Our final #MHP03 is
Repl-electric, an artist working with programming code, realtime media & audio. He performs live coded musical and visual performances.
His sub to Creature is a narrative-driven wonder of technological achievement.
Check out his work: https://t.co/njGBwTyIcM
Sounds and instruments currently looping around my server, prodded, granulated and modulated with live code.
“Piezoelectric Resonant Frequency”
https://t.co/zjg1wLjJmj
#livecoding#sonicpi#ambient
Announcing Live Code Lab! Exploring the intersection of live code, music, visuals & more.
Co-organized by @musichackathon and @livecodenyc, hosted by IDM at @nyutandon
Free w/ RSVP: https://t.co/71mk0Hv53N
Call for Proposals open thru 12/16: https://t.co/oBbprbChUw
@iain_xornot I guess LISP-ers is one categorisation of a group who could be split in many different ways. I would love to learn more about the qualities that connect and differ between programmers and musicians.
Released my new album: “d[ -_-]b”.
A narrative driven auditory adventure performed live in #ruby code.
https://t.co/oX8pcXEOwA
Comes with a little pdf source code book
Giclée prints of live coded visuals available
https://t.co/Ld7Rvc0giF
#livecoding#sonicpi#creativecoding
It seems odd to me that I only have a vague sense if a track is great while performing. I need 24 hours and then listening back in a different environment to review. Is this something that comes with practice?
Any advice?
My music process:
* Improvise an idea.
* Spend x weeks refining and tweaking.
* Learn a huge amount in the process.
* Burn all the progress and release the original improv (It was better)