thought he wasn’t interested bc he gave customer service replies online but ended up talking for over an hour about EVERYTHING I asked him in the chat when we met up….FUCKING RELEASE ME
WTS EXO horizon VIP KL concert tickets
VIP D Row 8/9 seat x (<10)
High price, two pairs. Full payment only
Pls pm #exohorizoninkl#horizoninkl#exoinkl
WTS EXO horizon VIP KL concert tickets
VIP D Row 8/9 seat x (<10)
High price, two pairs. Full payment only
Pls pm #exohorizoninkl#horizoninkl#exoinkl
WTS EXO horizon VIP KL concert tickets
VIP D Row 8/9 seat x (<10)
High price, two pairs. Full payment only
Pls pm #exohorizoninkl#horizoninkl#exoinkl
Got weirded out by a handful of ppl who asked if I was single on my first month at the job bc they had someone to intro… the fuckass moment when I found out it was him dawg what the fuck I actually owe everyone an apology
all my gods really REALLY wanted me to be single again by throwing me someone exactly my type when I was contemplating to break up????? wdym they even ran an animal rescue what the fuck?????
@unfroggetable5 Korea makes soulless slip for a generic global audience. Japan makes media for it's own domestic audience, and people from other countries pick it up because it's good.
Big difference. Opening up the floodgates to the global audience requires dumbing down the media further.
Hey here’s a hot take: Japanese media is made for Japanese people. Tickets to live shows and such are limited, and are intended for their domestic audience. Once you open up these limited seats to the world, suddenly the local fans can’t get seats. It’s that simple.
This whole thread is just "I know allowing foreign spotify streams take 3 clicks to do. But's it's just sooooooooooo harddddddddd and I know deliberately locking MVs to Youtube Japan instead of Global can be fixed in 2 seconds... But you can't even imagine how harddddddd it isss"
Saying selling out shows is a lot more challenging is so funny when other East Asian artists are already on their third/fourth tour post Covid lmao just say yall are lazy and racist and go
If you’re a fan of Japanese music and live outside of Japan, I would be so grateful if you take a moment to read this🙏
If you’ve ever wondered why more Japanese artists don’t reach out and do shows & tours overseas, the reason is pretty simple and the main one is the hurdle of selling tickets.
There is only a SMALL percentage of artists that can rely on the power of big labels/agents to promote their shows internationally.
Even in Japan, selling out shows is a lot more challenging than in past years, due to people just being satisfied with digital content. And considering it costs even more to bring a tour overseas, you can imagine how many artists are willing to LOSE money by doing so, if any.
It’s not just about the artist not being popular or sufficient enough, or that they don’t have the will to bring their content to fans around the world. In fact, there are so many fellow artists around me that I highly respect, telling me they wish they could do shows overseas, but know it’s not realistically possible, and as someone who yearns for the same thing, it really, really hurts inside.
More importantly, it hurts most that fans around the world will often never ever be able to see a show of their favorite Japanese artist.
I’m not trying to ask for pity, nor demand anything, unless this resonates with you.
But if it does, and you want to know what you can do to help us reach you with our music, it’s really very simple.
Please go follow artist’s socials.
Please go subscribe to their Youtube channels.
Please find them on Spotify.
Please interact with them by commenting and letting them know you’re there to support them.
Please share your passion with the people around you.
AND PLEASE, don’t miss the opportunity to buy a ticket and GO to their shows, when that miraculous opportunity comes, whether it’s a solo or event stage.
I am not exaggerating when I say it IS a miracle and it might never happen again.
I know writing all this isn’t gonna change much, but I just hope it reminds you that every listener, every fan, every second of support matters in keeping music alive, particularly in this generation.
Thanks for listening, if you made it this far🫶
Let’s keep Rocking On.
NANO