつかあなたを包みますように🎶
ーUru “ 紙一重”, hell’s paradise ending

[らららーう(旧・雨宮) @Nandemo_unknown]

怪異進行型❤️‍🩹