👾

fake ass bitch

[👾 @redsleezy]

🍈

[Kea @jacquemusx]

ZENDAYA ARE YOU FUCKING KIDDING ME?!!

[👾 @redsleezy]

😍😍😍😍😍

[mossie 🦔 lapapela stan @waiflook]

“euphoria star” los protegidos star querrás decir

[Lion @LionInCrisis]

I know it's adorable, but blur my kids face next time

[@betsy_ontheroof @betsy_ontheroof]

charli i love you but smoking with a minor is not ok

[tradenip @rossisongo]

Her maintaining mystery feature allure even though we alrdy know who it is is camp. Tens for integrity tens for the process tens for artistic isolation tens for ignoring the peanuts.

[Pop Crave @PopCrave]

‘Euphoria’ star Priscilla Delgado stuns for Harper's Bazaar España.

[oldstetic @oldstetic]

impressionante como uma música lançada há 14 anos continua parecendo trilha sonora de um fim de tarde melancólico para uma geração inteira.

Summertime Sadness (2012)

[𝓛𝓝𝓓 @lattonextdoor]

the setup is complete 😛

[Latto Base @Lattobase]

Latto’s ‘Big Mama’ extends its run on the Billboard 200, spending a third consecutive week on the chart at #77.

The project continues to stand as the highest-charting female rap album in the U.S. this week.

[👾 @redsleezy]

Ps hace más que la mayoría de hombres de la industria, curioso que esa parte te la hayas saltado, no podéis pedirle más a Tyla, voz, performances, baile y estética y aún así seguís cuestionándola, no respetáis ningún trabajo.

[kathi @SandSnakeKate]

I like Tyla as a celebrity, but she bores me as an artist. the sound, the aesthetic, the MVs.
Like would it hurt for once to have a video with a story/plot/any semblances of idea behind it other than 'Tyla wining her hips in revealing outfit in an empty room for 3 minutes'? lol

[honeymoun @honeymounz]

Happy 41st birthday to Lana Del Rey, the mother of all mothers… it would be impossible to predict the current musical landscape without her mere existence completely shaping it.

[𝒜𝒹ℯ𝓁𝒾𝓃𝒶ꕤ☁️ @fl0ptr0pic4n]

41 years ago a legend was born and the world was never the same

[Anish Moonka @anishmoonka]

The music-review site Pitchfork gave Lana Del Rey's debut album a 5.5 out of 10 in 2012. By the end of 2025, that same album had spent more time on the Billboard 200 than any album by a woman in history: 618 weeks, almost twelve years.

She got there by surviving one of the roughest welcomes in modern pop. When Born to Die came out, critics called her voice fake and her whole image a marketing stunt. Tabloids ran stories saying the record label had manufactured her. The album sold anyway, and finished 2012 as the fifth best-selling record in the world.

Then the same critics turned around. Her 2019 album Norman Fucking Rockwell! scored a 9.4 on Pitchfork, the highest grade they gave any album that year, and the review called her one of America's greatest living songwriters. It was the most-cited album in critics' end-of-year lists for 2019 and earned a nomination for Album of the Year. Rolling Stone now ranks it among the 500 greatest albums ever made.

The fans were there the whole time. "Summertime Sadness," a single off that panned debut, crossed 2 billion Spotify streams in 2025. Born to Die has been somewhere on the chart for almost twelve straight years.

Her mark is all over the artists who came after. Billboard credits her with pulling pop away from loud club music toward the slower, moodier sound that defined the 2010s, and names Lorde, Halsey, Miley Cyrus, and Taylor Swift among the artists she shaped. The Washington Post put her on its list of people who defined the decade. She was the only musician on it. NYU teaches a course on her music.

She has been nominated for 11 Grammys. She has won zero.

[👾 @redsleezy]

Tengo una maña si me subo no me apego

[Yseult @yseultofficiel]

FREAK FT. @thegirljt out June 19